Dangerous Number

Actress Ann Sothern and silk importer Robert Young are madly in love but total opposites. The picture opens with Young returning from a business trip just in time to find Sothern marrying somebody else: Naturally, he crashes the wedding and he and Sothern run off together and get married themselves. That's where their troubles begin.

Young has business to attend to, while Sothern enjoys partying with her show business friends. Lifestyles clash, arguments ensue. And then they spend the rest of the picture breaking up, reconciling, and arranging fantastic schemes to make each other jealous. A madcap idea for a movie, maybe, but unfortunately it just isn't very funny.

Reginald Owen is Young's cousin and business partner, a scientific type who is working on an artificial silk product that he has yet to perfect. The silk business is relevant to the plot because Owen's latest attempt at a fake silk product looks nice but dissolves when wet.

Cora Witherspoon is fine if somewhat wasted as Sothern's showbiz mother. Both Witherspoon and Owen are capable of great comedy - but neither really has much of a role here except to stand at one side of the action and make the occasional silly comment.

The stars are all likable enough and the picture is certainly fast paced. However, loud and fast does not automatically equal funny. This is one of those comedies that just doesn't quite click.

TCM must have the best film libraries around. I had never seen this film before then I got a chance to see it. Ann Southern is a funny woman, she played this part perfectly. I wish they made movies like they used to, no computerized special effects, people actually had to act! I would recommend that if you like comedies see this and have a good laugh! There are a few actors in this that I had never heard of before, but I liked them. I looked up a few names and apparently they aren't on this site or they quit acting after this film came out. Ann Southern was a fine actress and I like her in all the movies I have seen her in. This film is a fine example of her talent. Yea, it is an "OLD" film, but it's worth your time to watch this one. Hopefully more people will watch the old movies and get an education in how much better the movies were back in the old days. This was when film making was in it's infancy and they hadn't worked out all the bugs yet. Still, I prefer the old movies over what is considered a good movie by todays standards any time!

While there are a few good funny lines in this film, most of the dialog is wacky without humor. "Dangerous Number" probably set out to be a screwball comedy, but it turns out to be a mostly frantic run around, with very little humor. The cast are all good at what they do, but the screenplay just doesn't come off very funny. The frantic activity of the leads - Robert Young as Hank Medhill and Ann Sothern as Eleanor Breen Medill, becomes grating by halfway through the film.

The supporting cast has some tremendous actors, but they seem mostly miscast - again, due to the screenplay and their roles. Reginald Owen, who so often played British stuffed shirts for many laughs, is little more than a plain fixture here. Cora Witherspoon plays the usual giddy character, but goofy constant prattle is humorless in this film.

I think Young and Southern, and most of the cast gave it their all, but this is one plot that failed with a lousy screenplay. The writer, Carey Wilson, was not known for his work on comedies. He was uncredited on most of the few that he worked on, and only a couple of them fared very well. Here are the best lines from this film.

Eleanor Breen Medhill, "You know, Hank, I've never seen a cow."

Gypsy Breen, Eleanor's mother, "Where's that butler? I feel like kissing someone."

Eleanor, crying, "Oh, me a bride of three days, and my husband has 22 other women." Hank Medhill, "Eight and 16 are 24." Eleanor, "Oh, so now I'm dumb."

Eleanor, "Oh, Hank. I love you so much I've got goose pimples."

Eleanor, "Oh, you're trying to get rid of me." Hank, "I'm not trying to get rid of you, but I don't wanna stay around this Babylonian beer parlor."

Eleanor, "We used to have fun. Why, we did everything except light fire to city hall."

Eleanor, "Well, I didn't hear you screaming about my friends before we were married". Hank, "I didn't see 'em enough to scream about 'em. What's all right a couple of times a week is poison ivy three times a day." Eleanor, "Oh, so now I'm trying to poison you."

Gypsy Breen, "I never can think properly when there's a man in the room. Some way or another, my mind always seems to be on the man instead of what I'm trying to think about."

Gypsy Breen, "Oh, I always thought it all seemed very irregular, one husband in New York and another one in California. Oh, but now they're both in New York, and that makes everything all right."

Hank, "Vera!" Vera Montana, "Shut up!"

Fitfully funny madcap from MGM. Is Young still married to Sothern or not. Looks like she already had a husband, Jagger, but Daylight Savings Time sabotaged their divorce. So what's going on with the clocks. Then too, how did the mismatched Young and Sothern get together in the first place-- he's a straight-laced businessman with a fuzzy-faced brother, while she's a wacky show-biz gal with an imperious mom. Probably it's best they go their separate ways-- or is it. Somehow the scripter has to figure it all out; that is, if the sometimes clumsy editing will let him.

For sure you don't need a hearing aid for the dialog-- even the reserved Young has to shout many of his lines, while Sothern almost screeches. It's like the movie's trying too hard in frantic style to get the madcap across. There's just too much of this ill-timed excess to reach a more memorable comedy rank. There are some good moments especially the wind-up that's charmingly done, plus the amusing chorus line that Young could do without.

Despite the problems here, Sothern would soon display her brassy brand of comedy in the highly successful Maisie series, while the handsome Young would become every kid's favorite 1950's dad. Nonetheless, this 71-minutes can't seem to find its proper wave-length, even though it tries so hard. Too bad.

I have to agree with one of the reviewers here - this film was cut at the beginning. It probably was supposed to be an 'A' feature with someone like Franchot Tone or Robert Montgomery and when that didn't work out, they made it a B movie with Robert Young and Ann Sothern by shortening the time.

As a result, we walk in after the romance between Young and Sothern is over. Young is Hank Medhill, a wealthy man who manufactures an artificial silk product.

Hank has been in Japan, and when he returns, he finds out that his ex-girlfriend, Eleanor (Sothern) is at the altar about to say 'I do.' Hank interrupts the ceremony and the two take off.

However, the same problems they had before are still present. Esther is in show business and wants a career; Hank doesn't understand her, her friends, anything. On top of that, he's jealous. She's always greeting someone she's met once with a kiss.

The two fight like crazy and ultimately separate. Hank picks any name from the phone book and asks the woman who answers out on a date. And what a date it is, including gun play and a wild cab ride. Then Hank spots Eleanor in a restaurant with another man who claims to be her husband.

This is a wild movie, a screwball comedy, with both Sothern and Young in top form. Sothern has the voice, personality, and delivery to put over a quirky character.

The nice thing about Young is that he never played for laughs. He always did the part straight, which makes what happens to him funnier. Here, the poor Hank is out of his element surrounded by crazy show folk.

Very enjoyable, but we needed to have seen more of the romance when the two were getting along.