Draculas Tochter

Dracula's Daughter begins right where Tod Browning's Dracula left off, and ironically sees vampire slayer, Van Helsing in trouble with the law for the murder of Count Dracula. This follow up doesn't have the same quality feel about it that the original had, and it seems clear that this was always meant to be very much a 'B' movie picture. But at the same time, its lots of fun to watch; and the fact that it begins straight after the ending of the Bela Lugosi film ensures that it's credible as far as Universal's series is concerned, and that fact will also give many fans of the original film a good reason to see it. The plot starts properly when a young woman turns up at the police station, wanting to know if Count Dracula really is dead. We then follow her as she tries to undo her family curse, aided by psychiatrist Dr. Jeffrey Garth. However, around the same time that this is going on; corpses begin appearing around London, and jailed Van Helsing is convinced that vampires are roaming the streets of London again.

Unfortunately, this follow up doesn't feature the bloodsucking demon of the first film, and as the title suggests; follows his daughter instead. Gloria Holden excels in the title role as the daughter of Dracula. She's seductively sexy and has a definite air of understated evil about her at the same time. The rest of the support cast back her up excellently, and while nobody other than the title character is a real standout; the ensemble comes together nicely. Atmosphere is obviously a big thing here, and director Lambert Hillyer does a great job of photographing the locations, and ensures that the film benefits from a malevolent aura at all times. The story is obviously nowhere near as great as the original, which was based on the novel by Bram Stoker; but it's good enough. Writing a follow-up to Dracula can't be easy, and while the plot isn't too engaging, it's always at least interesting. There's an underscore of black humour hanging around just behind the central plot, and overall I would say this is a worthy sequel, although it's not a patch on the original film.

In London, two policemen find the body of a man, Renfield, with neck broken and Dracula with a stake through his heart. They arrest Prof. Von Helsing (Edward Van Sloan) that tells that he did it and take him to the Scotland Yard. The inspector Sir Basil Humphrey (Gilbert Emery) asks Von Helsing who might defend him and the professor asks for the psychiatrist Dr. Jeffrey Garth (Otto Kruger). Meanwhile, the mysterious Countess Marya Zeleska (Gloria Holden), who is Dracula's daughter, compels the policeman that is in charge to take care of the bodies and takes Dracula's body with her to bury him with her assistant Sandor (Irving Pichel) before dawn, expecting to be released from the family's curse.

In Edinburgh, Jeffrey is hunting with friends and his assistant Janet Blake (Marguerite Churchill) comes to tell him that he has an appointment with the Scotland Yard to help his friend Von Helsing. When Von Helsing tells him about Dracula, Jeffrey believes that he is obsessed with the vampire and promises to help him. During the night, he goes to a party where he meets the Hungarian Countess and he tells his theories about the vampire blood thirsty that he believes is an obsession. Now, Countess Zeleska believes that Jeffrey can heal her and release her from her blood thirsty and she wants to bring him to her castle to spend the eternal life with her in Transylvania.

"Dracula's Daughter" is a great vampire movie, with the dramatic story of a vampire woman that wishes to be free from the curse of her father, Dracula. The plot is naive and funny, and the relationship between the annoying Jeffrey and the witty Janet is amusing. This is one of the best movies of Universal Studios in this genre. My vote is seven.

Title (Brazil): "A Filha de Drácula" ("The Dracula's Daughter")

Dracula's Daughter is a Universal monster movie made in 1936, picking up where the original Dracula left off. The opening scene has the police discovering that Dr. Van Helsing has just staked Count Dracula. The plot moves quickly on with two strands, one involving a friend of Van Helsing.....Dr. Jeffrey Garth....in pursuit of defending his colleague and the other strand involving the daughter of Dracula....Marya Zaleska....in London trying to rid herself of her family curse finding it an impossible task. The two strands finally meet and intertwine. The movie has some rather obvious shortcomings. One is Otto Kruger, whom is irritating as one reviewer earlier stated. He is lacklustre and pompous in a very hollow way. The film also lacks a credible story line and is given in to the temptation of assuming a great deal from the viewer. However, Dracula's Daughter still is a very enjoyable film. It has wonderful atmosphere, grand sets(particularly when in Translyvania), and a good performance from Holden as the lead and Van Sloan in a reprise of his role as the good doctor Van Helsing. Above all it has a wonderfully eerie, disturbing, and macabre performance from Irving Pinchel as the servant of the female vampire. He is her reminder of what she is, and he never lets her forget that curse which forces her to live by night and sleep by day.

"Dracula's Daughter" is a trailblazer in many respects. It's the earliest film I can think of that features a truly sympathetic vampire protagonist. It's also the earliest mainstream film that I'm aware of with such a strong lesbian subtext. (Actually, it's not even a "sub" text, it's plain as day!) As you might expect, these rather surprising elements make it a highly memorable viewing experience - perhaps even more memorable than its predecessor, Lugosi's "Dracula," which is basically just a truncated version of Bram Stoker's novel.

Unfortunately, "Dracula's Daughter" misses the mark of greatness that it probably deserves. The film is only about an hour and ten minutes long, so there isn't sufficient time to fully develop Countess Zaleska, the title character. And it's extremely frustrating that the first fifteen minutes or so are basically squandered on a lot of painfully unfunny business involving two comedy constables. The humor has aged really, really badly, unless you somehow find it convulsively hilarious when one of the constables reacts to every strange and dramatic happening around him by saying "oooh..."

I tend to complain that modern-day horror features too much dumb comedy that hurts its credibility, but "Dracula's Daughter" is living proof that studios were injecting silly rubbish into otherwise good horror material as long as seventy years ago!

The serious parts of the film work well, however. Countess Zaleska and her faithful servant, Sandor, have some interesting exchanges about the loneliness of immortality and the darkness of the vampire's universe. The scene when Zaleska burns her father's body is also very moody and dramatic. (How does one get a job like Sandor's, anyway? Don't you think it would be fun to play personal servant to a glamorous female vampire? No? Maybe it's just me, then.)

If the film has another flaw, aside from the comedy, it's the human protagonist, Dr. Garth. Otto Kruger plays the character as stubborn and really rather abrupt. He'll spew a few lines of psycho-babble at the countess, then charge out of the room and leave his job with her half-done at best. A more attentive psychiatrist might perhaps have made for a more sympathetic and proactive hero. As it is, he's basically just an irritating presence who distracts us from the "villains," who are infinitely more interesting and more worthy of our time.

One of Universal's most unusual horror films and a more than worthy successor to Lugosi's Dracula (1931) - although I wouldn't go so far as to say it's better: BRIDE OF FRANKENSTEIN (1935) it ain't! The film's approach is very different to its predecessor - despite having the same scriptwriter, Garrett Fort - as it presents the vampire lady of the title as a somewhat tragic figure rather than a mere spook, and Gloria Holden has both the exotic looks and acting talent for the role. Perhaps to make up for Lugosi's absence, the script features a creepy vampire acolyte in the figure of Irving Pichel: fine actor though he is, I think the make-up department went overboard in trying to make him look menacing!

Otto Kruger and Marguerite Churchill are two of the oddest, and yet most likable, leads in a Universal horror film: not only their age difference is immediately apparent, as is their obvious intelligence, but they share a love/hate relationship all through the picture which is both fresh and endearing. The supporting cast is filled with stalwarts of the genre: first and foremost, naturally, is Edward Van Sloan who reprises his seminal Van Helsing characterization as if he had never been away; Billy Bevan, Halliwell Hobbes and E.E. Clive as coppers of different ranks; Gilbert Emery as the unavoidable incredulous Scotland Yard official; Edgar Norton as his 'fresh' butler; and, adding to the fun, there's also Claud Allister as an upper-class nitwit and famed columnist Hedda Hopper as a gossiping socialite. Nan Grey, later female lead of THE INVISIBLE MAN RETURNS (1940), appears briefly as one of Dracula's victims in what remains perhaps the film's most discussed scene (due to its lesbian overtones). Unlike the original, this sequel is briskly paced and the vampire's demise is not anti-climactic.