Zigeunerprinzessin

Shot partially on location in Killarney, Ireland in Glorious Three-Strip Tecnicolor, "Wings of the Morning" can claim to be the first film shot in that process on the British Isles. Iconic cinematographer Jack Cardiff gets his first Technicolor credit as the film's camera operator and would go on to one of the most illustrious careers in film history. However, although it was financially successful during its initial release, fans of John McCormack and Henry Fonda will be disappointed with it today.

John McCormack, the pride of Athlone, County Westmeath and arguably the greatest Irish tenor of all time, failed in several attempts to break into the movies. That's not surprising when one views his stiff acting and singing in this film. Although he sings three songs here, he evidently didn't even bother to memorize the lyrics and sings while looking at a notebook he carries with him. It's no wonder that the film editor decided to cut away from him to inserts of the idyllic Irish countryside during his performance rather than keep the overweight and unphotogenic singer on screen.

Fonda supposedly played a Canadian in this British movie shot partially in Ireland but clearly didn't have a competent dialogue coach because he plays his early scenes with a decidedly Southern drawl. He later lapses into his singularly un-Canadian Midwestern twang.

At this point in his career Fonda was a free-lancer and didn't have to do this film, which was designed as a showcase for French beauty Annabella in her English-speaking debut. After he did sign a long-term contract at Fox in 1940 as a condition of getting the role of Tom Joad in "The Grapes of Wrath," the respected actor chafed when required to play support for films designed to showcase other Fox stars. His unhappy experience on the Alice Faye vehicle "Lillian Russell" is a prime example. Why did Fonda agree to do the film? A good guess would be that the trip to Englasnd and Ireland, rather than the script, was enough motivation.

In the late 19th century a Spanish gypsy princess (Annabella) falls in love and marries a nobleman (Leslie Banks) but he dies shortly after in a riding accident. She returns to Spain, but 40 years later descendents of the couple (Henry Fonda and Annabella in a dual role) meet and fall in love with their relationship also revolved around horses and horse racing.

This Irish set romancer is best known for being the first British three strip Technicolor feature film and one of only 9 made by Britain in the 1930s. It was also the film in which Hollywood star Henry Fonda met Frances Ford Seymour, the woman who would become his wife and the mother of Peter and Jane while they were filming on the set at Denham Studios where the film was in part shot. The film also benefits from a cameo by opera singer and tenor John McCormack, a cross dressing heroine and some good looking location work.

Although there had been earlier British colour films in other processes, this was the first in technicolour.Obviously Fox spent the money on the cast and colour,as the story is second rate. Lots of lovely country views and John Mccornick singing away.Curiously he keeps on looking at a small book for the lyrics.A very experienced cast many who had been in films since early silent films.

"Wings Of The Morning" is a good movie. Not a great movie, but a good one and there are several reasons to watch it. First and foremost, it is a rare opportunity to see and hear Ireland's most famous tenor, John McCormack. He sings several songs as the featured entertainer at a dinner party. He doesn't appear in the picture until about an hour into it, but his gorgeous tenor voice delivers "Killarney" and "All Those Endearing Young Charms" and it is worth the wait.

This is also England's first Technicolor movie and it is pretty in its own right, but must seem primitive to film sophisticates. Especially eye-catching are shots of the Irish countryside as McCormack sings. Annabella makes her English-speaking debut in this picture and she is beautiful but her accent makes her difficult to understand at times.

Well, that's about it. The story is ordinary, the plot points telegraphed and it moves at glacial speed. I would have rated it lower were it not for the reasons mentioned above.

Forget the plot, which is silly, but bask in the glorious 3-strip Technicolor-the first British colour film-which is very fine indeed, natural and delicate and not at all garish. I assume that the use of many different coloured props (dresses, fruits etc.) was deliberate to show off the process, but the result is beautiful; it must have been something of a sensation for the 1937 audiences.

Add to this cameos by the famous (ageing here) jockey Steve Donoghue; songs by the much-loved singer Count John McCormack; cameos by two well-known (in their day) racing commentators; and extremely rare footage in colour of Derby Day, and you have quite a valuable historical record of the times.

A young Henry Fonda (well-31 but only into his 3rd. Year of movies) is almost unrecognisable apart from his distinctive voice and hints of those pale blue eyes that became more piercing as he aged.

The print that UK's Talking Pictures channel showed (August 2022) is almost beyond criticism, maybe a little faded in places, but what a joy to view!