Eine Landpartie

When I see lists of the supposed 'great films', I often wonder some films makes these lists and others do not. Two films that often make such lists and make professional reviewers drool are a couple shorts which I'm not even sure belong on any such list--since they are SHORT films! While good, the films seem to be considered among the greatest works of art as well--and I just don't get it. Both films are French and I have no bias against French films--in fact, French films are probably my favorite of all the international cinema. But, I still can't see why "Zero for Conduct" and "A Day in the Country" are considered such amazing films--especially "Zero for Conduct". Yet, I know that many sophisticated people would immediately assume I'm a Neanderthal for not loving these films!

As this review is specifically about " A Day in the Country", I'll confines the rest of my comments just about this particular short. I see that it's currently rated 8.2 and as I said above, makes many 'must-see' lists. While I might agree that it should be on a list of the top 100 shorts, you can't seriously compare it to a full-length in my opinion for many reasons. First, the film seems like a fragment--without the completeness or structure you'd find in a 'normal' film. Second, director Renoir himself intended to make a full-length film but only stopped part-way through the project because of time constraints--there was too much rain and he had to wrap up filming! While I think another film, "Fitzcaraldo" is a bit overrated, at least Werner Hertzog went to hell and back to get this incredible film made--yet Renoir gets a pass when he just calls it a wrap!

So is this a bad film? Certainly not! In fact, it's one of the most artistically satisfying shorts I've ever seen. The combination of music, great camera work and restrained acting make this a lovely piece of art. But, with a woefully incomplete story and not much plot, I just can't take the film as serious as some have. Good, yes. Great, no. It's well worth seeing--just don't try to convince me it has achieved greatness or should be compared to traditional films.

Unfinished,this is a one of Renoir's most remarkable works.As far as Guy DE Maupassant is concerned,only Max OPhuls's "le plaisir"(1951) and Christian-Jaque's "Boule de Suif" (1950)equal it.

This is apparently a very simple story:a couple of bourgeois (Jane Marken and Gabriello) ,their daughter (Sylvia Bataille) and her less-than-handsome husband leave for a day in the country (title).There the young girl meets love ,short-lived happiness.

Beneath the placid surface,tragedy emerges.The beautiful landscape,the simmering water,the whispering grass,the swings which seem to reach for a pure sky,the small fish you savor in the guinguettes down by the river,the thrill of it all!The young girl's longing for true love is harder to endure in such a peaceful paradise.This is one of these rare movies in which you experiment happiness tinged with an infinite sadness.

A whole sequence is missing:a card explains the events which were not filmed.Sylvia Bataille's last line(to the man she fell in love with) will make you cry out:"I've been thinking of it every day".Woman has always been sacrificed in Maupassant's work.At a running time of 40 minutes,a lot of people claim it for Renoir's best though.I do.Claude Renoir marvelously conveys Maupassant's depictions with his pictures.

Day in the Country, A (1936)

**** (out of 4)

Incredibly touching and extremely beautiful film from the French master Renoir. A Parisian father takes his wife, mother-in-law, daughter and future son in law on a trip to the country where they plan to have a picnic. While the men fish two gentlemen with not-so-innocent plans take the women on a canoe ride. I've been looking to see this film for quite sometime even though the reviews I've read have been rather mixed. I personally found this film to be incredibly beautiful and I'd probably put it as the greatest French film I've seen. The peacefulness of the country that Renoir brings to the screen is quite breathtaking and he really does capture the freeness of being out in the middle of no where surrounding by silence. I thought all of the characters were very well written and the dialogue suited each of them perfectly. A lot of times all the characters sound the same but I was very please to see how different each of them were. The film runs a very short 40-minutes but Renoir throws everything into the picture. This includes terrific laughs and some very heartfelt moments towards the end of the movie. The film also features some very beautiful cinematography including a terrific sequence near the end where the river is shown with rain drops hitting it. Another great sequence comes early on when the two men are inside the diner and push the window open to reveal what's outside. This scene works even better thanks in large part to the terrific score by Joseph Kosma. All of the performances are great but Sylvia Bataille is the real standout as the daughter who is going to encounter and lose love over the span of a short evening. Jacques Borel is also worth mentioning as the womanizer who adds a lot of the comedy to the film. I've heard various stories about the short running time. It seems Renoir never go to finish the film but to me the running time is perfect and it's amazing what the director does capture and show in the short time.

A 40 minute fragment of an unfinished movie which Truffaut describes as a cinematic short story, about a picnic in the country.

Renoir movies are always idyllic visually - like beautiful cinematic paintings, but Partie de Campagne is particularly idyllic. For some reason Renoir really wanted us to feel that we were in the country. This is his most visceral movie: he really takes you into the landscape in a way he does not usually do. Usually we merely sit back and admire it - here we are shown some gorgeous images of rain on the stream from the view of a boat on the water. The bottom half of the frame is virtually in the water we're so close to the action.

My favourite parts of Renoir movies are when he goes out on location (which he did quite a bit) and shoots wonderful scenes in nature. Here we have forty minutes of pure natural beauty (with a group of characters added for colour). I'm not sure that if Renoir continued with this project it would have retained enough interest over a two hour length - most likely its merely the central episode of a movie. Like Kubrick, Renoir made his movies up from several big, beautiful chunks. This applies most to Grand Illusion, so perhaps this sequence would never have been intended to supply enough dramatic interest for an entire story, but for lovers of Renoir, here are some of the most beautiful things he ever filmed. If you've never seen a Renoir film, the first experience is always the best, and it might be spoiling you if you start with this one, but it would be a beautiful introduction to him.

Although "A Day In The Country" is a lovely, lyrical film I was disappointed to learn that it was never completed. Indeed, there is a gaping hole toward the end of the film which, if finished, could have answered some plot questions. And so, we must draw our own conclusions and try to fill in blanks. As you would expect, it mars the final product.

As is, it is a snippet of life fleshed out by the master director Renoir. Human feeling seems to be his strong point, humanity in all its strengths, shortcomings and foibles as illustrated by his depiction of a family picnic in the country. We are eavesdropping on them, almost. I wish he could have finished it.