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Engel

Originaltitel: Angel
  • 1937
  • Approved
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,2/10
3563
IHRE BEWERTUNG
Engel (1937)
Home Video Trailer from Paramount
trailer wiedergeben0:45
1 Video
53 Fotos
ComedyDramaRomance

Füge eine Handlung in deiner Sprache hinzuA woman and her husband take separate vacations, and she falls in love with another man.A woman and her husband take separate vacations, and she falls in love with another man.A woman and her husband take separate vacations, and she falls in love with another man.

  • Regie
    • Ernst Lubitsch
  • Drehbuch
    • Melchior Lengyel
    • Guy Bolton
    • Russell G. Medcraft
  • Hauptbesetzung
    • Marlene Dietrich
    • Herbert Marshall
    • Melvyn Douglas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    3563
    IHRE BEWERTUNG
    • Regie
      • Ernst Lubitsch
    • Drehbuch
      • Melchior Lengyel
      • Guy Bolton
      • Russell G. Medcraft
    • Hauptbesetzung
      • Marlene Dietrich
      • Herbert Marshall
      • Melvyn Douglas
    • 30Benutzerrezensionen
    • 18Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Videos1

    Angel (1937)
    Trailer 0:45
    Angel (1937)

    Fotos53

    Poster ansehen
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    Poster ansehen
    Poster ansehen
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    + 45
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    Topbesetzung29

    Ändern
    Marlene Dietrich
    Marlene Dietrich
    • Lady Maria Barker
    Herbert Marshall
    Herbert Marshall
    • Sir Frederick Barker
    Melvyn Douglas
    Melvyn Douglas
    • Anthony Halton
    Edward Everett Horton
    Edward Everett Horton
    • Graham
    Ernest Cossart
    Ernest Cossart
    • Christopher Wilton
    Laura Hope Crews
    Laura Hope Crews
    • Grand Duchess Anna Dmitrievna
    Herbert Mundin
    Herbert Mundin
    • Mr. Greenwood
    Dennie Moore
    Dennie Moore
    • Emma MacGillicuddy Wilton
    Ivan Lebedeff
    Ivan Lebedeff
    • Prince Vladimir Gregorovitch
    • (Gelöschte Szenen)
    Leonard Carey
    Leonard Carey
    • Barker's Footman
    • (Nicht genannt)
    Louise Carter
    Louise Carter
    • Flower Woman
    • (Nicht genannt)
    Phyllis Coghlan
    • Maria's Maid
    • (Nicht genannt)
    Gino Corrado
    Gino Corrado
    • Assistant Hotel Manager
    • (Nicht genannt)
    George Davis
    George Davis
    • First Taxi Driver
    • (Nicht genannt)
    Duci De Kerekjarto
    Duci De Kerekjarto
    • Violinist
    • (Nicht genannt)
    Herbert Evans
    Herbert Evans
    • Lord Davington's Butler
    • (Nicht genannt)
    James Finlayson
    James Finlayson
    • Barker's Second Butler
    • (Nicht genannt)
    Bobbie Hale
    • News Vendor
    • (Nicht genannt)
    • Regie
      • Ernst Lubitsch
    • Drehbuch
      • Melchior Lengyel
      • Guy Bolton
      • Russell G. Medcraft
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

    7,23.5K
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    Empfohlene Bewertungen

    7st-shot

    Marlene's choice.

    Lady Barker (Marlene Dietrich) benignly ignored by her British diplomat (Herbert Marshall) sneaks off to Paris to visit an old friend running a fashionable salon where discretion is highly valued. There she meets a brash American Anthony Halton (Melvyn Douglas) and has a whirlwind affair with him before disappearing. Circumstance brings the two men together however and once revealed as rivals Barker is left with no option other than to decide who she will walk with.

    One of Lubitsch's minor efforts from his Paramount period Angel is a well mannered romantic comedy that never raises its voice as adults behave like adults. Marshall and Douglas display charming civility with each other while the usually ice like beauty Dietrich supplies the right amount of hopeless romantic, strong woman to balance the trio. The usual stalwart Paramount supporting cast is in evidence with Edward Everett Horton, Edward Cossart, Herbert Mundin and Laura Hope Crews adding wit and humor to the proceedings while Lubitsch applies his famous touch of deft incidentals and open doors. The arrested passions and lack of high comedy however allows Angel to fly no higher than a mildly pleasant entertainment ably assisted by the grace and charm of its stars.
    10danland2

    Wonderful romantic comedy of a husband learning to appreciate his exquisite wife through another man's attraction to her.

    Wonderful Lubitsch comedy about a distracted husband, a neglected wife and an ardent suitor that has all the magic, humor, romance of the directors previous work. Dazzling camera work by Charles Lang make Deitrich look positively luminous. All the cast are perfect. The audience I saw this with at the LACMA Museum screening were utterly entranced by this neglected masterwork. Kudos to UCLA for restoring this treasure to its original splendor and to LACMA programer Ian Birnie for giving us the opportunity to see this little gem in all its glory. A 10 out of 10.........
    gtzam

    Neglected gem, deserves reissuing.

    The Lubitsch touch is omnipresent in this relatively unknown but extraordinary romantic comedy. The theme of a potential marital infidelity of a disaffected upper class wife (a gleaming Marlene Dietrich) is dealt with unusual sophistication and insight, building up slowly to a brilliant denouement, while the core dilemmas and the predicament of the main character are continuously and subtly underscored. The confrontations between the characters are a delight of restrained pathos, whereas Lubitsch, unsurprisingly, perfectly recreates a confined world of rigid social norms that suppresses any emotional profusion. All the performances are top notch, the secondary characters are equally memorable and the whole film is pervaded by the genius of one of cinemas most charismatic directors, Ernst Lubitsch. One wishes that modern romantic comedies had only maintained even a fraction of the wit and incisiveness that Lubitsch established as a norm in the 30s.
    7TheLittleSongbird

    While not one of Lubitsch's best, 'Angel' is still one of his most overlooked films

    Ernst Lubitsch was an incredibly talented director, who to me rarely made a dud, with his best films even being masterpieces. Even his lesser films are worth a look, even if just once, and better than a lot of directors at their worst.

    'Angel' is not among his best films, being not in the same league as 'The Merry Widow', 'Ninotchka', Heaven Can Wait', 'The Shop Around the Corner' and especially 'Trouble in Paradise'. It is however, for all its imperfections, one of his more overlooked films. Some may say 'Angel' is a gem, others may say it's a rare dud. To me, it's neither but is much better than its reputation suggests.

    By all means it could have been better. It does lag in places, not helped by a story being a bit thin for the running time, with some of the romantic melodrama laid on too thickly at times. Herbert Marshall, who is more capable of giving a good performance but has also given some dull ones, is rather somnolent in his role. A few of the secondary roles are underwritten, Edward Everett Horton while still being very funny in particular is under-utilised.

    With those being said, while just lacking the famous "Lubitsch touch", being on subdued form and lacking the risqué edge, Lubitsch does direct with his customary class and subtlety. He also has some beautiful visual touches, in a lovingly photographed and designed film that clearly loves Marlene Dietrich, judging by now positively luminous she looks.

    Music is appropriately whimsical in places while also sweeping without being overbearing. The script does have some sparkling humour in the supporting roles and typically sophisticated with a warm charm. The story is less than perfect but has some fun and charming moments.

    Dietrich is as aforementioned luminous, has a class and elegance and gives her character good comic timing and pathos. In the supporting roles, Horton and Ernest Cossart are particularly entertaining with their back and forth standing out of the comedy.

    In conclusion, could have been better but overlooked. 7/10 Bethany Cox
    8clanciai

    Marlene Dietrich more irresistible than ever making fools of two men

    This is one of Ernst Lubitsch's less conspicuous films, while the performance of Marlene Dietrich in it is the more outstanding. Herbert Marshall is all right, he played against her before in "Blonde Venus" four years earlier, he was a jealous husband even there, but that was Josef con Sternberg, while Ernst Lubitsch is a completely different thing, although both are Viennese, and Marlene Dietrich is German. Melvyn Douglas is the tricky thing here. He makes a perfectly abominable offensive character insisting on constantly importuning on her, and you can't understand how she can tolerate it, but Marlene is Marlene, always superior to any critical situation, and also here she finally provides a solution, but not without the clever psychological empathy with her on the part of Herbert Marshall. Both Melvyn and Herbert appear, however, as perfect dummies at her side, while she makes the entire film worth while and watching. It's very European, while poor Melvyn keeps blundering on without noticing anything of the subtleties going on. She enters as a mystery of an intrigue, but when she has solved the knot she is already gone.

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    Handlung

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    • Wissenswertes
      The last film for Marlene Dietrich at Paramount under her seven-year contract with the studio. It was not renewed due to a series of recent flops for her films.
    • Zitate

      Maria: When the beginning is so beautiful, I wonder if the end matters.

    • Verbindungen
      Featured in Das Kino bittet zu Tisch (2005)
    • Soundtracks
      Angel
      (1937) (uncredited)

      Music by Friedrich Hollaender

      Lyrics by Leo Robin

      Played during the opening and end credits

      Played on violin by Duci De Kerekjarto (as Duci Kerekjarto)

      Played on piano by Marlene Dietrich and by Melvyn Douglas

      Played as background music often

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 26. Januar 1973 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Angel
    • Drehorte
      • Santa Anita Park & Racetrack - 285 West Huntington Drive, Arcadia, Kalifornien, USA
    • Produktionsfirma
      • Paramount Pictures
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    Technische Daten

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    • Laufzeit
      1 Stunde 31 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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