Sehnsucht

Marlene Dietrich stars as a European jewel thief who comically pilfers an extremely rare and expensive pearl necklace from a renowned jewelry store in France. Making her escape through Europe, she keeps bumping into a persistent, not-so-bright, vacationing American motor engineer played delightfully by Gary Cooper. After blowing he and his advances off several times, she realized that he unknowingly has obtained her stolen prize, and now she must find him in Spain and play up to him romantically. The film is very breezy and light most of the way, and Cooper and Dietrich do a fine job together. Meanwhile, Ernest Cossart as the jeweler and Alan Mowbray as a psychiatrist who is an unwitting accomplice to Dietrich have a great comedic scene with each other early on in Mowbray's office. 7 out of 10.

Directed by Frank Borzage and produced by Ernest Lubitch, that alone is a guarantee of something very special. On top of that, Gary Cooper and Marlene Dietrich in a fast, furious, magical duet. He is a charming Forrest Gump on vacation, she is a born seductress, a jewel thief, a woman on the verge of being beyond redemption. The dialog could have been written today even their talk about war. The camera had a real love affair with Cooper and Dietrich. Their feelings so visible. He in love like a school boy and she discovering him and herself, bit by bit. There are moments of Dietrich staring at Cooper that are a masterpiece on their own right. She is seeing something she has never seen before - innocence at its purest state. Don't miss it.

DESIRE (Paramount, 1936), directed by Frank Borzage, introduces Marlene Dietrich into the genre of comedy, not so much in a sense of screwball or slapstick, but that of sophisticated comedy in the style of director Ernst Lubitsch, who also produced. Teamed opposite Gary Cooper for the first time since MOROCCO (1930), he and Dietrich are at their best here in what proved to be their final collaboration on screen.

Cooper plays Tom Bradley, an engineer from Detroit, Michigan, assigned in a Paris-based auto company, who's determined to take his long-awaited vacation in Spain, regardless of how Mr. Gibson (William Frawley), his employer, might feel about it. Gibson (William Frawley), president of Bronson 8, however, surprises Bradley by approving his vacation by loaning him the company car carrying a sign which reads, "I am happy to drive a Bronson 8" as advertisement. Marlene Dietrich is later introduced as Madeleine de Beaupre, a continental jewel thief who cleverly gains possession of a pearl necklace from Aristide Duval (Ernest Cossart), a Parisian jeweler by posing as the wife of the famed psychiatrist, Doctor Maurice Pauquet (Alan Mowbray). Her path with Tom soon meets as they head to the border and await for customs to inspect their belongings. After Madeleine places her stolen pearls in Tom's coat pocket, they each pass inspection and go on their way. Purposely disabling her car, Madeleine is soon picked up by Tom and becomes his prize passenger. Eventually she drives off with his car, leaving him stranded on the road, unaware that Tom still unwittingly has the pearl necklace on his person. Abandoning the car after realizing her error, their paths meet again at the San Sebastian Continental Palace where Madeleine, posing as a Countess accompanied by her "uncle," Prince Carlos Margoli (John Halliday), her confederate, uses their friendly persuasion to get back the pearls without arousing any suspicion. When things become more complicated, Aunt Olga (Zeffie Tilbury), a third member of the gang of thieves, enters the scene.

For his profile on the film, Bob Osborne, host of Turner Classic Movies where DESIRE premiered January 17, 2002, as part of the station's tribute to Marlene Dietrich, spoke about its production and original title being THE PEARL NECKLACE as more suitable than DESIRE, and rightfully so. It's interesting to point out that its title may stir up some confusion with another film of similar name, DESIRABLE (Warners, 1934) that also featured DESIRE co-star, John Halliday. Halliday, as stated, filled in for former MGM lead actor, John Gilbert, following his sudden death in January 1936. What a missed opportunity for Gilbert in a supporting role as Carlos, which might have proved favorable, though quite unlikely as one posing as Madeleine's uncle. Seen in a smaller role is Akim Tamiroff playing the police official, who would achieve recognition in another Cooper film that same year, THE GENERAL DIED AT DAWN (1936).

Regardless of frequent revivals on commercial television back in the 1970s and public TV during the 1980s, DESIRE is quite underrated and nearly forgotten by today's standards. For being such an enjoyable adventure heist comedy from start to finish highlighted by many witty lines and situations, it's understandable why DESIRE is often mistaken as full fledged film directed by Lubitsch comedy rather than Borzage, best known for love stories with sentimental appeal. There may be some romance going on between the characters enacted by Dietrich and Cooper, but no sentimentality involved. In her attempt in retrieving her stolen pearls, Dietrich does take time out to recite the film's theme song, "Awake in a Dream" composed by Frederick Hollander and Leo Robin. And be sure not to miss the film's conclusion. It's as priceless as the pearl necklace itself. (***1/2 pearls)

The first part will puzzle Borzage's fans because it's not his usual style:it's a comedy and the fans of "little man what now?" "no greater glory" or "lucky star" may not get something out of it.Not that Borzage had not broached comedy before:one of his first talkies was "they had to see Paris" ,a sometimes ponderous satire of American naiveté in France,a country Borzage particularly loved (see "Seventh heaven" or "hearts divided" .

"Desire" begins in France with a nice shot of "les Toits Sous Le Ciel De Paris".The scenes between the jeweler and the shrink are sheer genius and have inspired since many screenwriters.Gary Cooper as the naive (not so naive anyway) American and Marlene Dietrich as the elegant glamor false countess make an ideal pairing:he is hot,joyful,singing and she is cold ,remote,suave and there is a special chemistry between them (there are other ladies with whom Cooper was particularly brilliant:two good examples are found in "unconquered" with Paulette Godard and "cloak and dagger" with Lili Palmer,another German actress ) This is also the movie where you 'll find the longest honk in the history of cinema.The only movie where they're talking international politics without being political.Towards the end ,the movie almost turns dramatic ,notably when aunt Olga tells Dietrich about love which is more valuable when it remains impossible.

This is not among my favorite Borzage (considering " three comrades" "mortal storm" and "strange cargo" were still to come) but it's really much fun to watch and it is to be recommended .

Marlene Dietrich and Gary Cooper show an unexpected flair for romantic comedy that goes into high gear during DESIRE. They are surrounded by some expert supporting players, including Alan Mobray as a doctor who is "taken" by Marlene's sly and crafty jewel thief.

The plot is thin but pleasant and moves at a fast clip with ample chemistry between Dietrich and Cooper more than making up for the slight story. When Dietrich accidentally lets Cooper get away with the pearl necklace she has stolen, she has to follow him and lure him back with some fancy scheming. John Halliday has fun with his role as her consort in crime but it is Alan Mobray who has the plum supporting role as the doctor she so charmingly deceives.

Diverting entertainment with Dietrich expert as the exotic jewel thief under Frank Borzage's direction. The whole picture has such a light touch you'd think it was directed by Ernst Lubitsch.