IMDb-BEWERTUNG
6,3/10
1308
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.
Mary Philips
- Maria
- (as Mary Phillips)
Rafael Alcayde
- Hotel Clerk
- (Nicht genannt)
Nino Bellini
- Cosmos Club Waiter
- (Nicht genannt)
Agostino Borgato
- Cordellera Bar Waiter
- (Nicht genannt)
Adriana Caselotti
- First Peasant Girl
- (Nicht genannt)
Robert Cauterio
- Hotel Clerk
- (Nicht genannt)
Irene Coleman
- Cosmos Club Hat Check Girl
- (Nicht genannt)
Gino Corrado
- Cosmos Club Croupier
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDuring filming, an electrician fell from the catwalk high above the set, narrowly missing the film's star, Joan Crawford. Shooting was temporarily halted while the man was rushed to hospital. Crawford refused to resume production until she was assured that the man would be fully cared for, that he would remain on salary, and that his family would be provided for. Crawford also called the hospital each day afterwards for reports on his condition.
- Zitate
Rudolph 'Rudi' Pal: In my opinion, most people prefer sardines to caviar because most people haven't tried caviar.
- Crazy CreditsDuring the opening credits, a music box is shown playing a tune in the background.
- VerbindungenFeatured in The Romance of Celluloid (1937)
- SoundtracksWho Wants Love?
(1937)
Music by Franz Waxman
Lyrics by Gus Kahn
Sung by Joan Crawford (uncredited) at the Cordellera Bar
Played throughout as part of the score
Ausgewählte Rezension
Joan Crawford stars in "The Bride Wore Red," a 1937 MGM film based on the play by Ferenc Molnar. Here, it's directed by Dorothy Arzner. Arzner was a fascinating woman - a female director amid a sea of men - very much ahead of her time in her dress, profession, and lifestyle, and highly intelligent. Was she a great director? Hard for me to say. I don't think she always got the best scripts. And in Crawford, she had a headstrong star as well.
The story concerns a poor girl, Anni (Crawford) who sings in a sleazy café (read: with prostitution as a sideline)in the red light district of Trieste. A count she meets believes that the only thing separating the rich from the poor is money - it's not class, it's not breeding, it's not education. To make his point, he sends Anni to a fabulous resort with beautiful new clothes for two weeks. Anni meets Rudi (Robert Young), from an excellent and wealthy family, but he's engaged. With time short, Anni decides that it's Rudi she wants, and is determined to stick it out as long as necessary to get him. But it's not only a lack of funds and Rudi's fiancé standing in her way - it's also the postman, Giulio (Franchot Tone).
Crawford is beautiful, and this was the type of role she played continuously in the 1930s with great success. Tone, Young, and Billie Burke give her good support.
What is this business with the "no European accents" that someone mentioned? Actors do not use European accents when portraying foreigners in their own country or a nearby country. The characters aren't speaking English with a foreign accent in Poland, Switzerland, or Italy. They're speaking another language. If accents were necessary, all Chekov plays would be done with Russian accents. They aren't.
I thought for what this was, the film took a little too long to make its point and was a bit slow in spots. It's not the best Crawford film, but she gives a strong performance as a willful woman determined to marry money. As for Arzner's direction, apparently she couldn't get anywhere with Crawford, so I'll withhold judgment.
The story concerns a poor girl, Anni (Crawford) who sings in a sleazy café (read: with prostitution as a sideline)in the red light district of Trieste. A count she meets believes that the only thing separating the rich from the poor is money - it's not class, it's not breeding, it's not education. To make his point, he sends Anni to a fabulous resort with beautiful new clothes for two weeks. Anni meets Rudi (Robert Young), from an excellent and wealthy family, but he's engaged. With time short, Anni decides that it's Rudi she wants, and is determined to stick it out as long as necessary to get him. But it's not only a lack of funds and Rudi's fiancé standing in her way - it's also the postman, Giulio (Franchot Tone).
Crawford is beautiful, and this was the type of role she played continuously in the 1930s with great success. Tone, Young, and Billie Burke give her good support.
What is this business with the "no European accents" that someone mentioned? Actors do not use European accents when portraying foreigners in their own country or a nearby country. The characters aren't speaking English with a foreign accent in Poland, Switzerland, or Italy. They're speaking another language. If accents were necessary, all Chekov plays would be done with Russian accents. They aren't.
I thought for what this was, the film took a little too long to make its point and was a bit slow in spots. It's not the best Crawford film, but she gives a strong performance as a willful woman determined to marry money. As for Arzner's direction, apparently she couldn't get anywhere with Crawford, so I'll withhold judgment.
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- How long is The Bride Wore Red?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Bride Wore Red
- Drehorte
- Österreich(Alpine exteriors)
- Produktionsfirma
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Box Office
- Budget
- 960.000 $ (geschätzt)
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Die Braut trug rot (1937) officially released in Canada in English?
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