Füge eine Handlung in deiner Sprache hinzuJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for ... Alles lesenJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.
- Auszeichnungen
- 1 wins total
- Peedles
- (as Robert Grieg)
- Casey
- (Gelöschte Szenen)
- Steve
- (Nicht genannt)
- Jury Foreman
- (Nicht genannt)
- Casino Manager in Nightclub
- (Nicht genannt)
- Matron with Ann
- (Nicht genannt)
- Third Juror Talking to Mike
- (Nicht genannt)
Empfohlene Bewertungen
The story's played in fairly light-hearted fashion and is occasionally amusing, especially when the fetching O'Sullivan plays hide-and-seek with McCrea's feisty fiancée (Ames) in his apartment. Also, relative unknown Robert Greig scores humorously as the butler Peebles. Then too, director Seitz manages to helpfully cover up much of the murky narrative with fast pacing. However, it surprises me that ritzy MGM didn't come up with better projection screens for the action shots behind both boats and cars. All in all, the movie fails to rise above programmer status, even though the two leads show how ready they are for bigger and better things.
It sounds like the sort of movie that RKO was producing at this time, but this is MGM, and so it has a lot of fine actors, including Lewis Stone, Edgar Kennedy, and Robert Greig as McCrea's inevitable put upon gentleman's gentleman. Even with George Seitz directing, this is pretty weak stuff as screwball. While Greig is funny, everyone else takes the plot points very seriously. There were at least seven screenwriters on this, credited and not, and it loks like almost all the juice was squeezed from it. There are a lot of uncredited people attached, like producer Phil Goldstone, which makes me think no one wanted to be known for it.
The best part is the combination of Maureen and Joel. They have a good section in the middle. The movie needs more of their connection. I don't think Betty is necessary but she does provide some good scenes early on. Movies back then is only an hour or so. It's not enough time for a lot of complexity. It probably needs to get rid of Betty so that the leads can do more together. The story needs to get simpler and this should be more straight forward.
Another fun scene takes place in a closed diner where the now two fugitives, Ann and Tony, take shelter following a chase by mobsters during a thunder storm. Ann finds some apple jack and proceeds to get looped. Tony pretends to be the cook when the gangsters arrive and serves them hamburgers that he and Ann intended to eat. The local constable shows up after the hoods leave. He gets pie-eyed too.
This is one of those neat little films where loose ends get tied much too soon making for a fairly abrupt ending, as if the writers ran out of ideas and decided to wrap things up quickly. Still a very watchable comedy drama with some great acting thrown in to make it even more entertaining.
Wusstest du schon
- WissenswertesTwo years after this film was released, the state of New York passed legislation that allowed women to sit on juries. National recognition via the Supreme Court would come decades later, so it was still left to the states in the meantime. The jury in this film is comprised entirely of men.
- PatzerWhen the car first crashes through the front of the store, it stops in an upright position. In subsequent shots, it is tilted up at a 45 degree angle.
- Zitate
Tony Baxter: Peedles! Champagne cocktails - no two ways about it.
Peedles: Yes, sir.
Tony Baxter: [to Ann] You know, two of Peedles' cocktails make you feel like, uh... like, uh...
Peedles: Like the moon in the morning mist, sir.
Tony Baxter: That's it!
Peedles: Thank you, sir.
- Crazy CreditsDuring opening credits, the screens listing names are all rotated about 10 degrees to the left.
- VerbindungenEdited from Ein Mensch der Masse (1928)
- SoundtracksAnchors Aweigh
(1906) (uncredited)
Written by Charles A. Zimmerman
Lyrics by Alfred Hart Miles and R. Lovell
Played on a radio in the boathouse
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Manhattan Madness
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 7 Min.(67 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1