Füge eine Handlung in deiner Sprache hinzuA man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
- Movie Patron
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Ticket Taker
- (Nicht genannt)
- Child Who Stares
- (Nicht genannt)
- Wife
- (Nicht genannt)
- Mr. Pennelly
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Usherette
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Movie Patron
- (Nicht genannt)
- Mr. Baum
- (Nicht genannt)
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Trying to quietly spend A NIGHT AT THE MOVIES isn't so simple for hapless Robert Benchley.
Nominated for the Best One-Reel Short Subject Academy Award, this was one of a series of little films to feature the gentle humor of Robert Benchley (1889-1945). Watching him deal with the unexpected difficulties of simply enjoying a movie elicits much quiet amusement.
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Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Benchley's short films are generally pleasant, but only occasionally rise to the level of his written output. Many of them focus on the foibles of bourgeois domestic life, and come off rather like the later TV sitcoms of the '50s. However, the filmed versions of Benchley's double-talk lectures sometimes scale the heights of inspired insanity he regularly reached in his magazine pieces, and one very early talkie from 1928, The Sex Life of the Polyp, is one of my favorite Benchley shorts, a perfect little gem of comic absurdity.
As for the item at hand, A Night at the Movies is a pleasant but unremarkable effort devoted to the petty irritations encountered by Mr. and Mrs. Average during an evening at the local Bijou. There is confusion with the tickets, difficulty finding seats, a tall fat man who sits directly in front and blocks the screen, someone with a persistent cough, and a moment of strangeness involving a small boy with an eerie stare. (Today, of course, a major problem would be pagers and cell-phones going off during the show.) For modern viewers this short may be more valuable as social history than as comedy, seeing as how it was made in an era when men in public places had to find a place to stow their hats, and dancers performed at movie theaters between the features. On that level this film is an interesting time capsule.
This modest comedy short may not look like much alongside the Marx Brothers, but don't dismiss Robert Benchley. You'll just need to look elsewhere for his funniest and freshest work.
Is this actually funny? I know Benchley was some kind of comedy star of his day. I don't really get it. It's complaining about the movie going experience as it gets played in the movie theaters. I guess that could work if done well. First, I don't like this couple. I don't care about their movie going experience. The kid is almost funny. I can see the attempt, but the result is no laughs.
As an aside, I can't imagine having a kid staring at me like that. I can laugh at it in this context, but if it really happened to me, I'd change seats way faster than he did!
Wusstest du schon
- WissenswertesJust after Robert Benchley buys his tickets from the cashier (Gwen Lee), he walks past a poster advertising My Dear Miss Aldrich (1937), which features Lee.
- Zitate
[first lines]
Husband: Well, now, let's see - at the, uh, Mirdaline, there is "The Third Glove"; it says it's the best show in town.
Wife: Oh, I've seen that - but I don't mind seeing it again if you haven't.
Husband: No, no; there's no sense in sitting through it a second time. Well, others - uh, showing "Souls on a Tandem".
Wife: What's the picture with it?
Husband: Uh, "The Case of the Missing Milkman".
Wife: Hmm. We can miss that. But I hear "Souls on a Tandem" is good.
Husband: Yes, it is - I saw it last week. I'd just as soon see it again, though.
Wife: Oh, no, no; there's no use your sitting through it a second time.
- Alternative VersionenAn alternate version exists where Robert Benchley literally walks in front of the opening titles and addresses the audience.
- VerbindungenFeatured in Die große Metro-Lachparade (1964)
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- Вечер в кино
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- 10 Min.
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- 1.37 : 1