San Quentin

In "San Quentin," Bogart returns quickly to a life of crime… Trying without success to add some depth and meaning to a role which offered little of either, Bogart is a convicted robber sent to San Quentin and assigned to a road gang as a rehabilitated step instituted by the prison yard captain, Pat O'Brien…

When Bogart is maliciously informed, through the efforts of the bad Barton MacLane, that O'Brien has less than honorable intentions toward his sister, Ann Sheridan, he breaks out and shoots O'Brien, though not seriously…

When he finds that he has made a mistake, he decides to give himself up, but…

"San Quentin," though far from one of Bogart's best roles, is almost always included in his film retrospectives as a favorite choice of his fans

"San Quentin" presents a good view of what goes on behind the walls of state prisons, not so different from today, except for high tech gadgets that make escape more difficult.

Lieutenant Druggin (Barton MacLane) is relieved of his temporary position as yard captain, much to his dislike. When an army officer, Captain Steve Jameson (Pat O'Brien), accepts a two-year assignment to be his replacement, Druggin sets about to thwart Steve's changes, believing them to be too liberal.

Before arriving at his assignment, Steve spends a night in a club with his army buddies where he meets and falls in love with the singer, May Kennedy (Ann Sheridan), unaware that she has a criminal brother, Red Kennedy (Humphrey Bogart), bound for San Quentin following his capture at the club the same evening.

After meeting May's brother at San Quentin, Steve is determined to reform the young man without informing him that he knows and loves his sister. Red figures in on part of Steve's reform program, selecting those most likely to be rehabilitated for the fresh air road jobs, before based on seniority and good behavior alone. Steve convinces the prison board by explaining how many of the seasoned criminals take advantage of the old system to use the jobs outside the walls as means of escape. All goes awry when 'Sailor Boy' Hanson (Joe Sawyer) pulls strings with Druggin to get assigned with Red on the same work detail. Hanson needles Red about his sister being exploited by Steve by using her brother as a weapon. Hearing about Steve and May's relationship for the first time so angers Red that he throws in with Hanson and they make their getaway. It is now up to Steve to catch Red before he is totally lost to crime.

"San Quentin" has a stellar cast that raises this somewhat routine prison drama to higher ground. Humphrey Bogart's character runs the gamut of emotions but remains true to form as a wannabe tough guy with a chip on his shoulder. The gifted actress Ann Sheridan was seldom given an opportunity by the studio to strut her stuff, but she could make even the most thankless role shine. This time she is given an opportunity to show off her singing talent. Pat O'Brien, while not a versatile actor, could be counted on to give a good performance. The supporting cast of character actors makes every aspect of this tough prison drama believable.

Veteran director Lloyd Bacon delivers the goods in creating a fast paced film with an exciting chase scene near the end, filled with some daring stunt work, especially the motorcycle jump. There is exceptional camera work by Sidney Hickox of the environs of San Quentin, in particular the shots of the yard with the prisoners at times appearing almost surrealistic.

This movie doesn't really offer anything new or spectacular but it does provide a good qualitatively 70 minutes. It's your standard prison drama in which most of the formulaic ingredients are present but this time also with a love-story mixed in.

The story is perhaps not the most interesting or refreshing but it is told in a good way. The pace of the movie is high and obviously made by experienced professionals. The editing is a bit offbeat and weird at times and the action and ending is rather weak but nevertheless "San Quentin" remains a perfectly watchable movie, thanks to the professional cast & crew involved.

The movie has a solid cast. Pat O'Brien plays the leading role very well and he really makes the character work. Also great was Humphrey Bogart, from the period when he was not yet a leading man in Hollywood movies. The most other characters remain rather flat and blank but this was often the case in movies from the '30's.

Of course prison movie set in the '30's are the most interesting to watch, when convicts still wore those great uniforms and guards where known as brutal animals who weren't afraid of using their weapons. This movie is set in that period and although this movie is not an heavy or dramatic one, it still makes this movie a better than average one, thanks to the time period it is set in.

It's not an essential viewing. The movie is too dry, simple and short for that. However when you do watch this movie, you won't regret it. It's well made entertainment and has some excellent actors in it.

7/10

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Pat O'Brien is the new captain of the prison guard at San Quentin who clashes with guard Barton MacLane while romancing the sister (Ann Sheridan) of new convict Humphrey Bogart. A great WB prison flick; one of the best. Solid supporting cast of familiar faces. The leads are all great. Sheridan gets to sing a song. She's not as glamorous here as she would be in the '40s, but she's still a looker. Bogie is very entertaining in one of his early roles. He's got pals on the outside that can pull wires, doncha know? O'Brien and MacLane are good in roles they could play in their sleep. The prison stuff is better than the romantic subplot. Bogie fans will like it for his fun performance. Love that gangster tough guy lingo!

This is one of those odd situations where the actors were some big names and decent in their performances, and the story wasn't bad....yet there wasn't much appeal to it, either. Only the action scene in the last 10-15 minutes provided any spark to this film which was too flat, for the most part.

The story was about a new guy in charge of the San Quentin prison yard who was going to be humane and make things work. Pat O'Brien plays that guy, "Capt. Steve Jameson." The previous man in charge is a nasty, corrupt bird named "Lt. Druggin," who Barton MacLane plays effectively well.

In the meantime we have the featured crook, "Red Kennedy," played by Humphrey Bogart, who almost always played villains in his 1930 films, and we have his sister "May" played by Ann Sheridan. O'Brien has the hots for her and promises to be fair to her brother. "Red," however, is too paranoid and stupid to appreciate what's done for him and that's when we get to the interesting finale to the film.

Overall, not bad but not worth watching a second time. At 70 minutes, at least it didn't overstay its welcome.