The Thirteenth Chair

Madame La Grange, psychic medium, admits that "Most of the time it's a fake" when she gives a reading. Tonight, however, she insists that she will play no tricks: she's at the English governor's residence in Calcutta, summoned to assist in investigating the murder of a most unpopular man.

Dame May Witty plays the medium with appropriate gravity and mystery. Madge Evans wears a worried look as the beautiful secretary who is in love with the governor's son. She also, we soon learn, is the mysterious medium's daughter.

Henry Daniell is moody and edgy as a friend of the murder victim. He wants answers from the police, who are represented by Lewis Stone, a Scotland Yard man who's been shipped in specially to look into the case.

A couple of spooky séance scenes succeed in sending some shivers down the spine. Particularly effective is a bit when the lights are off and the screen is totally black for a long moment: we hear voices, then Daniell asking "Who killed you?"—and then just perfect silence and darkness for what seems an exceptionally long stretch. (When they do finally turn on the lights, there's another dead body.)

It's a solid if not brilliant plot; it builds nicely to an exciting climax and a surprising solution.

Witty has the most colorful role and is clearly the featured performer here; she is quite good. Lewis Stone's role, I have to say, I found annoying – he is one sententious police detective but not exactly the smartest. (Judge Hardy would never have come so close to totally blowing a case.)

This one won't cause any nightmares but it is atmospheric, fast-moving, and plenty entertaining.

The Thirteenth Chair (1937)

** 1/2 (out of 4)

Remake of the 1929 Tod Browning film (which itself was a remake of a 1920 film) about a medium (Dame May Witty) who is brought into try and solve the murder of a man but during the séance another man ends up murdered. Now the detective (Lewis Stone) must try and figure out which person done it. This version of THE THIRTEENTH CHAIR is actually better than the previous one thanks in large part to some nice performances, good direction by George B. Seitz and a good story. If you've seen the 1929 version then you're going to notice that there haven't been too many changes here story-wise but what really makes this one work better is that Seitz does a much better job in the director's chair. Whereas that 1929 version was incredibly flat, this one here actually moves at a very nice pace and there are some effective moments throughout. The séance scenes are also extremely well-done and especially the one where the medium works alone. The opening title card gives Witty a huge credit and she is quite good here. She'll always be best remembered for her role in Hitchcock's THE LADY VANISHES but she's very believable here. The supporting cast is equally good with Stone turning in a fun performance as the detective and we've also got Henry Daniell playing one of the members of the party. Madge Evans, Elissa Landi and Thomas Beck are also good. The story itself has a few questionable moments but it's still effective enough for this type of "B" movie. Fans of this type of murder-mystery should really enjoy this one.

The description of the plot given by TCM on its cable showing of this little MGM movie from 1937 made me want to watch it--something about a woman holding a seance to prove that her daughter is not the murderer and with a setting in Colonial India. Then I saw the cast names: DAME MAY Witty, LEWIS STONE, MADGE EVANS, RALPH FORBES, ROBERT COOTE...and immediately I decided to watch it.

Not disappointed. It's a tidy little mystery, nothing original or approaching the wit and wisdom of Agatha Christite's tales, but interesting nevertheless. Dame May Witty is the protective mother who helps inspector LEWIS STONE solve the case--and, happily for me, it turned out to be someone I suspected all along.

A crisp one hour and six minute programmer from MGM given all the polish one would expect from a major studio. The elaborate sets add the necessary atmosphere, except for the seance itself which is held in total darkness and is just a black blur on the screen during which a voice is heard. This is the only flaw in an otherwise smoothly made B-picture.

Silver-haired gentleman CHARLES TROWBRIDGE is seen in many movies from the '30s and '40s and does a smooth job as Dr. Mason.

Well worth watching.

During a séance to draw out a murderer, another murder is committed. Psychic medium Dame May Witty works to solve both murders, which becomes personal when one of the prime suspects is someone close to her. Pretty good B murder mystery from MGM with a great cast. Dame May Witty, Lewis Stone, Henry Daniell, Holmes Herbert, and Charles Trowbridge are all class acts. Madge Evans and Elissa Landi are lovely. A good way to spend an hour and change. Remake of a movie made twice before, most notably by Tod Browning in 1929 with Bela Lugosi and Conrad Nagel. White-haired Lewis Stone's mustache is so light you can barely make it out but kudos to him for trying. If you haven't seen it, try to avoid reading much about it as most plot descriptions (including the TCM info) give away a fairly big plot point.

There is nothing wrong with this film. It's just pretty lightweight. It does have a nice cast and the theme of the supernatural helps keep one's interest. When the chief character admits to being a charlatan, we would think there would be a slide downward. However, Dame Mae Witty, who is no stranger to mystery, having played the role of Agatha Christie's Miss Marple in several films, manages to put life in this when she has to abandon her "talents" and figure out a way to solve the case and keep an innocent person from being charged with murder. There are other supporting actors who are great characters and a tight little plot that takes only a little over an hour to run its course. I have a soft place in my heart for these early British detective pieces.