Die Abenteuer von Tom Sawyer und Huckleberry Finn
Originaltitel: The Adventures of Tom Sawyer
IMDb-BEWERTUNG
7,1/10
2397
IHRE BEWERTUNG
Tom Sawyer und sein Kumpel Huckleberry Finn erleben große Abenteuer auf dem Mississippi River. Sie geben sich als Piraten aus, nehmen an ihrer eigenen Beerdigung teil und werden Zeugen eines... Alles lesenTom Sawyer und sein Kumpel Huckleberry Finn erleben große Abenteuer auf dem Mississippi River. Sie geben sich als Piraten aus, nehmen an ihrer eigenen Beerdigung teil und werden Zeugen eines Mordes.Tom Sawyer und sein Kumpel Huckleberry Finn erleben große Abenteuer auf dem Mississippi River. Sie geben sich als Piraten aus, nehmen an ihrer eigenen Beerdigung teil und werden Zeugen eines Mordes.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 4 Gewinne & 2 Nominierungen insgesamt
Eric Alden
- Assistant Defense Attorney
- (Nicht genannt)
Empfohlene Bewertungen
THE ADVENTURES OF TOM SAWYER keep the small town of St. Petersburg, Missouri in constant turmoil, circa 1850...
This is a splendid family film, one of producer David O. Selznick's very best. Presented in wonderful Technicolor, it is like looking through the pages of an illustrated copy of the classic novel. All the favorite episodes are here. All of the performers are perfect in their roles. It is difficult to imagine a better transition from book to screen.
Elderly May Robson has one of her finest roles as harried, temperamental, lovable Aunt Polly. She easily steals every scene she's in & provides the sentimental heart of the movie. However, breaking out a bit, her last scene at the film's conclusion is hilarious. A small cluster of veteran character actors - Walter Brennan, Victor Jory, Donald Meek & Margaret Hamilton - are also exceptional in their roles.
12-year-old Tommy Kelly IS Tom Sawyer - he will instantly gain the respect & admiration of every prepubescent male in the audience. Beguiling & mischievous, with an infectious grin & sad eyes, he admirably fills the bare feet of America's most famous literary kid. The movie's other child actors - David Holt, Marcia Mae Jones, Ann Gillis & Jackie Moran - give excellent support. (Legend has it that Selznick found young Master Kelly in an orphanage. True or not, this was his best role. Very soon he was playing only bit parts and eventually left films around the age of 25.)
The cave sequence is especially noteworthy, thanks to the art design of William Cameron Menzies, the flickering camera work of James Wong Howe, and the moody music of Max Steiner. Spooky & claustrophobic, these scenes are the embodiment of every viewer's nightmares, and, thus, are tremendously entertaining.
It should be noted that while the character of Jim is correctly depicted as a slave, the film itself is blessedly free of the racism that blights so many Hollywood films of the 1930's.
This is a splendid family film, one of producer David O. Selznick's very best. Presented in wonderful Technicolor, it is like looking through the pages of an illustrated copy of the classic novel. All the favorite episodes are here. All of the performers are perfect in their roles. It is difficult to imagine a better transition from book to screen.
Elderly May Robson has one of her finest roles as harried, temperamental, lovable Aunt Polly. She easily steals every scene she's in & provides the sentimental heart of the movie. However, breaking out a bit, her last scene at the film's conclusion is hilarious. A small cluster of veteran character actors - Walter Brennan, Victor Jory, Donald Meek & Margaret Hamilton - are also exceptional in their roles.
12-year-old Tommy Kelly IS Tom Sawyer - he will instantly gain the respect & admiration of every prepubescent male in the audience. Beguiling & mischievous, with an infectious grin & sad eyes, he admirably fills the bare feet of America's most famous literary kid. The movie's other child actors - David Holt, Marcia Mae Jones, Ann Gillis & Jackie Moran - give excellent support. (Legend has it that Selznick found young Master Kelly in an orphanage. True or not, this was his best role. Very soon he was playing only bit parts and eventually left films around the age of 25.)
The cave sequence is especially noteworthy, thanks to the art design of William Cameron Menzies, the flickering camera work of James Wong Howe, and the moody music of Max Steiner. Spooky & claustrophobic, these scenes are the embodiment of every viewer's nightmares, and, thus, are tremendously entertaining.
It should be noted that while the character of Jim is correctly depicted as a slave, the film itself is blessedly free of the racism that blights so many Hollywood films of the 1930's.
There have been numerous film adaptations of Mark Twain's beloved story, "The Adventures of Tom Sawyer," but few capture the boyish wonder and childlike bliss which permeates the classic yarn. Luckily, 1938 rendition is one of the select few that do. The acting is first class; the directing often innovative, and the whimsical screenplay is respectful of the novel.
The novel itself is entertainingly superior to Huckleberry Finn in its lack of a political agenda or societal commentary. Its sole objective is to return us once more to the naivety of youth when our life was far simpler and, in many cases, far happier.
For the older generation of film aficionados, child actor Tommy Kelly was the definitive Tom Sawyer. His winning smile, visible freckles and bright eyes encapsulate the literary character to a tee. After watching this film and re-reading Twain's novel, it is impossible to remove the image of Tommy Kelly from one's mind as he or she remembers Sawyer's antics.
It is in the supporting characters, however, that this film truly shines. The grade-A performances of Walter Brennan as the likable Muff Potter, a make-up smeared Victory Jory as the menacing Injun Joe and Olin Howlin as the violent schoolmaster are highlights of the film. Brennan seems to infuse a perpetual helplessness in his inebriated character that epitomizes the small town bum of a forgotten America; Jory makes Injun Joe the personification of evil and a red-faced Howlin is superlative as an authoritarian teacher who makes the audience cringe when he canes Tom. Australian-native May Robeson, who portrays Aunt Polly, is able to make smooth, believable transitions from harsh severity to tender leniency as the script demands.
Remarkably, the numerous child stars in this film were destined for unhappy lives. David Holt (Sid) spent his early life as a child actor in poverty as he, much like Tommy Kelly, waited for star-making film roles which never came. Jackie Moran (Huckleberry Finn) soared briefly higher towards elusive stardom when he was cast as the energetic sidekick of Buster Crabbe in a "Buck Rogers" (1939) serial. Immediately afterwards, Moran's career plummeted into oblivion. Perhaps the only exception to this streak of bad luck was Ann Gillis (Becky Thatcher) who found herself always in demand to portray a screen brat. Upon coming of age and legally capable of making her own decisions, Gillis wisely left the film industry to find happiness elsewhere.
"The Adventures of Tom Sawyer" (1938) is also significant in that its talented screenwriter, John V.A. Weaver, died shortly after its release of tuberculosis. His successful but altogether short career included writing screenplays for such cinematic classics as King Vidor's "The Crowd" (1928) and "The Saturday Night Kid" (1929). In a sense, this film was his last hurrah and it is only fitting that Weaver's last project in his old age should be subtly based upon the universal human longing to be young once again.
The novel itself is entertainingly superior to Huckleberry Finn in its lack of a political agenda or societal commentary. Its sole objective is to return us once more to the naivety of youth when our life was far simpler and, in many cases, far happier.
For the older generation of film aficionados, child actor Tommy Kelly was the definitive Tom Sawyer. His winning smile, visible freckles and bright eyes encapsulate the literary character to a tee. After watching this film and re-reading Twain's novel, it is impossible to remove the image of Tommy Kelly from one's mind as he or she remembers Sawyer's antics.
It is in the supporting characters, however, that this film truly shines. The grade-A performances of Walter Brennan as the likable Muff Potter, a make-up smeared Victory Jory as the menacing Injun Joe and Olin Howlin as the violent schoolmaster are highlights of the film. Brennan seems to infuse a perpetual helplessness in his inebriated character that epitomizes the small town bum of a forgotten America; Jory makes Injun Joe the personification of evil and a red-faced Howlin is superlative as an authoritarian teacher who makes the audience cringe when he canes Tom. Australian-native May Robeson, who portrays Aunt Polly, is able to make smooth, believable transitions from harsh severity to tender leniency as the script demands.
Remarkably, the numerous child stars in this film were destined for unhappy lives. David Holt (Sid) spent his early life as a child actor in poverty as he, much like Tommy Kelly, waited for star-making film roles which never came. Jackie Moran (Huckleberry Finn) soared briefly higher towards elusive stardom when he was cast as the energetic sidekick of Buster Crabbe in a "Buck Rogers" (1939) serial. Immediately afterwards, Moran's career plummeted into oblivion. Perhaps the only exception to this streak of bad luck was Ann Gillis (Becky Thatcher) who found herself always in demand to portray a screen brat. Upon coming of age and legally capable of making her own decisions, Gillis wisely left the film industry to find happiness elsewhere.
"The Adventures of Tom Sawyer" (1938) is also significant in that its talented screenwriter, John V.A. Weaver, died shortly after its release of tuberculosis. His successful but altogether short career included writing screenplays for such cinematic classics as King Vidor's "The Crowd" (1928) and "The Saturday Night Kid" (1929). In a sense, this film was his last hurrah and it is only fitting that Weaver's last project in his old age should be subtly based upon the universal human longing to be young once again.
It is almost hard to believe that this film was made in 1938. The movie is incredibly faithful to the the book. Even when you know the story it is still suspenseful in the cave with Indian Joe (that is the mark of a good movie). This movie belongs on every family's bookshelf and especially a grandparent's.
I like the book a lot. It is quite episodic in structure, but the characters, dialogue and the story of Tom's adventures are very memorable. This is a very pleasant film and the best version by some considerable distance, like the book it is episodic but it does maintain its likability and charm with only Ann Gillis's rather coy performance and an underdeveloped Huck being the only real problems. Visually and technically, The Adventures of Tom Sawyer is very impressive with gorgeous Technicolour, authentic costumes and lavish sets. (Uncredited) Max Steiner's score helps convey the moods of each scene, the film is faithful to the book(not that it needed to be particularly) with good dialogue and an intense confrontation with Injun Joe and it moves at a good pace. Tommy Kelly is a likable Tom, but it is May Robson and Victor Jory that make the film as memorable as it is. In conclusion, likable and pleasant and definitely something I would watch again willingly. 8/10 Bethany Cox
Mark Twain's classic characters are brought back to life, by David O. Selznick, for an updated movie adaptation. For the first time, Tom and Huck are seen in color (specifically, "Technicolor"), which contributes to the film's main strength: it looks storybook beautiful. The reliance on set pieces seems entirely appropriate, giving the film great style; and, they are very well done. The cinematography, by James Wong Howe, is remarkable.
The story wavers from true triumph, however, in the direction of the characters; the "cuteness quotient" is set far too high. Many tears flow. Tommy Kelly (as Tom Sawyer) suffers the most, of course, being the lead player. It should be emphasized, however, that this is not due to his effort; under the circumstances, Mr. Kelly performs well. Jackie Moran (as Huckleberry Finn) is a cute best friend; but, not much like the "Huck" from Twain's book. Ann Gillis (as Becky Thatcher) is a cute girl friend. The players are all good, but May Robson (as Aunt Polly) seems the truest.
While more cute than mischievous, and far too clean, "The Adventures of Tom Sawyer" is good enough to stand on its own. The familiar "lost in the caves" ending is a great climax; and, Victor Jory (as Injun Joe) still startles. The scene of "Tom" emerging, at last, from the caves - his black silhouette shot against the blue sky of freedom - is indelible.
******* The Adventures of Tom Sawyer (2/11/38) Norman Taurog ~ Tommy Kelly, Jackie Moran, May Robson, Victor Jory
The story wavers from true triumph, however, in the direction of the characters; the "cuteness quotient" is set far too high. Many tears flow. Tommy Kelly (as Tom Sawyer) suffers the most, of course, being the lead player. It should be emphasized, however, that this is not due to his effort; under the circumstances, Mr. Kelly performs well. Jackie Moran (as Huckleberry Finn) is a cute best friend; but, not much like the "Huck" from Twain's book. Ann Gillis (as Becky Thatcher) is a cute girl friend. The players are all good, but May Robson (as Aunt Polly) seems the truest.
While more cute than mischievous, and far too clean, "The Adventures of Tom Sawyer" is good enough to stand on its own. The familiar "lost in the caves" ending is a great climax; and, Victor Jory (as Injun Joe) still startles. The scene of "Tom" emerging, at last, from the caves - his black silhouette shot against the blue sky of freedom - is indelible.
******* The Adventures of Tom Sawyer (2/11/38) Norman Taurog ~ Tommy Kelly, Jackie Moran, May Robson, Victor Jory
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- WissenswertesMany disputes arose between photographer James Wong Howe and his associate, Technicolor photographer Wilfrid M. Cline about which colors to use in wardrobe and sets. Cline wanted bright primary colors, while Howe insisted on subdued earth tones. Since Howe got his way, after one week they were not on speaking terms and the Technicolor company banned Howe from shooting further pictures using their process. Save for his uncredited work on the live-action segments for Fantasia (1940), Howe did not make another Technicolor film for 10 years.
- PatzerWhen Tom is wooing Becky by the river, the frog makes his hat jerk up and down. In the next shot, the string attached to the hat is clearly visible (at 25:40 in 91 minutes).
- Zitate
Aunt Polly: Land o' Goshen! Your hair looks like a Hoorah's nest.
- Crazy CreditsThe opening credits read "A Picturization in Technicolor of the Beloved Classic by Mark Twain 'The Adventures of Tom Sawyer'".
- Alternative VersionenCut to 77 minutes for a 1959 reissue. The reissue print was the only version available for television for many years.
- VerbindungenFeatured in Family Classics: Family Classics: The Adventures of Tom Sawyer (1962)
- SoundtracksColumbia, the Gem of the Ocean
(1843) (uncredited)
Written by David T. Shaw
Arranged by Thomas A. Beckett
Sung by the schoolchildren at school
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- 1 Std. 31 Min.(91 min)
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- 1.37 : 1
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