Ferien auf Hawaii

An amusing cartoon that points up the major flaw with Mickey: he's just not very interesting. He's talented, graceful and so forth, but too much in control of any situation and lacks anything like an amusing character. The Disney solution was to give him a strong supporting cast, including Donald Duck, Goofy and Pluto -- with his girlfriend, Minnie, in a grass skirt, dancing the hula. But in the following couple of years, the three supporting characters would each be given his own series of starring shorts, and Mickey would find himself largely out of a job, eventually turned into a corporate icon.

In the meantime, take a look at this one.

FOLLOWING THE BY then well established format of having Donald Duck and Goofy playing the stooges to Mickey's straight man, this musically energized short puts the trio through their usual type antics. This picture, however, has the additional element of having Minnie Mouse present and both singing and doing some rodent-type sexy Hula.

IN ONE SENSE this is a fine example of what has been called "a clothesline picture"; that being a short subject that has a threadbare sort of a minimally constituted plot (if one at all), but exists only to provide to present a series of unrelated gags. (Warner Brothers ROAD RUNNER & COYOTE Cartoons are q fine example of this type.)

AS WE HAVE already stated, the funny business is left to Donald, Goofy and Pluto. The situations generally pit the trio individually against the forces of nature, some local sea creatures and their own pride and ineptitude. The scene quickly shifts to one of the three, only to shift again and keep our attention.

FROM WHAT WE have read elsewhere, there was a lot of interest in the then territory of Hawaii. It was a time in which the typical American viewed the Islands as being our own very piece of paradise.

IRONICALLY, WITHIN THE coming four years, it would become the focus on a very different event, namely the attack on Pearl Harbor of December 7, 1941.

The title could be the synopsis, too: Mickey and his pals are on vacation in Hawaii. There is no plot, we simply see the characters engaged in activities appropriate for the islands. This being a cartoon, the fun also contains its quota of mishaps: Pluto has issues with a starfish and a crab, Donald lights his fanny on fire dancing a hula, and Goofy has a recurring headache trying to catch a wave on an uncooperative surf. Animation from this era often seems slower when compared to the breakneck pacing perfected by Bob Clampett and Tex Avery in the 1940s, but this time the unhurried gait fits the material perfectly. A Hawaiian vacation has to be mellow for us to appreciate the lush colors and meticulous backgrounds that occupy each frame. Noteworthy is the "split-screen" action above and below water level as Goofy searches for his surfboard (while under water, Goofy's animation is especially "fluid"). The real disappointment is Mickey himself. By 1937 he was already the "hole in the doughnut," and having Minnie carry him by hula-dancing to his slack-key guitar only draws attention to his lack of comic potential. What she ever saw in him is anyone's guess.

A Walt Disney MICKEY MOUSE Cartoon.

Mickey & Minnie are enjoying their HAWAIIAN HOLIDAY, but the rest of the Gang are encountering troubles in Paradise...

Here is another very funny, excellently animated little film from Disney's Golden Age. The Mice have little to do with the plot but Donald's hula, Goofy's attempts at surfing and Pluto's encounters with a starfish & crab are very enjoyable. Clarence Nash supplied the Duck with his unique voice.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

Hawaiian Holiday (1937)

*** (out of 4)

This all-star Disney short isn't a masterpiece but there are certainly enough funny moments to make it worth viewing. Mickey, Minnie, Pluto, Goofy and Donald find themselves in Hawaii on a vacation and while Mickey and Minnie dance away, the rest don't find the stay too pleasant. First of all, Goofy tries to go surfing but the water wants nothing to do with him. Second you've got poor Pluto running to a crab. Thirdly, Donald gets a bit too close to the fire. While the "story" isn't all that strong, there's no question that there are some hilarious moments to be had here with the highlight clearly being the sequence between Pluto and the crab. The beating poor Pluto takes is downright hysterical at times and especially as we see him just not being able to figure out what's going on. The animation is quite good throughout so fans of the characters will certainly enjoy this one.