Slim - Ein Mann will hoch hinaus

This is a poorly written, directed and acted film, although there are some good camera shots when the characters are climbing up the electrical pole. It has shades of 'Manpower' with Edward G. Robinson about it, but neither film provides any engaging characters or compelling storyline. The film is pedestrian and just plods along at a snail's pace throughout. We don't care about the characters or the situations they are in. I don't know how this got made, but it is a poor excuse for a film that only adds to Henry Fonda's credits. I don't believe him as a tough man, although you do see scars on his face when he gets into a brawl. He is youthful looking and naive, but there is nothing else to commend this film.

Because I was a youngster and raised during the depression years,the movie "SLIM" has remained with me all my life. It was the first movie I had ever seen with Fonda and as far as I am concerned, every time I watch it now, it brings back all those childhood memories of the Great depression. It took me many years to finally watch it again and because I was able to make a copy of it, I now watch it quite frequently. I can only wonder why it is not presented more often or why it is never mentioned whenever his list of great films are mentioned. At this time I am 85 years young and I still consider Slim one of the real great films of Henry Fonda.

"Slim" is a gritty film that depicts superbly the profession of a linemen. As far as I know, there's no other film that looks at this trade any more than passing. For that reason, it has some cultural and historical value. The movie itself is a drama based on a 1934 novel of the same title by William Haines. It is also a romance, but that clearly is secondary to the film's depiction of the profession of the linemen.

The title also describes very well the character that Henry Fonda plays in this movie. The lanky Fonda was just 32 years old and in the kind of physical shape yet that it would take to be playing a lineman. In this case, it's specifically about the pole climbers. These are men (and perhaps an occasional woman in modern times) who have worked to erect and keep wires up since the advent of telegraphy and electricity.

Linemen work in three different fields of business. The most prominent are those for electric utilities, as in this film. But others work for railroads and telephone companies. I worked one year as a lineman on a railroad signal crew and climbed poles to string and replace electric wires that connected and operated the train signals on the tracks. I later worked 20 years for one of the largest electric generation and transmission firms in the U. S., but not as a lineman. And, I never had any of the harrowing experiences or rough conditions the men in this movie experience. As to nicknames, it must truly be a tradition among linemen wherever they are. It was a long time ago for me, but I still remember some of the guys on the two signal crews I worked with. I also had a "Red" for a foreman, but I can't remember his real name. Another foreman was Wally, and a couple of the guys were Kansas and Speed (he had a souped up sports car).

Most utility poles through the mid-20th century were wood, coming from one of three species of trees. But the larger, high-voltage transmission lines (115-kilovolt and higher) were made of steel from early in the 20th century. Most of the poles in neighborhoods and telephone and signal lines along railroads and roadways are 40-foot to 60-foot in length, and still made of wood from very straight trees. The shorter poles are buried six feet, and the taller ones eight feet in the ground. Most of the poles that I climbed were in this range, although I did work on one project that required climbing 80-foot poles, which were buried 10 feet deep.

Any men who have worked on electric utility line crews, for the telephone companies of the old days, or as linemen in the signal department of a railroad, know the rigors of climbing and working at the top of poles. As shown in this film, the linemen used belts and climbing hooks. The latter are strapped to the legs and boots and dig into the wood. The belt enables the lineman to use his hands for work at the top of the pole, instead of having to hold onto the pole. For extra safety, some linemen will use their belt while climbing, sliding it up the pole with each step that they take up. It keeps one from falling backward if he should lose his grip climbing the pole. But, if a hook isn't set well - jabbed into the pole, and it slips out as he lifts himself up another notch, a lineman "rides" the pole down. That can result in broken legs and other injuries, and it's sure to include splinters from the pole.

In this film, Pat O'Brien plays Red Blayd, the "pro" lineman who takes Slim under his wing. The two become friends but also become two-thirds of a love triangle. Red's girlfriend, Cally (Margaret Lindsay) and Slim fall for each other. One might guess how this part of the plot will play out. But, it's something of a surprise to see how the story ends. This is a very good look at this small section of the working world. It was a sort of romantic way for a young man to work and help the country make progress and recover from the Great Depression. It makes a good setting for a drama with some excitement

All of the cast are very good. Among other supporting actors who may be recognized are Stuart Erin as Stumpy, Jane Wyman as Stumpy's Girl, Joe Sawyer as Wilcox and John Litel as Wyatt Ranstead.

I'm not a film critic, but I am a lineman. This film was an excellent example of the lifestyle lived by linemen, even in today's times. In regards to the comments made by "planktonrules", there is no explanation as to why Slim wants to be a lineman, it's a matter of heart. You have it or you don't. Henry Fonda managed to convey this quite well. I do admit the character of Slim is a bit too innocent, but seems appropriate for the background. And yes, for the record, rarely does anyone use true names, mostly nicknames given to you by those who have been there before you. This is a brotherhood, which is well expressed in this film. We wish there were more films like this about linemen.

Slim is another of those products from the working man's studio of Warner Brothers and extols the heroism of the various lineman putting up towers and wires to electrify the nation. This was one of the finest achievements of the New Deal, the Rural Electrification Agency and the work you see Pat O'Brien and Henry Fonda do, they are doing in conjunction with that agency. Most of rural America was without any kind of power before then because the cost to private industry wasn't worth the profit they got back.

If Pat O'Brien wasn't working with James Cagney, he'd be making this kind of film with Dick Powell or John Payne. None of those quite have the rural demeanor for the title role, so Warner Brothers got Henry Fonda who was then under contract to producer Walter Wanger.

Fonda is in the title role of Slim, a country kid who sees the linemen bringing power to the nation and figures he can travel, see places and do things, in a necessary occupation. It's also why a lot of kids from rural areas enlist in the armed services. Pat O'Brien takes a liking to him, takes him under his wing so to speak and even accepts when his girl Margaret Lindsay prefers Fonda to him. For O'Brien he realizes he's far from ready to settle down.

I've always felt that O'Brien together with James Cagney were the real founders of the male buddy film. Given the nature of the role, Fonda more than fills Cagney's shoes. Jimmy Cagney would never be believable as a kid off the farm.

Look for J. Farrell McDonald to give a nice performance as the foreman of the crew Fonda and O'Brien work for. And Stu Erwin gives a nice performance, imitating Bob 'Bazooka' Burns who was at the height of his popularity as a regular on Bing Crosby's Kraft Music Hall. Erwin gives out with the same homespun rural humor that Burns was so popular for.

With the nation mostly electrified and the Rural Electrification Agency now the Rural Maintenance Agency as of 1994, the film is somewhat dated. But it is still a good piece of entertainment and a tribute to the men who literally electrified a country.