Der letzte Mohikaner

Arguably the best version of the Cooper Classic. Great production values, a fine cast and fast paced direction move this tale of Colonial America along to a breath-taking climax. This one's been done many times, but never done better than this.

Although I am a committed movie buff of many decades experience now, I had somehow never seen this famous old adventure flick until I acquired the excellent Hen's Tooth DVD of it for Christmas.

It proved to be a delightful surprise and far better than I was expecting. As an independent production, it may have lacked the big budget production values of a Warner or MGM film, but it still managed to look impressive, with some clever use of glass shots, hanging miniatures and other film tricks.

It is only 92 minutes long yet packs an astonishing amount of incident for its length, all helped along by a throbbing music score that relies heavily on judicious borrowings from Max Steiner's famous score for KING KONG, which surprisingly fits the action rather well.

An excellent cast of 1930s favourites is led by a young Randolph Scott who makes a terrific Hawkeye and clearly enjoys himself in the role.

1936 was an interesting year for him. Not yet typecast in "oaters", he made, in rapid succession, a big musical (Follow the Fleet with Astaire and Rogers) a sexy comedy (Go West Young Man with Mae West)and this, which was a logical follow-up to the previous year's SHE. He was a much better actor and more versatile than he is usually given credit for and in this role, he may well have found his career best.

The DVD offers what is probably the best surviving print of this old movie and it is rather variable in quality, though it does get better after the 3rd reel. I would love to have seen a restored print but I am guessing this would be impossible now unless an original nitrate can be found.

George B. Seitz directs the whole show with flair and keeps things moving at a considerable pace. The film easily bears comparison to better known films in the genre, such as BEAU GESTE, GUNGA DIN and THE FOUR FEATHERS.

In short, it's a grand old fashioned adventure film, the kind Hollywood turned out with ease and great skill and long before the inflated budgets, running times and CGi of today.

The kids back in 1936 must have been on the edge of their seats....I know I was, in 2017!

Colonel Munro's (Hugh Buckler) 2 daughters, Alice (Binnie Barnes) and Cora (Heather Angel) are led to the fort where their father is fighting for the British against the French. During the journey, a Huron Indian scout, Magua (Bruce Cabot) leads Alice, Cora and Major Heyward (Henry Wilcoxon) through a short cut but it is a trap. An American frontiersman, Hawkeye (Randolph Scott) and two Mohican Indians, Chingachgook (Robert Barrat) and Uncas (Phillip Reed) rescue the party and deliver them safely to Colonel Munro. However, the girls are then captured and taken to the Huron tribe and it is up to Hawkeye, the Major and the two Mohicans to rescue them from their fates as determined by the Huron leader.

I have seen the recent re-make of this film and I wanted to like this film better. Unfortunately, I didn't. It's still a good film - it's just not as engrossing. The relationships between the characters are not as deeply portrayed and poignant moments are not dwelt upon to give the film as much depth as occurs in the re-make, eg, the love between Uncas and Cora. The character of Magua is also far more scary in the re-make although I prefer Randolph Scott's "Hawkeye" to the extremely wooden Daniel Day Lewis. Speaking of wooden, the two Mohicans are exactly that. Their "me Tarzan, you Jane" style of dialogue is laughably bad and reminiscent of Daniel Day Lewis's attempts in the re-make.

A couple of other moments weren't as good as the re-make. In that film, the story ends with the line "......Last of the Mohicans" - a far more poignant ending to the film.

There are good moments, eg, the canoe chase and the sparring between the Major and Hawkeye, and it's still an engaging film. But the re-make is better on many levels, including, scenery, music, and romantic development

As a kid, I read all of the JF Cooper's Leatherstocking series, as well as dang near anything else I could get my hands on about Red Indians. I saw this film, which was made and released the year before I was born, while in grammar school. It was revived from time to time as it was already on its way to being a classic. It is just a great film. Randolph Scott whose presentations tended to be a bit wooden seemed to fit the character of Natty Bummpo, AKA Hawkeye quite well. The delightful Bruce Cabot is a villainous Magua and Philip Reed is a romantic Uncus and Robert Barrat, a studio character actor plays the revenging Chingachgook. Henry Wilcoxson who plays the British officer rival is also well known to us buffs as a frequent anti-hero, villain or rival. Binnie Barnes and Heather Angel were studio starlets who were likewise convincing. While this version largely remains truer to the original than the '95 version with Daniel Day-Lewis, it is a very different film. After seeing the later version, I rented this one and saw it again. I plan to watch it again and again. The final scene where Philip Reed crawls to grasp the hand of Heather Angel to die together, gets to me as much today as it did when I was a kid. Randolph Scott's Hawkeye is closer than Day-Lewis's to the original but that shouldn't detract. Both films are wonderful. Anyway, comparisons are not always fruitful. But this film made and released during the final years of the great depression has it all: action, romance and hope.

Those who enjoyed the 1992 Michael Mann/Daniel Day-Lewis version of this American classic might also like to take a look at this older Hollywood production and contrast the two. Randolph Scott plays Hawkeye as a much more affable, almost happy-go-lucky character than does the famously intense Mr. Day-Lewis. The Indian roles are played by palefaces here, but at least they're not egregiously insulting to native Americans.

It still surprises me from time to time when I see how well movies were made so long ago, when the art form didn't have that long of a tradition behind it. Techniques and temperaments change over the years, but the world is big enough for more than one good version of 'The Last of the Mohicans.'