IMDb-BEWERTUNG
6,5/10
2102
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter winning a stud farm in lieu of gambling debts, bookie Duke Bradley turns an eye to the daughter of the now deceased gambler and her millionaire fiancée.After winning a stud farm in lieu of gambling debts, bookie Duke Bradley turns an eye to the daughter of the now deceased gambler and her millionaire fiancée.After winning a stud farm in lieu of gambling debts, bookie Duke Bradley turns an eye to the daughter of the now deceased gambler and her millionaire fiancée.
- Auszeichnungen
- 3 wins total
Hattie McDaniel
- Rosetta
- (as Hattie McDaniels)
Pat West
- Horse Owner
- (Gelöschte Szenen)
Jann Andrews
- One of the Hurley Twins
- (Nicht genannt)
Kathleen Andrews
- One of the Hurley Twins
- (Nicht genannt)
Sheila Andrews
- One of the Hurley Twins
- (Nicht genannt)
Franklyn Ardell
- Passenger on Train
- (Nicht genannt)
Herbert Ashley
- Bartender
- (Nicht genannt)
Empfohlene Bewertungen
'Saratoga' was Jean Harlow's last picture, and indeed suffered from a large amount of patching-up after her death mid-way through shooting (notice the scenes where her character is only present with her back to the camera, or is missing altogether). This serves to distract the viewer from the good points of her last movie (especially the scene where Harlow has to explain away the presence of a large cigar in her room; Gable of course hiding under the bed!). In the scenes which she did manage to shoot she is fabulous, although clearly not looking her best.
Jean Harlow was probably the best sexy blonde comedienne of Hollywood's Golden Age, as testified by her marvellous work in Dinner at Eight, Libeled Lady, Riff Raff, and Bombshell. She lit up any scene she was in, and this movie is no exception. We can at least be grateful it wasn't ditched or recast, and that we have the snippets of her greatness within this fairly good movie.
Jean Harlow was probably the best sexy blonde comedienne of Hollywood's Golden Age, as testified by her marvellous work in Dinner at Eight, Libeled Lady, Riff Raff, and Bombshell. She lit up any scene she was in, and this movie is no exception. We can at least be grateful it wasn't ditched or recast, and that we have the snippets of her greatness within this fairly good movie.
Ordinary comedy would have been a cinematic footnote and a stop gap for Gable and Harlow before their next scheduled pairing on loan to Fox for the much more worthwhile In Old Chicago if not for Jean's sudden death. Instead it ended up becoming the second most profitable film of 1937 and a notorious cash grab for Metro.
Not really a bad film but hardly the best film on any of the actors resumes. Other than the ghoulish, rather easy, game of spotting the scenes filmed after Jean's passing with a stand-in the film is packed with great character actors and actresses doing good work. Of particular note is Una Merkel, sassy and smart as an old crony of Gable's. Jean's part is one that's far away from her more famous early persona as a brassy good time girl but in line with the more refined lady-like roles Mayer was moving her towards after Irving Thalberg's death and which she had been transitioning to nicely. Considering the fact that it's an incomplete performance she is fine in her role, she looks weary and a bit bloated throughout not surprisingly since unbeknownst to all her kidneys were failing.
Her death actually caused great upheaval in many films that were in development at the time changing the course of many careers. She and Gable were to head over to Fox for In Old Chicago which proved a boon to Alice Faye and Tyrone Power. For their services Shirley Temple was to be loaned to MGM for the Wizard of Oz, when that fell through of course Judy Garland was cast pulling her out and Ann Rutherford in to the small part of Carreen in GWTW. Also among many other planned projects Maisie, originally planned as an A production but moved to the B unit after the loss of Jean, was allocated to Ann Sothern so successfully that it started her on a series that ran, between other films, almost ten years.
Not really a bad film but hardly the best film on any of the actors resumes. Other than the ghoulish, rather easy, game of spotting the scenes filmed after Jean's passing with a stand-in the film is packed with great character actors and actresses doing good work. Of particular note is Una Merkel, sassy and smart as an old crony of Gable's. Jean's part is one that's far away from her more famous early persona as a brassy good time girl but in line with the more refined lady-like roles Mayer was moving her towards after Irving Thalberg's death and which she had been transitioning to nicely. Considering the fact that it's an incomplete performance she is fine in her role, she looks weary and a bit bloated throughout not surprisingly since unbeknownst to all her kidneys were failing.
Her death actually caused great upheaval in many films that were in development at the time changing the course of many careers. She and Gable were to head over to Fox for In Old Chicago which proved a boon to Alice Faye and Tyrone Power. For their services Shirley Temple was to be loaned to MGM for the Wizard of Oz, when that fell through of course Judy Garland was cast pulling her out and Ann Rutherford in to the small part of Carreen in GWTW. Also among many other planned projects Maisie, originally planned as an A production but moved to the B unit after the loss of Jean, was allocated to Ann Sothern so successfully that it started her on a series that ran, between other films, almost ten years.
When you watch this film, you are overwhelmed with sadness realizing that Jean Harlow died during production. Adding to that, Jean was never better than she is in this film. First of all, MGM finally found her 'look.' Her make-up is toned down and her platinum blonde hair is now a darker shade. She never looked lovelier. But what really is remarkable is her acting skills. She developed such a natural style and her comic ability was absolutely flawless.
From what I've read, Miss Harlow was liked by all in the industry, and loved by those who were close to her. Dying a such a young age (26), one can only imagine how many more years her career would have flourished.
Almost 65 years have passed since her death and she's still one of Hollywood's greatest stars.
From what I've read, Miss Harlow was liked by all in the industry, and loved by those who were close to her. Dying a such a young age (26), one can only imagine how many more years her career would have flourished.
Almost 65 years have passed since her death and she's still one of Hollywood's greatest stars.
Corny? Sure. Dated? A big part of this movie's charm. Of course, the fact that this was Harlow's last movie makes it worth watching for this reason alone but the fascinating repartee between Gable and her throughout the film is hugely entertaining. For racing fans, the scenes of old Hialeah and Saratoga race tracks shows the days when having a bet on a horse race was the only legal way to gamble. In those days, next to baseball, horse racing was the most popular sport in America and the scenes of huge crowds are a testimonial to that fact. In fact, this movie is a chronicle of American sporting history and unlike the recent horse racing films, "Seabiscuit" and "Secretariat", it is able to show the real glory of horse racing and the elite who were able to own and breed these most noble of animals.
Yes, the film is not great. The scenes when Jean doesn't appear or her double appears make the film lackluster and dull in those spots. However, the film gives glimpses of the "Forties" flavor and what great things Miss Harlow could have done had she only lived. Hattie McDaniel's singing in the club car is great (as far as the racist times would allow for that talented woman) and the scene where Miss Harlow smokes Gable's cigar while he hides under the sofa as Pigeon (as her fiancé) unexpectedly arrives at her room to speak to her is a fine bit and a few other moments in the film where Miss Harlow appear simply make the viewer all too aware of the great loss of the great comedic talent and the delicate beauty of the remarkable Jean Harlow. It would have been better to have her last film an excellent comedy (in the vein of "Topper" for which she was slated), but this film without her in it would have been totally forgettable- so it stands as a fair tribute to a great star.
Wusstest du schon
- WissenswertesIn May of 1937, with the film about 90% completed, Jean Harlow collapsed on the set and died about a week later, reportedly of uremic poisoning. Her remaining scenes were shot with double Mary Dees being filmed only from behind. Paula Winslowe supplied the voice.
- PatzerIn opening credits, last name of Hattie McDaniel is listed as "McDaniels."
- Zitate
Fritzi 'Muggins' Kiffmeyer: We women can do things to a man we love that men wouldn't do to a rattlesnake.
- VerbindungenFeatured in MGM: When the Lion Roars: The Lion Reigns Supreme (1992)
- SoundtracksSaratoga
(1937) (uncredited)
Music by Walter Donaldson
Lyrics by Bob Wright and Chet Forrest
Sung during credits by Grace Saxon and Four Esquires
Reprised by them at a party
Top-Auswahl
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- How long is Saratoga?Powered by Alexa
- Jean Harlow---Was She Murdered?
Details
Box Office
- Budget
- 1.144.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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