Ich tanz mich in dein Herz hinein

"Top Hat" is one of the best films Fred Astaire and Ginger Rogers made together. Jay Sandrich, the director of most of their films knew what to bring to the story to make it perfect. It also helps the genial Irving Berlin was on hand to write some of his most beautiful songs to be sung in Fred Astaire's usual impeccable style. The sets were designed by Van Nest Polglase, who is equally at home showing Manhattan interiors as well as the Venetian fantasy sets.

Much has been said in this forum about the film, so we'll only add that Fred Astaire's Jerry was one of his best creations. Ginger Rogers as Dale Tremont, the high fashion model, shows an exquisite figure and is fine in keeping pace with Fred Astaire's dancing "cheek to cheek". The other best thing about "Top Hat" are: Edward Everett Horton, Helen Broderick, and Eric Blore. These three character actors are at their finest in the film. They make everything work because they are always there to lend a hand for the stars to shine without being on the way.

"Top Hat" is a happy film that keeps delighting viewers any time one is lucky enough to fall under its spell.

"Top Hat" has everything to make a perfect musical - great leading stars in Astaire and Rogers, good character support from Edward Everett Horton, Helen Broderick, and Eric Blore, fabulous numbers ("Top Hat, White Tie and Tails", "Isn't it a Lovely Day", "The Picolina", and "Cheek to Cheek"), an hilarious plot of mistaken identity, and breathtaking designs which transport you into a Hollywood fantasy of Venice. This was the stars' greatest teaming and the film packs a great deal of energy, fun, and sex all these years later. A true musical classic and one of RKO's finest.

When whipping up the froth of a musical comedy most creators and commentators forget that fateful second word . . . COMEDY. Not to take away from Astaire & Rogers' beautiful balletic grace, but no one ever gave more comedy more modestly yet more professionally than Edward Everett Horton. His triple-barreled name alone suggests haughty dignity and sniffing puritanism, and his role in this film, as in so many others, gives him ample scope to screw up his mouth in petty disdain, look aghast at social blunders, and sputter in disbelief over the foibles of others while generously ignoring his own idiocies. Horton is a reactor, one which boosts a fairly pedestrian plot to the Moon & beyond. Like Margret DuMont with the Marx Brothers, there is something about the pernickity Horton that begs us to tilt his top hat and fling a banana peel his way just for the delightful reaction we are sure of getting. Perplexed or chagrined, the hatchet-faced Horton is a monument to the lost art of supporting clown -- those dumb bunnies and prissy busybodies that used to inhabit movies and give them life & breath even when the big-shot stars were off the screen. Horton had impeccable timing in delivering a line or flashing a double-take -- you feel he could just as easily count the nano-seconds between the neutron pulses of an atom. If he seems to intrude too much into the musical numbers of this movie it's simply because the director/editor must have been overly fond of his coy mugging. I recommend that music lovers rewatch this film and concentrate on Edward Everett Horton. Your attention will be well-rewarded with deep chuckles and an abiding affection for this New England zany.

This classic is fine entertainment with plenty of everything - humor, singing & dancing, good writing, and lavish sets and costumes. The only thing missing is a plot, but too much story might have taken attention away from everything else that makes "Top Hat" enjoyable to watch.

Fred Astaire and Ginger Rogers are talented and charming as a somewhat star-crossed couple. The whole story line is that Ginger thinks Fred is someone else (who is married instead of single) and thus misinterprets and rejects his advances. Their many abilities and a fine script make this paper-thin plot seem not only acceptable but amusing. Edward Everett Horton is both funny and indispensable as Fred's friend (and the man whom Ginger thinks Fred is), and the rest of the supporting players are also quite good.

This is the kind of carefully produced classic that offers many reasons for watching - see it if you have the chance, whether or not you usually like musicals.

The dancer Jerry Travers (Fred Astaire) meets his friend and producer Horace Hardwick (Edward Everett Horton) at the conservative Thackeray Club in London and Horace invites Jerry to spend the night in his hotel. Jerry is excited with the show and has a "dance attack", tap dancing in the room and disturbing the guest Dale Tremont (Ginger Rogers) that is lodged in the room below. Dale goes upstairs to complain against the noise and meets Jerry and they flirt with each other.

On the next morning, Dale mistakes the single Jerry for the married Horace and becomes upset with her flirtation. When she learns that Horace is the husband of her friend Helen Broderick (Madge Hardwick), there are many complications and confusions in the lives of the two friends.

"Top Hat" is another wonderful film from the Golden Age of Hollywood, with delightful confusion and musical numbers. The gags are very funny and the song "Cheek to Cheek" was nominated to the 1936 Oscar in the category Best Music, Original Song. My vote is eight.

Title (Brazil): "O Picolino"