Red River Valley

A typical low-budget 30s western which is entertaining enough when taken on its own terms. Probably aimed at young boys, it focuses more on action than anything else, and quickly dispenses with the obligatory romancing of a fetching wench so that it can concentrate on the ultimate foiling of a dastardly plan by the bad guys to ruin local farmers in order to benefit on the foreclosure of their mortgages. Memorable moments are few and far between, but here are a few that might linger: Autry and his comedy sidekick launching their horses over the edge of a cliff into a river below; mine workers singing a curious ditty and performing a shuffling sort of step as they stroll through town to collect their wages; the (then) present-day costumes worn by half of the characters; the complete absence of music during a chase scene

When dynamite-wielding mystery men repeatedly sabotage the construction of a new reservoir and kill the "ditch rider" responsible for the site's security, cowboy Gene Autry is hired to replace him and bring the saboteurs to justice.

A typically entertaining Republic Pictures production, this has some good action and stunt work, with the always likable Smiley Burnette backing up Gene and offering some comic relief to the proceedings.

One interesting sequence (that should have been longer) involves Autry tracking the villains to an abandoned territorial prison in the middle of the desert.

Keen viewers will recognize future Producers' Releasing Corporation contract villain Charles King, who figures prominently in the film's climactic riot!

Musical interludes are few this time around, though Gene does get to sing his big hit version of the title song.

Wow, I love that torrential water rushing from the dam. Then too, director Eason shows why he was one of the best in the matinée business. He really knows how to stage action, whether jumping off sheer cliffs or fisticuffs atop a dam. I expect the concrete barrier was one of the many WPA public projects of the 30's, of which the TVA is the best known.

This is one of Gene's earliest and it's a doozy, really well produced by Republic with lots and lots of extras, locations in Yuma, AZ, and an unusual storyline. So who's trying to sabotage the dam and keep the farmers out. Gene and Frog work to find out, and you know they will since our hero is decked out in his best finery. But can Autry get the payroll money to the men in time—it's a nail-biter as Gene struggles across the barren flats. Music-wise, I couldn't get enough of the title song and ended up croaking it out til the wife left the room. And how about that jug band, just about everything but the proverbial kitchen sink. All in all, it's a great Autry mix that I expect helped put him on the matinée map.

A "9" on the matinée schedule.

Champion runs, Gene sings. A mixture of modern day cowboys (with Damsand stuff) and old time cowboys. Plus some pretty decent non -Health & Safety action. Gene is a ditch rider and Champion knows he is really the Star ! Sabotage and dirty works at the irrigation plant, involving dynamite and songs along the way.

There is such an aura of dust bowl and emigration around this film. Jug blowing novelty acts, Woody Guthrie chord breaks in songs. When is a strike not a strike - when there's baddies and guns.

The usual shoot-em up finale and a few bars of Red River Valley.The film was marketed under the title Man of the Frontier, around the world, and that may be because of the clash with the other, more violent and more mediocre, film of the same name.

Champion runs, Gene Sings, nearly perfect in this movie.

Gene Autry is essentially the only reason to watch Red River Valley (aka Man of the Frontier). He's a pretty good actor, an even better singer, and looks good in his cowboy costume. He's an interesting person to watch. Unfortunately, he's about the only thing to recommend this film. I found the whole affair dull and, quite frankly, uninteresting. Granted, the makers of this film weren't trying to create a masterpiece. It's pretty clear that their primary objective was to quickly and cheaply make a picture with a story that would appeal to most people and that would exploit the vocal abilities of their star. Autry doesn't arrive onto the scene until several minutes into the film. When he does, he waits around for twice as long until he gets to sing. Why wait so long to have him get back to doing what he does best? I don't know. As for the rest of the cast, few of them aspire to even slightly memorable portrayals of their roles. Smiley Burnette is probably the only exception to this. The townspeople, the judge, the romantic interest, all of them are totally forgettable in their roles. Not having see any of Autry's other western vehicles, I can't honestly say that I have anything to compare this film to. This is just my first impression. Still, despite it's numerous flaws, it's still fun to watch Autry do his stuff on screen.