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Woman Wanted

  • 1935
  • Approved
  • 1 Std. 7 Min.
IMDb-BEWERTUNG
6,5/10
560
IHRE BEWERTUNG
Woman Wanted (1935)
Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.
trailer wiedergeben1:50
1 Video
9 Fotos
Juristisches DramaDramaKriminalität

Füge eine Handlung in deiner Sprache hinzuJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for ... Alles lesenJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.

  • Regie
    • George B. Seitz
  • Drehbuch
    • Leonard Fields
    • David Silverstein
    • Wilson Collison
  • Hauptbesetzung
    • Maureen O'Sullivan
    • Joel McCrea
    • Lewis Stone
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    560
    IHRE BEWERTUNG
    • Regie
      • George B. Seitz
    • Drehbuch
      • Leonard Fields
      • David Silverstein
      • Wilson Collison
    • Hauptbesetzung
      • Maureen O'Sullivan
      • Joel McCrea
      • Lewis Stone
    • 15Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Videos1

    Official Trailer
    Trailer 1:50
    Official Trailer

    Fotos8

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    Topbesetzung59

    Ändern
    Maureen O'Sullivan
    Maureen O'Sullivan
    • Ann
    Joel McCrea
    Joel McCrea
    • Tony
    Lewis Stone
    Lewis Stone
    • District Attorney
    Louis Calhern
    Louis Calhern
    • Smiley
    Edgar Kennedy
    Edgar Kennedy
    • Sweeney
    Adrienne Ames
    Adrienne Ames
    • Betty
    Robert Greig
    Robert Greig
    • Peedles
    • (as Robert Grieg)
    Noel Madison
    Noel Madison
    • Joe Metz
    Granville Bates
    Granville Bates
    • Casey
    • (Gelöschte Szenen)
    William B. Davidson
    William B. Davidson
    • Collins
    Richard Powell
    • Lee
    Erville Alderson
    Erville Alderson
    • Constable
    Gertrude Short
    Gertrude Short
    • Gertie
    Ernie Alexander
    • Steve
    • (Nicht genannt)
    Stanley Andrews
    Stanley Andrews
    • Jury Foreman
    • (Nicht genannt)
    Brooks Benedict
    Brooks Benedict
    • Casino Manager in Nightclub
    • (Nicht genannt)
    Margaret Bloodgood
    Margaret Bloodgood
    • Matron with Ann
    • (Nicht genannt)
    Harry C. Bradley
    Harry C. Bradley
    • Third Juror Talking to Mike
    • (Nicht genannt)
    • Regie
      • George B. Seitz
    • Drehbuch
      • Leonard Fields
      • David Silverstein
      • Wilson Collison
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    6,5560
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    Empfohlene Bewertungen

    dougdoepke

    Stars Outshine Material

    Fast-paced, if rather muddled, programmer from MGM. The stars - McCrea & O'Sullivan - prove more likable than the story. Seems O'Sullivan's slated for execution for a murder she didn't commit. However, she's sprung for unknown reasons by a racketeer, and aided in her escape by lawyer McCrea. Together, they thread through a series of escapes from the cops and gangsters. But will she ever be cleared of the murder.

    The story's played in fairly light-hearted fashion and is occasionally amusing, especially when the fetching O'Sullivan plays hide-and-seek with McCrea's feisty fiancée (Ames) in his apartment. Also, relative unknown Robert Greig scores humorously as the butler Peebles. Then too, director Seitz manages to helpfully cover up much of the murky narrative with fast pacing. However, it surprises me that ritzy MGM didn't come up with better projection screens for the action shots behind both boats and cars. All in all, the movie fails to rise above programmer status, even though the two leads show how ready they are for bigger and better things.
    6boblipton

    She May Be, But Not The Movie

    Innocent Maureen O'Sullivan is waiting while the jury decides whether to find her guilty and hang her, while mobster Louis Calhern tells attorney Charles Lane he's not going to pay for an appeal. Instead, he arranges for her escape, and she jumps into business lawyer Joel McCrea's roadster.

    It sounds like the sort of movie that RKO was producing at this time, but this is MGM, and so it has a lot of fine actors, including Lewis Stone, Edgar Kennedy, and Robert Greig as McCrea's inevitable put upon gentleman's gentleman. Even with George Seitz directing, this is pretty weak stuff as screwball. While Greig is funny, everyone else takes the plot points very seriously. There were at least seven screenwriters on this, credited and not, and it loks like almost all the juice was squeezed from it. There are a lot of uncredited people attached, like producer Phil Goldstone, which makes me think no one wanted to be known for it.
    10whpratt1

    Maureen O'Sullivan was Outstanding

    Always enjoyed viewing Maureen O'Sullivan when she played "Jane" in the Tarzan films in the 30's and 40's. In this film, she plays a young gal with a big cloud over her head from a horrible court room decision. Maureen, plays Ann Gray," Never Too Late",'65, who comes into contact with Joel McCrea,(Anthony,"Tony" Baxter), "The Virginian",'45, who plays a hot shot ladies man lawyer in this picture, and not a cowboy. However, Louis Calhern,(Smiley Gordon),"Blackboard Jungle",'55 plays the crooked crime lord who wants to make certain that Ann Gray is not put into jail for his own personal reasons. This is a well produced B&W film and truly a great classic. Maureen O'Sullivan, made this film a classic and also the mother of Mia Farrow and her father John Farrow all outstanding actors and producers. Enjoy the 1930's.
    7SnoopyStyle

    good couple

    Ann Gray (Maureen O'Sullivan) maintains that she's innocent of murdering her husband. The jury finds her guilty. In fact, mobsters believe that she is hiding the stolen $250k for her husband and they actually were the ones who killed him. They set up an accident for the transport to prison and she is mistakenly picked up by lawyer Tony Baxter (Joel McCrea).

    The best part is the combination of Maureen and Joel. They have a good section in the middle. The movie needs more of their connection. I don't think Betty is necessary but she does provide some good scenes early on. Movies back then is only an hour or so. It's not enough time for a lot of complexity. It probably needs to get rid of Betty so that the leads can do more together. The story needs to get simpler and this should be more straight forward.
    7krorie

    A Fugitive Variation Before "The Fugitive"

    This 1935 movie is similar to the later television series and the hit movie "The Fugitive." In this one a female rather than a male is found guilty of a murder she did not commit. Rather than an unplanned train derailment, a planned car wreck sets Ann Gray free. Ann Gray is played by the seductive Maureen O'Sullivan, Tarzan's Jane and Mia Farrow's mother, in a light-hearted manner much in the same way she played Jane. The wreck was orchestrated by mobster Smiley Gordon who is the real killer. The much underrated actor Louis Calhern portrays Smiley with skill and daring. Tony Baxter, Joel McCrae when he was still playing comedic romantic leads, at first unwittingly aids Ann in her escape from so-called justice and hides her away in his apartment. There is a hilarious scene at this point in the film when Tony's on-again off-again fiancée unexpectedly shows up and he has to hide Ann not only from the police but also from his girlfriend. Enter Peedles, Tony's Butler (Robert Greig), who has a delicious time keeping the two separated so the girlfriend Betty Randolph (Adrienne Ames) won't discover the other woman. The law then shows up complicating Peedles' job even more. Now he has to hide both women from the long arm of the law. The wonderful Edgar Kennedy as bumbling House Detective Sweeney is before the camera much too briefly but does get a chance to create a little mayhem for everyone concerned.

    Another fun scene takes place in a closed diner where the now two fugitives, Ann and Tony, take shelter following a chase by mobsters during a thunder storm. Ann finds some apple jack and proceeds to get looped. Tony pretends to be the cook when the gangsters arrive and serves them hamburgers that he and Ann intended to eat. The local constable shows up after the hoods leave. He gets pie-eyed too.

    This is one of those neat little films where loose ends get tied much too soon making for a fairly abrupt ending, as if the writers ran out of ideas and decided to wrap things up quickly. Still a very watchable comedy drama with some great acting thrown in to make it even more entertaining.

    Handlung

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    • Wissenswertes
      Two years after this film was released, the state of New York passed legislation that allowed women to sit on juries. National recognition via the Supreme Court would come decades later, so it was still left to the states in the meantime. The jury in this film is comprised entirely of men.
    • Patzer
      When the car first crashes through the front of the store, it stops in an upright position. In subsequent shots, it is tilted up at a 45 degree angle.
    • Zitate

      Tony Baxter: Peedles! Champagne cocktails - no two ways about it.

      Peedles: Yes, sir.

      Tony Baxter: [to Ann] You know, two of Peedles' cocktails make you feel like, uh... like, uh...

      Peedles: Like the moon in the morning mist, sir.

      Tony Baxter: That's it!

      Peedles: Thank you, sir.

    • Crazy Credits
      During opening credits, the screens listing names are all rotated about 10 degrees to the left.
    • Verbindungen
      Edited from Ein Mensch der Masse (1928)
    • Soundtracks
      Anchors Aweigh
      (1906) (uncredited)

      Written by Charles A. Zimmerman

      Lyrics by Alfred Hart Miles and R. Lovell

      Played on a radio in the boathouse

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 2. August 1935 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Manhattan Madness
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 7 Min.(67 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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