Amerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden... Alles lesenAmerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden. Kritiklose Hinnahme Der Ehescheidung.Amerikanisches Gesellschaftsdrama Mit Kriminalzusatz. Schildert Romanhaft Die Liebe Zweier Menschen, DieSich Erst Nach Gefaehrlichen Zwischenfaellen Findenefaehrlichen ZwischEnfaellen Finden. Kritiklose Hinnahme Der Ehescheidung.
- Auszeichnungen
- 3 wins total
- Paul
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Waiter
- (Nicht genannt)
- Headwaiter at Victor's
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Clumsy Waiter at Cesare's
- (Nicht genannt)
- Victor
- (Nicht genannt)
- Dowager
- (Nicht genannt)
- French Woman
- (Nicht genannt)
- Waiting Customer at Victor's
- (Nicht genannt)
Empfohlene Bewertungen
"History is Made at Night" is a dated melodrama, but extremely romantic. Jean Arthur and Charles Boyer show an amazing chemistry in this delightful romance. The friendship of Cesare and Paul is quite unbelievable in the present days, but gives the funniest moments in this film. Colin Clive performs an obsessive and totally insane villain, with his sick jealousy. But in the end, love wins for the pleasure of the romantic viewers. My vote is eight.
Title (Brazil): "A História Começou A Noite" ("The History Has Begun at Night")
Note: On 05 March 2012 I saw this film again.
Someone -- film critic Myron Meisel, I think -- once described this as the most romantic film ever shot in the English language, and I completely agree.
The plot turns on some of the creakiest story points ever conceived. But no matter, because the leads are so appealing, the look of the film so overwhelmingly romantic (Borzage at his best) and the score is so warm and appropriate, that "HIMAN" is just irresistible.
History Is Made At Night is another one of Frank Borzage's romantic films with tender lovers and lots of soft focus cinematography. A common thread that seems to run in Borzage's films is forces that threaten to keep intended folks apart. This is true in Three Comrades and The Mortal Storm where it is the political situation in Germany of the twenties and thirties respectively. In History Is Made At Night, what keeps them apart is Boyer's conscience.
Colin Clive as the husband is a multimillion dollar owner of transoceanic ship line who sets a trap trying to catch Arthur in a compromising position. When total stranger Boyer walks in and breaks up the trap and hits Clive's chauffeur a few times, Clive being the obsessed fellow he is, kills the chauffeur and says a burglar did it.
Of course Boyer thinks he did it and when he finds out the Paris police are looking for him, he and Arthur go back to Paris from New York where they have run away to. They have the bad luck to be on one of Clive's ships where from a distance he controls the fate of all.
Boyer and Arthur make a beautiful couple in love. However a biography of Jean Arthur assures us there was nothing to anything about that.
This was also Colin Clive's farewell film. Sadly he died a few months after this film was out. Known primarily for being Baron Frankenstein, creator of the undead, he was so much more than that as this film aptly demonstrates.
We also can't forget Leo Carrillo who plays chef Caesar who aids and abets Boyer and Arthur's romance. Carrillo was a guy who always added something to any film he was in.
If tender romance and ship board excitement are your thing than History Is Made At Night is your film indeed.
Years ago there was a local radio station in San Francisco that played short clips from films and invited listeners to identify the film and the actors and thereby win a prize. At that time I had never seen "History," but knew of it and its two stars, and was therefore able, on hearing the distinctive voices of Arthur and Boyer, to identify the film and be awarded a free fancy haircut.
Wusstest du schon
- WissenswertesThe Hindenburg is mentioned as (successfully) completing a trans-Atlantic trip, with the husband on board. This movie was released in the USA on March 5, 1937. The Hindenburg disaster occurred on May 6, 1937. It never made its return flight to Europe.
- PatzerWhen dancing together in the closed restaurant near the beginning, Charles Boyer is clearly wearing shoes designed to make him look taller. Note the high heel and thick soles. In close-ups, he has on normal men's dress shoes instead. (Interestingly, in the stacked shoes, he's only a few inches taller than the barefoot Jean Arthur, suggesting that at least one of them lied about their heights throughout their careers. She's on record as 5'3" and he's on record as 5'9".)
- Zitate
Irene Vail: You're right, Bruce. This time you're right. This time there *is* another man. You set a trap to catch me with one... and another came instead, to tell me that he loves me, and for me to tell him I love him too. And *you* did it! You did it all by yourself! Isn't that funny? Don't you think that's funny? Before he came, I never even looked at another man. But you wouldn't believe me! So you created one, and you sent him right into my arms...
- VerbindungenFeatured in One Step Beyond: Night of April 14th (1959)
- SoundtracksAdios Muchachos
(uncredited)
Written by Julio Sanders
Played by the band at Cesare's
[Reprised from a record on the ship to Paris]
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cena de medianoche
- Produktionsfirma
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Box Office
- Budget
- 821.791 $ (geschätzt)
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1