Unga Khan, der Herr von Atlantis

This serial was cranked out even quicker than usual for Republic, in direct response to Universal's instant classic, Flash Gordon, and is, overall, rather sub-par for a Republic production.

Our hero, Crash Corrigan, is an attempt at creating a poor man's Buster Crabbe, and while he is likable, adequate and has the right build and physical abilities to be a serial hero, he does not exude sufficient charisma, charm, virtue or cleverness so as to have us in our seats cheering him on.

The main villain, Unga Khan, is an unsuccessful attempt to create an ersatz Ming the Merciless, looking more brain-damaged than sinister.

And while Crash is adequate, most of the rest of the cast are either bland or sub-par, the exception being guy who played Unga Khan's main henchmen, who was pretty good. There is a just awful kid, Billy, the son of a geriatric scientist, who you keep hoping will get killed off, but no, he survives.

And there is a nice-looking female lead who gets almost nothing to do the entire serial, and there are no romantic sparks between her and our hero, until the final chapter.

Speaking of romantic sparks or the lack thereof, it is interesting to note that in the Kingdom of Atlantis, wherein our adventure occurs, there appear to be exactly zero women, until our aforementioned heroine arrives. I mean, in a literal sense, that although this serial has many male actors and extras, there is only 1 female throughout the whole 12 chapters. How this city's population has perpetuated itself these many thousands of years is a mystery not discussed, nor is the means by which the many, many male inhabitants of Atlantis relieved their sexual urges.

This aspect of Atlantean life, plus the many scenes of our hero stripped down to his trunks wrestling other men stripped down to their trunks, not to mention the fact that Corrigan's Atlantean costume greatly resembles that of a Las Vegas showgirl, gives rise to much speculation.

This serial has neither the verisimilitude of the classic Republic serials, nor the delirious phantasmagoria of Flash Gordon. Thus, it is amusing to see a couple chapters, but, and I say this as a fan of the classic serials, I found it tiresome to watch in its entirety.

I should, however, give due praise to the fine miniature work by the Lydecker Brothers, and note that this serial marks the premier of the great Republic "water heater" robots, who would continue to appear in serials for the next 20 years. Thus, fans of Republic should see at least a chapter or two, and fans of serials, B-films, and kitch can also enjoy a couple chapters. But the whole things will probably be more than you need.

Athlete, navy-man, and overall übermensch 'Crash Corrigan' (stuntman Ray Corrigan, who subsequently went by Ray 'Crash' Corrigan in films and TV work), along with intrepid 'girl-reporter' Diana (Lois Wilde), young sidekick Billy (Lee Van Atta), avuncular boffin Professor Norton (C. Montague Shaw), and comic-relief buddies Briny and Salty (Smiley Burnette and Frankie Marvin) travel by rocket-propelled submarine to the lost continent of Atlanta, where they are immediately caught up in a war between the evil despot Unga Khan (Monte Blue, stealing cues from Flash Gordon's faux-Asian arch-enemy Ming the Merciless) and his black-robed henchmen (including Lon Chaney Jr.) and good-guy Sharad (William Farnam) and his white-robed followers (for a 'nice guy' Sharad seems ruthless enough when presiding over blood-sports in the Atlantean coliseum). Everyone's near reverence for Crash gets a bit smarmy after a while (or in Billy's case a bit creepy), especially considering the hero's outfits occasionally border on campy-outrageousness (skimpy fish-scale briefs and a head-piece sporting a prominent fin) but the stuntman and gorilla-imitator turned actor acquits himself pretty well as a cunning, quick-fisted, and resourceful hero (the rest of the cast are functional and nondescript). The Republic serial is very similar to Mascot's popular 'Phantom Empire' 12-parter (1935) starring Gene Autry: both feature a technologically advanced 'lost' kingdom in political ferment, incredible 'scientific gadgetry' including ray-guns, mechanical men, 'flying torpedoes', and viewing machines (that can see anywhere, no camera needed), and both chapterplays conclude apocalyptically which oddly don't seem to bother the heroes, who are now safe on the Earth's surface. As depression-era serials go, 'Underwater Kingdom' is typical, and 'OK'. The storyline is simplistic, there are numerous unacceptable implausibilities (Billy can pilot one of the Unga Khan's flying machines!?), characters seem to inexplicably know the names of things (such as 'vol-planes' 'volkite' robots) when first encountered, and several of the cliff-hanger resolutions are 'cheats' (the 'before' and the 'after' footage don't match). Not surprisingly, production frugality is evident, notably in frequently repeated scenes (when the submarine ascends, bubbles are sucked back into the engines) but some investment and imagination went into the fearsome 'Juggernaut' (I like the sound it made) and the lumbering volkites (goofy but much less ridiculous than the behatted tinmen menacing Gene Autry in the Phantom Empire. More interesting as history than as entertainment but fans of vintage sic-fi should enjoy it in a smug, eye-rolling way (as I did).

"Undersea Kingdom" is fast-moving and exciting, better than most serials...with the added fun of seeing how the cliffhangers are impossibly resolved. One of my favorite superheroes who's never been filmed is Namor, the Submariner and this serial comes closest to rendering him on film. It's amazing how a very ordinary looking guy (Ray Corrigan) with an admittedly great physique can be transformed into a thrilling superhero just by donning a costume. This is the best example of the transformation by costume...Corrigan doesn't look anywhere near as imposing without that great sort of Aztec-looking helmet, the best flowing cape (far better than Superman's) and those nifty fish-scale briefs that turn transparent when the lighting hits them just right. Fortunately, our hero wears this impressive outfit throughout most of the series, and you will notice how much his presence is diminished just by removing the helmet from time to time. Despite the robots that look like lumbering water heaters and a sardine-can tank that announces its presence with an ambulance siren, this is a classic serial adventure that should surely please most action-hero and serial fans. It's a very ambitious and largely successful product for its times, with the added bonus of little of the tediously long previous chapter replays of later efforts in the genre. Highly recommended!

UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by the immortal Nat Levine (truly the "King Of The Cliffhanger Poverty Row Black And White Serial Producers) is without a doubt the very best science fiction/ action movie serial ever made, and other serials of fame (Flash Gordon, Mysterious Dr. Satan, King Of The Rocketmen) don't even come close.

Part of the reason is simply money. Republic Pictures was newly organized and expanded in 1936, and the production of UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan" and produced by Nat Levine was a beginning effort to position Republic Pictures at the top of the independent movie production operations in Hollywood serving independent theaters and theater chains worldwide with "product" not tied to the "major" movie studios such as MGM and Paramount which owned large chains of captive movie houses bound to show movies made by parent movie studios (it is stated in movie histories that as much as 94% of movie box office receipt income during the "Golden Age" of big Hollywood chain movie house connected studios were invested in the huge movie house real estate holdings of chains owned by Loews, Paramount, Warner Brothers, RKO, etc.).

Republic Pictures bought up Mascot Studios and other "low end" "poverty row" movie studios which produced cheap cowboy and other potboiler movies (also serials, some very good), and created sort of a "twilight zone" movie studio operation in which "product" was not quite as expensive and glossy as the "big studio" movies (MGM, Paramount, etc.), but which was better than the old "poverty row" movie potboiler products had been in the early 1930's (when John Wayne and others of cowboy fame got their start).

Republic's UNDERSEA KINGDOM (1936 Republic) serial starring Ray "Crash" Corrigan was a very successful effort to create a classy, expensively made, tasteful serial with high standards of casting and script creation, and wonderful attention paid to special effects, science fiction innovations (television, submarine travel, "ray guns," and robots, etc. etc.

Unlike other serials of fame, large numbers of background actors of great skill were used. Charriots probably from the BEN HUR extravaganza of 1925 (only 10 years before) were used, and high speed chariot racing is seen in the serial, and is breathtaking.

The attention to innovation in the script, and the fact that traditional, old time, sappy "love interest" is avoided almost completely are all to the credit of the creators of this great example of science fiction/ action cinema. There is no effort in UNDERSEA KINGDOM (1936 Republic) to include major female character or "love interest," or jealous daughters of evil emperors, or a girlfriend for the hero who tails along after "her man" with no role other than that of sex object for both her boyfriend and his major male enemies (the worst part of the famous FLASH GORDON [1935] serial is the "Dale Arden" character played by pretty but bass voiced Jean Rogers who is far less curvy than her major female competitor for Flash Gordon....played by wonderfully curvy Pricilla Lawson, who was also a much better actress in the 1935 serial of fame.....a serial far less expensively and well made, and far less well acted and written than UNDERSEA KINGDOM [1936]).

UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by Nat Levine (see Levine's many other serials of fame, including my favorite, THE WHISPERING SHADOW [1934 Mascot] starring Bela Lugosi) is the best and most expensively made movie science fiction/ action serial ever made, and should be in every movie enthusiast's personal collection (cheap VHS cassette versions are presently...2011...available from Amazon.Com for truly tiny money...buy one!).

Much more can and should be said about UNDERSEA KINGDOM (1936 Republic) including details best of all water heater robots who were mobile thanks to their flexible accordion style legs, much better than the inferior stiff pole metal legs of the water heater robot (only one) in THE MYSTERIOUS DR. Satan (1942 Republic). An entire book can and should be written about robots depicted in 1930's and 1940's movie serials.

I plan to write a book soon titled VALLEY OF THE CLIFFHANGERS about the history and best examples of high quality movie serials, a cinema art form which extended way back in time during silent movie days before the World War I era, and continued into the early 1950's.

I was a little boy in Baltimore, Maryland USA and attended the weekly Saturday morning children's movie show programs at Baltimore, Maryland USA's now closed WAVERLY THEATRE located on Greenmount Avenue near the corner of 33rd St. (now a retail shoe store). I first saw UNDERSEA KINGDOM (1936 Republic) in the early 1950's along with KING OF THE ROCKETMAN, and DON WINSLOW OF THE COAST GUARD and many other re-cycled serials shown at the Waverly along with "B" westerns of fame, mostly from Republic Pictures which provided movie programming to independent movie houses like the WAVERLY THEATRE and specialized in Saturday morning and afternoon children's cowboy movies, serials, and short subjects.

I've been interested in USA action cinema all my life, but the very best action movies I ever saw were the ones shown in the early 1950's at Baltimore, Maryland USA's WAVERLY THREATRE. And the very best movie serial I ever saw at the WAVERY THEATRE was UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by the wonderful Nat Levine, "King Of The Movie Serial Producers."

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Written Sept. 10, 2011 by David Roger "Tex" Allen, SAG Actor, Columbia PA USA.

Written by Tex Allen, SAG-AFTRA movie actor. Visit WWW.IMDb.Me/TexAllen for more information about Tex Allen.

Tex Allen's email address is TexAllen@Rocketmail.Com.

See Tex Allen Movie Credits, Biography, and 2012 photos at WWW.IMDb.Me/TexAllen. See other Tex Allen written movie reviews....almost 100 titles.... at: "http://imdb.com/user/ur15279309/comments" (paste this address into your URL Browser)

Granted it is not like our cliff hangers today but enjoyed watching it. It had no foul language or off color jokes. It is a good family friendly series. It keeps the attention of the viewer. I like older movies anyway(there cleaner than the filth that HELLYWOODS putting out today).