Three Men on a Horse

Old black and white film pros Frank McHugh, Joan Blondell, and Guy Kibbee get together for a caper. we learn two things right at the start of the film: Erwin is GREAT at picking winners in the races. and erwin's brother in law is a pain, who yells and keeps interfering in Erwin and Audrey's marriage. when Charlie (Allen Jenkins) finds out that Erwin can pick winners, they kidnap Erwin and try to keep him locked up. Blondell is the good-hearted moll for the bad guys, and tries to help Erwin. it's silly and campy, and moves right along. Keep an eye out for Charles Lane.. he's the man who picks up the cleaning. for a while, he held the record for the most roles in films. Eddie Anderson (Rochesterrrr !) is in here as the elevator guy. the annoying brother-in-law (Paul Harvey) had worked with Bogart on FIVE films. it's pretty good, but the fake brooklyn accents get annoying after a while. funny scene where the elevator guy is in the room rooting for the winner with the rest of them. directed by Mervyn LeRoy. Gypsy, Wizard of Oz.

Henpecked at home and work, Frank McHugh has a hobby of working out which horse is going to win a race. He never bets. But when he falls into the hands of Sam Levene and his crew, he offers them a sure thing.

It's based on a successful George Abbott play, with Levene (in his screen debut) and Teddy Hart repeating their stage roles. Director Mervyn Leroy barely opens it up for the movies, but stocks the ast with some prize players: Joan Blondell tawkin' outta the side of her mout', Edgar Kennedy as a bartender who gets in on the action, Guy Kibbee as McHugh's boss, Paul Harvey as his overbearing brother-in-law, along with Eddie Anderson and Harry Davenport in smaller roles. If you're looking for the stage play, this isn't a bad version, but on the screen, it comes off as too stagey, and McHugh's wimp isn't much fun as the center of the storm.

The film definitely has some dated elements...even some humor that in the 30's probably would have been great but today one shrudders at their use.

Nevertheless, the film is great -- Frank McHugh plays a rare principle (which is a travesty since he is extremely funny and steals practically every scene he is in). Allen Jenkins also appears, playing another great hood (but loveable) character that he is so good at.

Watch McHugh's mastery of slight mannerisms that make his shy character come to life.

In adapting Three Men On A Horse for the screen Jack Warner took a big chance in not having one of his box office leads headline in this film. Instead Three Men On A Horse remains pretty faithful to the Broadway play and gives some of the character people under contract at Warner Brothers a chance to shine on their own. I don't know about you, but personally I like these kind of films where all these performers with a particular shtick get to outdo the other.

The nominal lead is Frank McHugh and it seemed like either he or Alan Hale appeared in every Warner Brothers production of consequence for a while. McHugh plays the typical henpecked milquetoast who does poetry for greeting cards for a living and grossly underpaid for his originality and he has a genius at doping out winning horses. But that's only a hobby, he never bets himself.

But when Damon Runyon like characters Sam Levene, Teddy Hart, and Allen Jenkins find out about his 'hobby' one night in the Hotel Lavalliere Bar, these three gibbronis decide to ride along on a winning thing. They kidnap the poor schlimiel, but treat him ever so gently and cater to his whims which aren't all that much. Along for the ride are Joan Blondell as Levene's girlfriend, Eddie Anderson as the hotel porter and elevator operator and Edgar Kennedy the bartender.

But there's more than that here. Frantically looking for McHugh who's disappeared is his wife, Carol Hughes and his boss Guy Kibbee. And also on the scene is McHugh's brother-in-law Paul Harvey who doesn't think much of him. Actually Harvey's blowhard character is my favorite in this film.

Amazingly enough it all kind of works out for McHugh in the end. But you have to see the film to find out. And I mean HAVE to see the film which is a real treat with some of the best character players ever on screen in the golden age of the studio system all in one film.

And no big stars to get in their way.

It's very tame and dated, but there are still more than a few chuckles in this comedy concerning a young man (McHugh) who is having marital and work troubles and ties up with gangsters when they find he has the ability to predict winners at the horse racing track. LeRoy directs at a tight, fast paced clip. McHugh was arguably one of the funniest guys in Hollywood for many decades.