Für Bühnenfan Jenny wird ein Traum wahr: Sie darf die Rolle spielen, mit der ihre Mutter berühmt wurde. Doch das alte Stück taugt nur noch als Parodie, während Jenny ganz ernsthaft spielt. U... Alles lesenFür Bühnenfan Jenny wird ein Traum wahr: Sie darf die Rolle spielen, mit der ihre Mutter berühmt wurde. Doch das alte Stück taugt nur noch als Parodie, während Jenny ganz ernsthaft spielt. Und niemand findet den Mut, ihr das zu erklären.Für Bühnenfan Jenny wird ein Traum wahr: Sie darf die Rolle spielen, mit der ihre Mutter berühmt wurde. Doch das alte Stück taugt nur noch als Parodie, während Jenny ganz ernsthaft spielt. Und niemand findet den Mut, ihr das zu erklären.
- Regie
- Drehbuch
- Hauptbesetzung
Richard Abbott
- Mr. Blythe
- (Nicht genannt)
Margaret Armstrong
- Margaret Armstrong
- (Nicht genannt)
William Gould
- Laughing Audience Member
- (Nicht genannt)
Wilfred Lucas
- Wilfred Lucas
- (Nicht genannt)
Mary MacLaren
- Woman Jenny Talks to in Audience
- (Nicht genannt)
Hank Mann
- Laughing Stage Hand
- (Nicht genannt)
Max Wagner
- Max Wagner
- (Nicht genannt)
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CHATTERBOX (RKO Radio, 1936), directed by George Nichols Jr., is a simple-minded little tale about a naive young teenager's inspiration in fulfilling her dream by becoming a stage actress against the wishes of her grandfather, only to learn the full meaning of life not really imitating art. The teenager in question is Anne Shirley, a young and prominent contract player for RKO Radio whose career specialized in playing such wholesome characters as presented in CHATTERBOX. As much as this sort of characterization might display her to contemporary viewers as a weak sister, she is, in fact, strong-willed without losing her feminine charm.
Inspired by Shirley's early characterization, which began with ANNE OF GREEN GABLES (RKO, 1934), where she was more of a chatterbox than she was in this production, Shirley does bring forth her titled-role in its early stages of the story as a lonely teenager whose only pleasure is constantly talking to anyone who would listen to her. Blending in the elements of ANNE OF GREEN GABLES (1934 - the talkative teenager) with Al Jolson in THE JAZZ SINGER (1927 - going against family authority by doing what she feels she's meant to do, and forbidden to return home) and Katharine Hepburn in MORNING GLORY (1933 - taking her profession so seriously that members of the troupe secretly regard her as goofy), the duration of the story concerns Jenny Yates (Anne Shirley), wanting to carry on the tradition of her deceased mother, an actress many years ago. She hopes to attend the upcoming presentation of the Village Players revival of "Virtue's Reward" (which her mother had appeared) being presented at the Hale Barn Theater. She is forbidden by Uriah, her grandfather (Edward Ellis) who warns her that once she steps out that door, like her mother, it will be locked to her forever. After she does leave home, Uriah has a change of heart and leaves the door unlocked, only to have it closed by their handyman, Michael Arbuckle (George Offerman Jr.) who does it in spite since Jenny knows enough about Michael, ranging from missing articles to the accidental burning of their barn, to get him fired. Jenny does return home only to find the door locked. With no other place to go, she hides inside the rumble seat of a car belonging to Philip Green (Phillips Holmes), a struggling young artist on his way to New York. After he arranges for Jenny in obtaining the lead role in "Virtue's Reward," reality sets in once she steps foot upon that wicked stage.
While Anne Shirley's presence makes the film, she's not in every scene. There are moments when time allows Uriah (Ellis) and Philip Green Sr. (Granville Bates) to brag about their ancestors, but on the whole, there are others in the cast worthy of honorable mention. Erik Rhodes, famous for his comedic Italian characters in two Fred Astaire and Ginger Rogers musicals (THE GAY Divorcée and TOP HAT), plays it straight as Archie Fisher, director of the theatrical troupe. Then there's Margaret Hamilton, three years before immortalizing herself as the Wicked Witch in THE WIZARD OF OZ (1939), as "Tippy," a sympathetic landlady, once an actress herself, whose one-on-one talk with Jenny about the realities of theatrical life comes across realistically and sincere; and a very young and blonde Lucille Ball, as a temperamental stage actress who wants nothing more than to get her back salary.
CHATTERBOX, a feel good movie that says it all in its brief 68 minutes, is one of many Anne Shirley movies produced during that time to be overlooked and forgotten due to lack of television revivals. Formerly shown on American Movie Classics during its early years during the 1980s to 1993, it can be seen whenever possible on Turner Classic Movies (at one point in time was shown as part of a viewer's request night), and available on video cassette through a private collector. Film buffs, take note: the title, CHATTERBOX, was later used for a 1943 comedy for Republic Studios starring Judy Canova and Joe E. Brown, which can stir up come confusion whenever found in the TV listings. While the premise to CHATTERBOX is basically a story much to the liking of teenage girls, it does win the appeal of others as well. (**1/2)
Inspired by Shirley's early characterization, which began with ANNE OF GREEN GABLES (RKO, 1934), where she was more of a chatterbox than she was in this production, Shirley does bring forth her titled-role in its early stages of the story as a lonely teenager whose only pleasure is constantly talking to anyone who would listen to her. Blending in the elements of ANNE OF GREEN GABLES (1934 - the talkative teenager) with Al Jolson in THE JAZZ SINGER (1927 - going against family authority by doing what she feels she's meant to do, and forbidden to return home) and Katharine Hepburn in MORNING GLORY (1933 - taking her profession so seriously that members of the troupe secretly regard her as goofy), the duration of the story concerns Jenny Yates (Anne Shirley), wanting to carry on the tradition of her deceased mother, an actress many years ago. She hopes to attend the upcoming presentation of the Village Players revival of "Virtue's Reward" (which her mother had appeared) being presented at the Hale Barn Theater. She is forbidden by Uriah, her grandfather (Edward Ellis) who warns her that once she steps out that door, like her mother, it will be locked to her forever. After she does leave home, Uriah has a change of heart and leaves the door unlocked, only to have it closed by their handyman, Michael Arbuckle (George Offerman Jr.) who does it in spite since Jenny knows enough about Michael, ranging from missing articles to the accidental burning of their barn, to get him fired. Jenny does return home only to find the door locked. With no other place to go, she hides inside the rumble seat of a car belonging to Philip Green (Phillips Holmes), a struggling young artist on his way to New York. After he arranges for Jenny in obtaining the lead role in "Virtue's Reward," reality sets in once she steps foot upon that wicked stage.
While Anne Shirley's presence makes the film, she's not in every scene. There are moments when time allows Uriah (Ellis) and Philip Green Sr. (Granville Bates) to brag about their ancestors, but on the whole, there are others in the cast worthy of honorable mention. Erik Rhodes, famous for his comedic Italian characters in two Fred Astaire and Ginger Rogers musicals (THE GAY Divorcée and TOP HAT), plays it straight as Archie Fisher, director of the theatrical troupe. Then there's Margaret Hamilton, three years before immortalizing herself as the Wicked Witch in THE WIZARD OF OZ (1939), as "Tippy," a sympathetic landlady, once an actress herself, whose one-on-one talk with Jenny about the realities of theatrical life comes across realistically and sincere; and a very young and blonde Lucille Ball, as a temperamental stage actress who wants nothing more than to get her back salary.
CHATTERBOX, a feel good movie that says it all in its brief 68 minutes, is one of many Anne Shirley movies produced during that time to be overlooked and forgotten due to lack of television revivals. Formerly shown on American Movie Classics during its early years during the 1980s to 1993, it can be seen whenever possible on Turner Classic Movies (at one point in time was shown as part of a viewer's request night), and available on video cassette through a private collector. Film buffs, take note: the title, CHATTERBOX, was later used for a 1943 comedy for Republic Studios starring Judy Canova and Joe E. Brown, which can stir up come confusion whenever found in the TV listings. While the premise to CHATTERBOX is basically a story much to the liking of teenage girls, it does win the appeal of others as well. (**1/2)
A Good movie with a good cast. Anne Shirley is one of those forgotten actresses of the 1930's and people should take a second look at what she has done. The Chatterbox is a "B" movie but it still should be put on DVD so new generations can see these wonderful performances.
I do not want to write anything that would spoil someone's interest in wanting to see this movie. I would recommend this movie to movie goers who are not happy these days with what Hollywood is producing. The older movies are classics and be available to a hungry movie fan wanting good entertainment.
So check on the Internet and look up these wonderful movies and if it is not available make a request of either TCM to show it or find out which studio produced it and see if it will becoming out on DVD anytime soon.
I do not want to write anything that would spoil someone's interest in wanting to see this movie. I would recommend this movie to movie goers who are not happy these days with what Hollywood is producing. The older movies are classics and be available to a hungry movie fan wanting good entertainment.
So check on the Internet and look up these wonderful movies and if it is not available make a request of either TCM to show it or find out which studio produced it and see if it will becoming out on DVD anytime soon.
Jenny Yates lives with her grandfather because her mother died some time ago. However, she holds some resentment towards her grandfather because he essentially tossed the mother out of the house after she left to try to become an actress. Now, many years later, Jenny has a chance to leave home to act in the same play that her mother starred in...and although her grandfather is gruff and grumpy about this, he's not about to disown her like he did his daughter...by Jenny doesn't know this. So, she takes a giant leap and joins a traveling company of actors...and finds out it's not all it's cracked up to be.
Apart from seeing one of the theater company members in black-face, this is a very good film...enjoyable and with a few fun moments. This is a good showcase for Miss Shirley...one of her better films of the 1930s.
Apart from seeing one of the theater company members in black-face, this is a very good film...enjoyable and with a few fun moments. This is a good showcase for Miss Shirley...one of her better films of the 1930s.
Once in a while a film shows up on TCM that is a small gem from the past. "Chatterbox" is just such a film. Set mostly in a small town, it stars Anne Shirley, little-known today, an actress who gave up a career in film while in her twenties. She lives in a mind-world of the late 1800's, a world of genteel manners, romantic writing, and little sense of irony. Her mother had been a noted actress and Shirley aspired to the same. The charm of the film lies in its detailed portrayal of small-town America. There is an honesty in the dialogue and behavior.
Without divulging too much plot, I must add that the revelation was Erik Rhodes, the pencil-mustachioed, gigolo of Astaire-Rogers movies, here, sans moustache,and Italian accent, a Broadway wise guy director.Throw in a very young and very blonde Lucille Ball and you have a diverting entertainment. The scene of Shirley's stage performance is wonderful.
Look for this film as a memento of an earlier, more innocent age.
Without divulging too much plot, I must add that the revelation was Erik Rhodes, the pencil-mustachioed, gigolo of Astaire-Rogers movies, here, sans moustache,and Italian accent, a Broadway wise guy director.Throw in a very young and very blonde Lucille Ball and you have a diverting entertainment. The scene of Shirley's stage performance is wonderful.
Look for this film as a memento of an earlier, more innocent age.
CHATTERBOX is a combination of drama and comedy.. The film was less predictable than I thought.
Jenny (Anne Shirley), a young girl from Vermont, wants to be an actress. Her mother was an actress and her most famous role was in the 1890's stage play "Virtue's Reward". Jenny is a bit otherwordly, living in a world of her own, the bygone world of the 1890's. She meets a young artist/painter Phil (Phillips Holmes). She is secretly in love with him. He appears to be not interested in her. Reluctantly he takes her to a theatrical company in New York where she can get a part in her favorite play "Virtue's Reward": This melodramatic play has now become a comedy, but she doesn't know that and she takes the part very seriously. Phil worries about what will happen when she finds out the truth about the whole thing.
This is a wonderful film from start to satisfying finish. Perfect acting by the entire cast. Young Anne Shirley gives a terrific performance. She's very intense and she makes even the comedy parts dramatic and honest. Her trustfulness and enthusiasm are poignant. The very talented Phillips Holmes (now undeservedly degraded to B-films) is also surprisingly good and totally convincing. A remarkable film. I am hoping for a DVD release for a better print quality!
This is a wonderful film from start to satisfying finish. Perfect acting by the entire cast. Young Anne Shirley gives a terrific performance. She's very intense and she makes even the comedy parts dramatic and honest. Her trustfulness and enthusiasm are poignant. The very talented Phillips Holmes (now undeservedly degraded to B-films) is also surprisingly good and totally convincing. A remarkable film. I am hoping for a DVD release for a better print quality!
Wusstest du schon
- WissenswertesNote a young (and blonde) Lucille Ball in just the second year of a seven-year contract at RKO. In less than twenty-one years from the release of this picture, she would own the studio.
- PatzerJenny comes back home from the play to find the door bolted. She previously left the house with her diary in her coat and returns with a program which she throws the way. Later, when Phil discovers her in the rumble seat of his car, the very large "Compendium" book is seen on the back seat, then she is clutching it while talking to his landlord. It is not shown how she got the huge book out of her house, and took nothing else.
- SoundtracksOh! Susanna
(1848)
Written by Stephen Foster
Played on a banjo in the New York show and sung by the maid
Top-Auswahl
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- Laufzeit1 Stunde 8 Minuten
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