Füge eine Handlung in deiner Sprache hinzuIn 1889, A gypsy princess, Young Marie (Annabella), loses her aristocratic husband after his is killed in an accident. Nearly a half-century later, her granddaughter Maria (Annabella) falls ... Alles lesenIn 1889, A gypsy princess, Young Marie (Annabella), loses her aristocratic husband after his is killed in an accident. Nearly a half-century later, her granddaughter Maria (Annabella) falls in love with a Canadian horse trainer, Kerry Gilfallen (Henry Fonda), working to prepare e... Alles lesenIn 1889, A gypsy princess, Young Marie (Annabella), loses her aristocratic husband after his is killed in an accident. Nearly a half-century later, her granddaughter Maria (Annabella) falls in love with a Canadian horse trainer, Kerry Gilfallen (Henry Fonda), working to prepare entries for Epsom Downs Derby. Although she is engaged to marry a man in Spain, she falls i... Alles lesen
- Auszeichnungen
- 1 Nominierung insgesamt
- Don Diego
- (as Teddy Underdown)
- Racing Commentator
- (as Captain R.C. Lyle)
- Valentine - as a Youth (Prologue)
- (as Philip Sydney Frost)
- Party Guest
- (Nicht genannt)
- Gypsy
- (Nicht genannt)
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This is also England's first Technicolor movie and it is pretty in its own right, but must seem primitive to film sophisticates. Especially eye-catching are shots of the Irish countryside as McCormack sings. Annabella makes her English-speaking debut in this picture and she is beautiful but her accent makes her difficult to understand at times.
Well, that's about it. The story is ordinary, the plot points telegraphed and it moves at glacial speed. I would have rated it lower were it not for the reasons mentioned above.
John McCormack, the pride of Athlone, County Westmeath and arguably the greatest Irish tenor of all time, failed in several attempts to break into the movies. That's not surprising when one views his stiff acting and singing in this film. Although he sings three songs here, he evidently didn't even bother to memorize the lyrics and sings while looking at a notebook he carries with him. It's no wonder that the film editor decided to cut away from him to inserts of the idyllic Irish countryside during his performance rather than keep the overweight and unphotogenic singer on screen.
Fonda supposedly played a Canadian in this British movie shot partially in Ireland but clearly didn't have a competent dialogue coach because he plays his early scenes with a decidedly Southern drawl. He later lapses into his singularly un-Canadian Midwestern twang.
At this point in his career Fonda was a free-lancer and didn't have to do this film, which was designed as a showcase for French beauty Annabella in her English-speaking debut. After he did sign a long-term contract at Fox in 1940 as a condition of getting the role of Tom Joad in "The Grapes of Wrath," the respected actor chafed when required to play support for films designed to showcase other Fox stars. His unhappy experience on the Alice Faye vehicle "Lillian Russell" is a prime example. Why did Fonda agree to do the film? A good guess would be that the trip to Englasnd and Ireland, rather than the script, was enough motivation.
Annabella has a dual role here, actually a triple role, in a film that takes place first in the 1800s and then in the present day. First, she is Marie, a gypsy, who is with other gypsies in Ireland in 1869. The Lord Clontarf (Lesley Banks) gives the gypsies rights to live on his land in perpetuity. He falls in love with Marie and the two marry, a union that is definitely controversial. When Lord Clontarf is killed in a fall while riding, Marie jumps on the gypsy caravan, and ever the roamers, they leave the area.
Fifty years later, Annabella plays Maria, Duchess of Leyva, who is Marie's great-granddaughter and engaged to Don Diego (Teddy Underdown). The gypsies must flee Spain due to a revolution, so they return to the Clontarf land in Ireland. Marie (now played by Irene Vanbrugh) is worried that Maria will not get out of Spain, but she does, dressed as a boy. While so dressed, she meets horse trainer Kerry Gilfallen (Fonda), a Canadian.
Eventually he discovers he's a she and falls for her. Maria has traded her great-grandmother's horse, Wings of the Morning to Kerry, not realizing the importance of the animal. Marie intends to enter it in a race in order to win money for Maria's dowry.
Henry Fonda was such a handsome young man, and always a good actor, but he doesn't come off as Canadian with that drawl of his. Despite being new to English, Annabella does a very effective job in all of her roles - she was, after all, a huge star in France. Singer John McCormack had a beautiful Irish tenor, but what a bore - no career in movies for him.
As far as the film itself, it's an interesting story but in the end, not a great film. The color isn't as sharp as we're used to today, but it doesn't diminish the incredible beauty of the Irish countryside.
Annabella met actor Tyrone Power on the set of Suez in 1938 and the couple married in 1939. Their boss, Darryl F. Zanuck, did everything he could to break them up -- he offered Annabella some films that were to be made in Europe -- but she refused to leave Power. Once they married, the star buildup for Annabella stopped. She would star on Broadway, work for the war effort, do radio, and a production of "Liliom" with her husband, finally returning to France after they were divorced in 1948. From what she said in interviews -- je ne regrette rien.
Wusstest du schon
- WissenswertesHenry Fonda had just turned 31 when filming started. Annabella is supposed to be playing a character of around 20/21, who claims to be 23, but was in fact approaching 30, only one year younger than Fonda.
- PatzerWhen disguised as a male, Annabella's hair is cut short and unwaved; once her femininity is revealed, her hair immediately grows to a permanently-waved shoulder-length style, fresh from a non-existent salon.
- VerbindungenFeatured in Salut für ...: Salut für Henry Fonda (1978)
- SoundtracksBelieve Me If All Those Endearing Young Charms
(uncredited)
Traditional
Words by Thomas Moore
Performed by John McCormack
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Details
- Laufzeit1 Stunde 29 Minuten
- Seitenverhältnis
- 1.37 : 1