Maria von Schottland

The directors cannot refrain from showing the two queens together in one scene.Charles Jarrot -whose movie is inferior to John Ford's- did the same in 1972.And however,they never met ,not a single time during Mary's captivity.But John Ford's scene is useful for people who know little about the Virgin Queen.It's sure that Mary's childhood in France was a nice one even though her reign was short as king François II's wife.On the other hand,Elizabeth lived in fear when she was a child for her bloody sister wanted to get rid of her.

The first past begins in Scotland ,and France is only evoked in Mary's memories.This first part is the most satisfying historically speaking:Darnley's and Ricci's murders are well directed by Ford,and the town criers who ,every ten minutes announce "It's eight'o clock!All is fine!" shows his sense of humor.Biggest flaw is the little part of James Stuart, aka"the bastard" aka Maurey:This man is really the stringman,who plays a prominent part in the queen's downfall,holding Mary like a puppet on a string,travelling to France when rebellion begins -he was not here when Mary was imprisoned in Lochleven-,just coming back to reap the benefits (regency he had lost when his sister came back).

Frederic March is a fine actor,but his Bothwell is not credible.Bothwell was a hairy brute ,not the romantic chivalrous fair knight we see here.Mary's abduction remains a mysterious part because the historians have no documents of what really happened.Mary's captivity in Lochleven-where she at last understood how James Stuart fooled her -and her extraordinary escape -worthy of Hitchcock's suspense-lasts barely 30 seconds on the screen.

Ditto for Mary's captivity in England.When she arrived,she was in what we would call "under house arrest" today.Only during her last year,when they discovered a plot,she was taken to the fortress of Fotheringay (a wonderful Fairport Convention song by the way),she was really a prisoner in the modern sense of the term.And she had a whole floor for herself though.

The trial is unsatisfying.At the time,Mary did not care for Bothwell anymore,she was longing to become a martyr of the Catholic cause.She did not know that the pope did not take her seriously .The scene with Donald is pure romantic fiction.

All in all ,and even if the things fall apart a bit in the second part,the movie is magnificently enhanced by Hepburn's presence and Ford -they said they had a love affair on the set- lovingly films her.I've been told that the scene between Bothwell and the queen on the tower was filmed by KH herself.

Katharine Hepburn plays the young queen in this John Ford version of the rivalry between Mary of Scots and her cousin, Elizabeth I (played by Florence Eldridge; whose husband Fredric March plays a jaunty Lord Bothwell). Cut back to the bare bones, and squarely on the differences between the two women, it isn't altogether successful.

John Knox rants his Protestant spiel, Bothwell appears with a retinue of pipers (at several points); Darnley's murder is glossed over, as is his smallpox. John Carradine has a well-defined role as the ill-fated David Rizzio, while Mary's parasitical court of Lords are quirkily represented and dismissed.

Hepburn isn't as bad as one would fear, but it wasn't really a suitable role for her, nor, one would expect, was the material enough for tough director Ford to make much of. So this film remains a misfire, with some interesting sequences and some strong performances, but as a whole, it just doesn't work.

Mary of Scotland is not based on the exact historical record, but on Maxwell Anderson's play. However Anderson was trying to dramatize the difference between Elizabeth Tudor and Mary Stuart. Elizabeth was first and foremost a queen who put her passions on hold when it was a choice between them and the country she governed. Mary Stuart was totally incapable of doing that.

Interesting that Katharine Hepburn played Mary. Hepburn who was probably the liberated woman of the 20th century would have been a natural to play Queen Elizabeth. Too bad in fact she didn't in her career. But she does fine her as Mary. Florence Eldridge plays a cold, calculating Elizabeth. Fredric March as Lord Bothwell is not the hero he's shone to be here.

One thing about Scotland in the 16th century. The kingdom had the unbelievable rotten luck of having a whole succession of minority rulers with regencies for a couple hundred years. The nobles who are depicted here are quite used to having their own way. And when Mary abdicated the throne it went to still another regency when her infant son James became king.

Ian Keith's part as Hepburn's illegitimate half brother the Earl of Moray is an interesting one. In history, I've always thought of him as the real hero. He gave Mary sound advice which had she taken, she would have died on the throne of Scotland.

Vanessa Redgrave's later film shows how the exiled Mary Stuart got tricked into a conspiracy to bring Elizabeth down. I wish that had been done here. She was essentially AbScammed.

Elizabeth and Mary never met in real life, but for dramatic purposes it had to happen here.

It's a good film, not one of the best for any of the principals in the cast or for John Ford. Still it's an interesting piece of cinema although some knowledge of Scottish history might help.

The complicated historical background involved in MARY OF Scotland is such that unless you know something about British monarchs you'll have a hard time knowing where the truth lies in this epic historical romance. But it's clear that KATHARINE HEPBURN gives a radiant performance as Mary, Queen of Scots--the only drawback being that she never ages a bit over a twenty-five year span. When she goes to her execution, she looks just as young as she did in the opening scene.

It's a pleasure to report that FREDRIC MARCH breathes a lot of life into his portrayal of Bothwell. Too bad he didn't exhibit this kind of gusto when he played the title role in ANTHONY ADVERSE the same year. He's all bravado and robust athletic grace and looks good in his period costumes. Maybe we owe his strong performance to John Ford, but whatever it is, he's much better here than he was as Anthony Adverse.

JOHN CARRADINE seemed an unusual choice to play Rizzo, the Italian secretary who happens to be a troubadour of sorts, but it's nice to see him in a more sympathetic role for a change. DONALD CRISP, ALAN MOBRAY, DOUGLAS WALTON and FRIEDA INESCOURT are interesting in supporting roles.

Walton is another actor who shines here, rather than remaining colorless in the background of many a film. He gives a flamboyant performance as Lord Darnley and it's probably among the best roles he ever had.

FLORENCE ELDRIDGE makes an interesting Queen Elizabeth, less showy in the role than Bette Davis or Flora Robson but still with the right amount of regal spirit.

John Ford directs the first half of the film with his usual authority but things get a little too repetitious and slow-moving in the second half when tedium really settles in before Mary's final walk to the execution block.

Summing up: A mixed bag, some strong performances, a few strong scenes but overall result is disappointing. Here's an historical romance that cried out for Technicolor. It manages to look drab in B&W despite the lavish costumes and good photography.

The life story of Mary, Queen of Scots is a thoroughly engaging one. I recommend anyone who wants to know more about the history while being entertained at the same time to check out the two Jean Plaidy books, ROYAL ROAD TO FOTHERINGAY and its sequel, THE CAPTIVE QUEEN OF SCOTS - two great little novels that tell you all there is to know.

MARY OF Scotland is an all-too Hollywoodised version of the story that suffers from an exceptionally overlong running time, unfortunately. It's strange, because some parts of the production are exceptionally slow and boring, while 19 years of history is condensed into about five minutes. There are a few eventful bits but for the most part this is a drag.

The director is none other than John Ford, but despite the presence of such a cinematic luminary, he seems uninterested in the material which is lifeless as a result. Katharine Hepburn is also a disappointment as Mary herself, singularly failing to make the queen sympathetic in any way. Fredric March does what he can as Bothwell, and there are nice little roles for John Carradine and Moroni Olsen, but it's not enough.

I particularly disliked the way that some good little bits of history are omitted or simplified for no apparent reason. For instance, Douglas Walton's final scene didn't happen that way at all and much more drama could have been made of it. Instead all the focus is on the talk and its incessant and goes nowhere. The definitive story of Mary, Queen of Scots this certainly isn't.