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It's Love I'm After

  • 1937
  • Approved
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
7,3/10
2823
IHRE BEWERTUNG
Bette Davis, Olivia de Havilland, and Leslie Howard in It's Love I'm After (1937)
An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.
trailer wiedergeben2:52
1 Video
13 Fotos
FarceScrewball-KomödieKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuAn actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.

  • Regie
    • Archie Mayo
  • Drehbuch
    • Casey Robinson
    • Maurice Hanline
  • Hauptbesetzung
    • Leslie Howard
    • Bette Davis
    • Olivia de Havilland
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    2823
    IHRE BEWERTUNG
    • Regie
      • Archie Mayo
    • Drehbuch
      • Casey Robinson
      • Maurice Hanline
    • Hauptbesetzung
      • Leslie Howard
      • Bette Davis
      • Olivia de Havilland
    • 51Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Videos1

    Trailer
    Trailer 2:52
    Trailer

    Fotos13

    Poster ansehen
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    + 5
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    Topbesetzung31

    Ändern
    Leslie Howard
    Leslie Howard
    • Basil Underwood
    Bette Davis
    Bette Davis
    • Joyce Arden
    Olivia de Havilland
    Olivia de Havilland
    • Marcia West
    Patric Knowles
    Patric Knowles
    • Henry Grant, Jr.
    Eric Blore
    Eric Blore
    • Digges
    George Barbier
    George Barbier
    • William West
    Bonita Granville
    Bonita Granville
    • Gracie Kane
    Spring Byington
    Spring Byington
    • Aunt Ella Paisley
    Georgia Caine
    Georgia Caine
    • Mrs. Kane
    • (as Georgia Craine)
    Veda Ann Borg
    Veda Ann Borg
    • Elsie
    E.E. Clive
    E.E. Clive
    • First Butler
    Valerie Bergere
    Valerie Bergere
    • Joyce's Maid
    Sarah Edwards
    Sarah Edwards
    • Mrs. Hinkle
    Thomas Pogue
    • Mr. Hinkle
    Grace Field
    • Mrs. Babson
    • (as Grace Fields)
    Harvey Clark
    Harvey Clark
    • Mr. Babson
    Edmund Mortimer
    Edmund Mortimer
    • Mr. Kane
    • (as Ed Mortimer)
    Thomas R. Mills
    • Second Butler
    • (as Thomas Mills)
    • Regie
      • Archie Mayo
    • Drehbuch
      • Casey Robinson
      • Maurice Hanline
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    7,32.8K
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    Empfohlene Bewertungen

    8AlsExGal

    Delightful screwball comedy with an improbable cast

    I'd never even heard of this one until it came out on DVD-R courtesy the Warner Archives. I gave it a try and I was delighted. I've seen every pair of the three main stars here together in different films before (Bette Davis, Leslie Howard, Olivia De Haviland), but never all three at the same time. The pairings I am speaking of were all in serious films, and it is great to see these three try out their comic chops and try them out together. Leslie Howard and Bette Davis hardly ever got a chance at this type of role, and Olivia De Haviland did so on several occasions, but so few people remember those performances.

    The film concerns a pair of Shakespearean actors. Basil Underwood (Leslie Howard) and Joyce Arden (Bette Davis). They are involved on and offstage, and are constantly fighting and making up. One night Marcia West (Olivia De Haviland) sees a performance of Romeo and Juliet and falls instantly in love with Basil, she even goes backstage and tells him so. This has Marcia's boyfriend in a panic and he asks Basil to come to the West estate and behave so badly as to end Marcia's feelings for him. Basil, just recently making a resolution to not be so selfish, decides to do this as a good deed. However, Joyce follows Basil to the estate, and Marcia does not react as planned to Basil's actions. For that matter, Basil doesn't act as Basil planned. Also a delight is Eric Blore as Basil's valet. He steals every scene. Highly recommended.
    10overseer-3

    I laughed so hard, I cried

    I bought this film on video cassette online, not knowing what to expect, but since I liked all the stars involved - Leslie Howard, Bette Davis, Olivia de Havilland - I figured I would probably enjoy the film. Enjoy is not the word, I relished it. It was like eating a dark chocolate ice cream cone with chocolate syrup and cherry and whipped cream piled on top. And nutty! Oh, so nutty! What a delight! Other reviewers here have mentioned the plot about a couple of bickering thespians, so I won't repeat it here in detail. I'll just mention my favorite scenes: ALL of them! :)

    It's Love I'm After is Leslie's funniest film. He is hilarious, his comedic timing perfect. I burst out laughing whenever he started going on his Shakespeare routines, like picking up the burnt fish at dinner and reciting lines from Taming of the Shrew. I loved the way he and Bette Davis punched each other around, I can just imagine what fun they had playing this couple! And Olivia de Havilland looked so beautiful and sexy, she had great clothes in this film, and her part was all sweetness and light. The one who really steals the picture though is Eric Blore, who almost always plays butlers or waiters in films. The scene where Bette comes upon Leslie and Olivia kissing in the garden and sees Eric desperately doing turkey imitations to warn him of her arrival had me in conniption fits of laughter! Please see this film, you'll love it. 9 out of 10.
    8FilmOtaku

    Utterly Delightful

    The plot of "It's Love I'm After", Archie Mayo's 1937 film, is a fairly simple one. A famed Shakespearean actor, Basil Underwood (Howard) is set to marry his longtime co-star Joyce (Davis) after a tumultuous courtship. The night he proposes to Joyce (again – this has occurred several times before) a stranger named Marcia (de Havilland) visits his dressing room, professing her love for him, telling him that she has seen all of his work, etc. He finds this intriguing and charming, but on his way to elope with Joyce, Marcia's fiancée Henry (Knowles) comes to visit Basil, asking for his help in curing Marcia's obsession. The two concoct a plan wherein Basil will go to Marcia's house, where her family is throwing a weekend party for guests, and act like a complete ass so that her affection for him will wane, and she will run back into Henry's arms. Basil embarks on his plans with his trusty valet Digges (Blore) with Joyce following close behind to get to the bottom of why she has been ditched – again.

    The entire reason why I wanted to watch this film is because I had never seen it, and it features two of my favorite actresses of all time. And while de Havilland and Davis were characteristically wonderful (particularly de Havilland, who was positively luminous in this fairly early role), it was two of the male leads, Howard and Blore, who were the most delightful and humorous. Howard, probably best known as the weak Ashley from "Gone with the Wind", is absolutely hilarious in his role as a self-important, over-dramatic, yet earnest actor. I was often reminded of Rex Harrison, particularly of his performance in the sublime film "Unfaithfully Yours". The combination of intelligence, rapier wit and at times completely moronic behavior was a huge winner in this film. This is the first film I've seen Eric Blore act in, but his role of Digges was another hilarious inspiration. His seemingly stuffy (veddy British) demeanor was in complete conflict with the downright ridiculous situations he willingly participated in. The two were wonderful together, and it looked like they were having a great time doing this film.

    Director Archie Mayo has directed films as widely diverse as "The Petrified Forest" (Humphrey Bogart) and "A Night in Casablanca" (The Marx Bros.), but it is clear that he has a true gift for comedic direction. The pacing of "It's Love I'm After" was very quick and the dialogue was whip-smart. I enjoyed this film a lot more than I ever expected to, and since it's one that seems to go under the radar often, I would recommend it to anyone who enjoys classic comedy. "It's Love I'm After" gets a very emphatic 8/10 from me.

    --Shelly
    7icblue02

    " it's The Loving Triangle all over again . . . "

    I caught this on TCM as part of the Bette Davis Star of the Month tribute, and I have to admit, I didn't expect much. The thought of Davis, Howard, and de Havilland in a purely comedic film just seemed a little implausible to me. Thankfully, I was wrong; after five minutes, wild horses couldn't have pulled me away!

    Howard plays Basil Underwood, the heartthrob of the theatre world. While touring the nation in Shakespearean plays, he builds quite a reputation as a lady's man, breaking hearts from sea to shining sea. On the eve of his elopement to his long-suffering co-star / fiancé Joyce (Davis), Basil is faced with a dilemma: in order to redeem himself in the eyes of an old friend, and in a vain attempt to make resolution for his many indiscretions with the fairer sex (the big blonde in New Orleans, the redhead in Denver, etc.), he has to make himself out to be a complete cad and cause a young fan (de Havilland) to hate him. The rest of the plot revolves around Basil's attempts to become a changed man, rather than the "bad odor" he is affectionately called at the beginning of the film.

    Howard shines in this film; you can tell that he is really having some fun in this one. He plays the cad well, and is enjoyable at it. Davis has a basically supporting role, but handles what she is given with ease and sarcasm. De Havilland is a bundle of girlish charm and energy, and her blind adoration of Basil makes for some really cute situations.

    The star, however, is Eric Blore, who plays Digges (Basil's valet and, essentially, his conscience). Forever packing (and unpacking) the bags and keeping track of Basil's dirty deeds, this man puts up with it all and handles it with unnerving calm and a sharp wit. Oh, and he does a mean bird call!

    Although not the best of any of the primary players' careers, this is certainly a must-see for any fan of Howard, Davis, and de Havilland, or anyone just looking for a cute movie to make them smile. The last time I laughed this hard at primarily dramatic actors in a movie together was when I saw VALLEY OF THE DOLLS recently...the major difference is that Howard, Davis, and de Havilland intended to make a comedy. Enjoy!
    8KateHepburnFan

    Unjustly Forgotten Screwball Comedy

    Why this comedy is unremembered is a mystery to me. It's a witty, fast-paced film, all of the stars give good, funny performances and was critically applauded in its time. Howard and Davis, better known for Of Human Bondage and The Pertrified Forest show largely untapped comic talents; in Bondage and Forest, one often outshines the other, but in this film, they seem to go way over the top trying to outdo each other. Of course that's perfect for this movie and their characters, a hammy, battling stage couple who get along even less after De Havilland comes into the picture. Eric Blore provides priceless comic support. If you're a fan of screwball comedy or any of the stars, I highly recommend it.

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    Handlung

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    • Wissenswertes
      This is the third and final pairing of Leslie Howard and Bette Davis (after Human Bondage (1934), and Der versteinerte Wald (1936)), and their only comedy together.
    • Patzer
      After Basil ties (off camera) his ascot before breakfast, the tie's spots are showing. Immediately after, same scene, the tie has stripes. Then, in the third scene immediately following, the tie again shows spots.
    • Zitate

      Basil Underwood: I say, Digges, you don't suppose I've aroused her slap-me-again-I-love-it complex?

    • Verbindungen
      Featured in Salut für ...: Salut für Bette Davis (1977)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 20. November 1937 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • A Gentleman After Midnight
    • Drehorte
      • Pasadena, Kalifornien, USA(West mansion)
    • Produktionsfirma
      • Warner Bros.
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 30 Min.(90 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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