IMDb-BEWERTUNG
7,4/10
3167
IHRE BEWERTUNG
Zwei Geisha-Schwestern führen ein hartes Leben in Kyoto: Nachdem sich eine von ihnen verpflichtet fühlt, einen bankrotten Geschäftsmann zu unterstützen, richtet die andere Schwester verschie... Alles lesenZwei Geisha-Schwestern führen ein hartes Leben in Kyoto: Nachdem sich eine von ihnen verpflichtet fühlt, einen bankrotten Geschäftsmann zu unterstützen, richtet die andere Schwester verschiedene Programme ein, um ihn loszuwerden.Zwei Geisha-Schwestern führen ein hartes Leben in Kyoto: Nachdem sich eine von ihnen verpflichtet fühlt, einen bankrotten Geschäftsmann zu unterstützen, richtet die andere Schwester verschiedene Programme ein, um ihn loszuwerden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Namiko Kawashima
- Oemi Furusawa
- (as Kazuko Kuno)
Fumio Ôkura
- Jurakudo, the antiques dealer
- (as Fumio Okura)
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The characters in Sisters of Gion are trapped, but like many women in a Japan of that era, which was... well, for a while up until 1936 and beyond. Particularly that of the Geisha, whose lives would have to revolve around men who would want them to "do things" for them; not simply sexual, though there was that, but just to take care of them, and buy things for them, etc. So in this story, Mizoguchi has a character, Omocha (Isuzu Yamada) who looks at her lot and life and doesn't like it, and tries to tell her much more submissive sister Umekichi the same. So she spends most of this story swindling a guy with a kimono mostly at the expense of a lower-rung guy who is staying with them, Furusawa, who lost his business. Not so much cause she's a bad person (she isn't) but just as the guy and who he's with kind of deserve it.
The story moves along at a fairly good pace, especially considering how short it is at 69 minutes (though according to IMDb the version available through the Eclipse DVD series is the shortened cut, a few times it does show), and it's pretty good... not great, mind you, but good. Some, or I should say most, of the dialog is a little too on-the-nose about the points it wants to make, even near the end when Mizoguchi really gains momentum with his story and the male-female dynamics of this society. And yet by the end it is powerful and moving, in some part because of how strongly he directs the film; those shots that kind of take deep focus looking down an alleyway that is kind of narrow, closing in on the characters, or how long he stays on a shot (he was all about the long takes too), almost like there's no escape for these girls.
So, do come for the feminism on display, which could be seen as overwrought or dated but only because it's 1936 and for its time is powerful - and stay for some elegant direction, some wonderful acting (watch the scene where Omocha has the guy over who is there on official matters, kind of to scold him for how she treated his employee, but then softens up when she serves Sake), and a couple of moments of good music, however sparse. 7.5/10
The story moves along at a fairly good pace, especially considering how short it is at 69 minutes (though according to IMDb the version available through the Eclipse DVD series is the shortened cut, a few times it does show), and it's pretty good... not great, mind you, but good. Some, or I should say most, of the dialog is a little too on-the-nose about the points it wants to make, even near the end when Mizoguchi really gains momentum with his story and the male-female dynamics of this society. And yet by the end it is powerful and moving, in some part because of how strongly he directs the film; those shots that kind of take deep focus looking down an alleyway that is kind of narrow, closing in on the characters, or how long he stays on a shot (he was all about the long takes too), almost like there's no escape for these girls.
So, do come for the feminism on display, which could be seen as overwrought or dated but only because it's 1936 and for its time is powerful - and stay for some elegant direction, some wonderful acting (watch the scene where Omocha has the guy over who is there on official matters, kind of to scold him for how she treated his employee, but then softens up when she serves Sake), and a couple of moments of good music, however sparse. 7.5/10
In the early days of film writing "Sisters" was often cited as one of the great films EVER; it is probably right that this quiet, measured film is now not viewed as such.
Still, I found it held my interest easily and was effecting. The acting is admirable, and the sadness of the women's plight are expressed without sentiment. Well worth seeing; 8 out of 10.
Still, I found it held my interest easily and was effecting. The acting is admirable, and the sadness of the women's plight are expressed without sentiment. Well worth seeing; 8 out of 10.
This movie, about two geisha sisters who lead a hard life in the Gion district of Kyoto, is a good drama movie!
I personally do not have much to say about it. The movie is not amazing or incredible for my part, but it has some funny moments where the main plot is the most compelling element. It feels slow at times, but fortunately, it is quite short to be a feature film, and it is also nicely shot and the actors do good. I am glad I took it a visit because I had a good time!
Despite not being a masterpiece, this movie is a good drama with humor and a strong plot. Solid acting and visuals make it worth a watch.
I personally do not have much to say about it. The movie is not amazing or incredible for my part, but it has some funny moments where the main plot is the most compelling element. It feels slow at times, but fortunately, it is quite short to be a feature film, and it is also nicely shot and the actors do good. I am glad I took it a visit because I had a good time!
Despite not being a masterpiece, this movie is a good drama with humor and a strong plot. Solid acting and visuals make it worth a watch.
This film is about geishas on Kyoto, Japan, in how they live and ply their trade. Since it was made by Mr. Mizoguchi, who seemed to have a fascination with prostitutes, it is right up his alley. While good, the story did not completely grab me like some of his others, especially "Street Of Shame" and "Ugetsu". The film's success is in the message it portrays as to these ladies, that they are somewhat trapped in their existence with no way out, broke and looking for a patron to take them out of that life. However, I did not find the characters to be as developed as I would have liked, so the film loses steam, even though it is a fairly short film, much less than ninety minutes. Still worth watching, it just doesn't have the depth of some of his other films.
Master Mizogushi placed on screen two different kind of look of the gueishas's world, although they are sisters, the older is more wise and understanding about his position, the younger is more cold having in the men just a way to get an easy money, handling according her will, actually she hates them, along the movie the viewers will see two side of the street in two human being whose the life hurt too hard, nice piece of art of study of human nature!!!
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 7.25
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 7.25
Wusstest du schon
- WissenswertesDaiichi Studio went into bankruptcy following the poor commercial results of the film.
- VerbindungenReferenced in Aru eiga-kantoku no shôgai (1975)
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Sisters of the Gion
- Produktionsfirma
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Box Office
- Weltweiter Bruttoertrag
- 17.807 $
- Laufzeit1 Stunde 9 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Die Schwestern von Gion (1936) officially released in Canada in English?
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