Seine Sekretärin

All of the MGM machinery is in place to make this slight little story into an enjoyable bit of entertainment. Three of the studio's biggest and most endearing stars headline the film. Gable plays a hotshot businessman who has a beautiful, affectionate wife (Loy) at home and a beautiful, dutiful secretary (Harlow) at the office. Loy has no reason to feel threatened by the curvy, good-natured Harlow until Gable's mother (Robson) plants the seeds of doubt in her mind. Once her friends chime in as well and Gable and Harlow are in the midst of a major, hush-hush deal, she begins to think that perhaps she is the odd man out. Meanwhile, (a very young) Stewart waits patiently for Harlow to give up her career and marry him. The title comes true in one, fairly-considerate, verbal sparring match near the end. Gable is extremely charming and offhanded in this film. He does as he pleases and doesn't care to answer to anyone or explain his behavior. Loy is also very witty and refreshingly forward-thinking for most of the movie. The couple shares a delightful on screen relationship in which a healthy sex life is clearly implied. Harlow (sporting hair a shade or two darker than when she's playing an outwardly sexual character) does an admirable job of portraying the dedicated, indispensable assistant who may really have some unexplored feelings for her boss. Though the plot is contrived and simplistic in the extreme, the stars do manage to put it over and hold interest. It's not a very realistic film, but who wanted that anyway during The Depression? It's a frothy, fun, occasionally dramatic piece of old Hollywood candy.

In New York, the magazine publisher Van "V.S." Stanhope (Clark Gable) and his beloved wife Linda (Myrna Loy) have been happily married for three years and are in love with each other. Van is a dynamic executive of the Stanhope Publications and works very close to his dedicated and efficient secretary Helen "Whitney" Wilson (Jean Harlow), who is a beautiful young woman engaged with Dave (James Stewart).

When Van's mother Mimi (May Robson) poisons Linda about the relationship of her son with his secretary, Linda becomes jealous of her. Whitney and Dave have an argument and she breaks with him. Meanwhile Van is secretly planning to buy a magazine owned by Underwood (George Barbier) and Whitney helps him with the strategy. When Whitney discovers that the competitor Hanson House is also disputing the magazine, she travels to Havana to help Van to close the business with Underwood. They are well- succeeded in their intent and celebrate until late night. When Linda calls Van at 2:00 PM, Whitney answers the phone call and Linda believes that Van is really having an affair with Whitney. In the end, don't look for trouble where there isn't any because if you don't find it, you'll make it.

"Wife vs. Secretary" is an adorable romantic comedy by Clarence Brown with Clark Gable, Jean Harlow and Myrna Loy in the lead roles. The intelligent screenplay is very well written, with funny situations. James Stewart in a supporting role in the beginning of his career has the final and most important line of this movie. The talented Jean Harlow passed away on the next year of cerebral edema caused by uremic poisoning, in a great loss for the cinema industry. My vote is eight.

Title (Brazil): "Ciúmes" ("Jealousy")

Despite the story not being anything extraordinary, the cast for 'Wife vs Secretary was something of a dream one. Clark Gable, Myrna Loy and Jean Harlow were of immense talent and already knew that both Gable and Loy and Gable and Harlow pairings were of classic status. Seeing all three in the same film and also featuring James Stewart in a very early role was enough to make me squeal in delight. Clarence Brown was one of those directors that when he was on good form his films were very good and more, when not so his films were rather eh.

Luckily, 'Wife vs Secretary' is a good example of the former. It sees all three leads on sparkling form, one can see what people saw in all three when judging them individually as actors, it was a good representation of Gable and Loy having such good chemistry together and an even better representation of Gable and Harlow's chemistry. 'Wife vs Secretary' had all the makings of a gem, and while its potential was still even bigger than it turned out not an awful lot disappoints here.

'Wife vs Secretary's' story is admittedly very slight and is also very predictable.

Have seen much better performances from Stewart, who does the best he can but has little to do and is not as into the material as the rest of the cast.

Gable is full of charisma and charm, while Loy is classy and poignant (especially in the film's latter stages) and Harlow is sass personified. All in roles tailor made for them, with equally pitch perfect support from May Robson also perfectly cast and beautifully complemented by Brown's direction. It looks beautiful too, sumptuously designed and costumed and the photography not only doesn't cheapen those qualities but it also makes all three leads look great on screen. The score doesn't intrude and matches the tone of the writing and story.

The script is snappy and intelligent as one hopes from this type of film, with some witty banter and with the more serious moments not trivalised and actually not feeling that out of date. While the story is slight and with few surprises, it still manages to not be dull and is both light-hearted and thoughtful.

In summation, not a classic but very nicely done that does not waste its stars in any way. 8/10

I treasure this film for Jean Harlow's performance, capped by a magnificent, simple line reading: "You are a fool. For which I am grateful."

She had amazing range for an actress who died at 26. Howard Hughes presented her in "Hell's Angels" (1930) as an amoral menace to civilization. (When she slips into "something comfortable" she actually puts on clothes.) It would be charitable to call her appearance in that picture acting. Yet within a couple of years she could dominate the screen by the force of genuine talent.

Her starring career blazed briefly, but with almost no wasted roles. Here she gets to behave like a normal working class woman--not a débutante, nor a tenement dweller, nor a criminal's moll, nor a voracious mantrap, nor a comic banshee, nor an adventuress working the China Seas or Malay docksides.

Clark Gable and Myrna Loy have more customary roles. A part this quiet remains a rarity for the winsome, brilliant, and doomed Harlow.

A lot of this is typical 1930s melodrama. The story continues because various of the characters fail to have the obvious conversations, which would have cleared things up in a jiffy.

The scene I found particularly interesting and innovative was the penultimate one. In the third from the end scene, Harlow shows up in Loy's stateroom aboard the French Liner ship she is planning to take to Europe to forget about her husband (Gable), whom she imagines, incorrectly, to have had a fling with his secretary Harlow during a business trip to Havana. Harlow tells Loy that if she leaves Gable now, he will turn to Harlow out of loneliness and Loy will never get him back. (Yes, that sounds like the mother's speech to Norma Shearer in The Women.) Loy believes, incorrectly, that she has already lost Gable, so she says she won't go back to him. Harlow tells her that that would make her (Harlow) happy.

The next scene takes place in Gable's office. He is talking with Harlow. We hear footsteps coming down the hall outside. Footsteps that take a long time. It turns out that they belong to the cleaning lady. Then, when she leaves, we hear footsteps again, very assertive footsteps, for a long time. Harlow gets up - she suspects it is Loy, come to return to her husband. And this time it is. Harlow then walks through the next, large office - more long footsteps - and leaves. The use of the footsteps is really very impressive.