Special Agent

George Brent is a reporter and pretty chummy with racketeer Ricardo Cortez. Bette Davis is Cortez' personal secretary and keeps his books for him in code. Everyone knows what Cortez is, and Miss Davis fears him -- he's ruthless with 'associates' whom he doesn't find useful and she might be at risk. The local DA can't jail him, but the Feds look to get him on income tax evasion, like they got Capone.

Miss Davis wears hideous-looking costumes, with lots of lace, that make her look even skinnier than usual. Brent is competent, and it's Cortez who owns this movie. His veiled threats are terrifying. Still, despite the occasional flares of machine-gun fire, it's a well-financed programmer.

This was Bette Davis' reward for fighting the Warner Brothers for better roles and losing. Her next movie would win her an Academy Award.

The only thing about Special Agent worth remembering is that for Bette Davis it was the film that she did immediately prior to her first Oscar winner Dangerous. Other than that it was the kind of potboiler programmer that Warner Brothers kept casting her in despite acclaim she got for a few films like Of Human Bondage.

At least she got her favorite leading man in Special Agent and in the title role. George Brent has the perfect cover for being a Special Agent for the Treasury Department. He's a reporter which means he can go places see things and ask questions and no one suspects. Least of all gambler/racketeer Ricardo Cortez who Brent has been working on for years to take down.

Of course this film was done with the successful prosecution of Al Capone in the mind of the movie-going public. Davis keeps Cortez's books and Brent is keeping company with her. Here the story is rather vague. Did he like her before or after he learned she was keeper of the records in her own code so even Cortez can't decipher it. His convincing Bette to turn on Cortez wasn't really convincing to me.

Coming off best in this film is Ricardo Cortez. He is one shrewd article who has his fingers everywhere, it's why no one's caught him till now and Brent nearly doesn't get him this time.

Special Agent did Bette Davis and George Brent no harm and great things were in the offing for Bette Davis.

In the 1930s, Warner Brothers was the place for gangster films, as they churned out a huge number of high-quality films in this genre. While this one did NOT star the usual gangster stars of the day (Cagney or Edward G. Robinson), it star the ever-capable George Brent as a federal agent and Ricardo Cortez as an Al Capone-like thug. I particularly liked Cortez's little speech to Brent that men like him are above the law and can never be convicted--it was a very exciting scene. In addition to these two, the film also stars Bette Davis in a pretty decent role as Cortez's bookkeeper. The film features good writing, dialog and acting and while not the greatest gangster film, it is very good and watchable. Oh, and by the way, the ending is pretty exciting (and violent), so it won't disappoint.

By the way, if you see the film and it seems familiar, this appears to be a reworking of the plot from the MGM film THE SECRET SIX. There are just too many similarities to be coincidental, as both heroes are government agents whose cover is newspaper reporter.

Above-average gangster film, typical of the '30s genre. Fun watching, but nothing too extraordinary...EXCEPT some of the close-up scenes involving Ricardo Cortez. With the help of some great lighting, his eyes and facial expressions are chillingly sinister! In particular, there is his private showdown with Armitage (Robert Strange)...simply unforgettable.

I also found Cortez's expressions to be reminiscent of Pacino in the Godfather (or should i say the reverse)...i wonder if Pacino studied this film at some point.

Bette Davis clearly showed great acting chops, but her role was fairly typecast and thus limited her range somewhat. George Brent did just fine...his role was probably the most straightforward. The supporting cast was outstanding...lots of subplots, double-crosses, and idiosyncrasies that enriched the story.

Saw 'Special Agent' for two main reasons. One is my high appreciation for Bette Davis, considered an acting legend, well more like a legend in any field, for good reason. Her performances in the likes of 'All About Eve' (iconic), 'Now Voyager' and 'The Letter' are evidence of that. Also love the genre it fits under, many good to classic films in the genre, and when it is done right (many cases of that being the case, but others have fallen into the potential traps) melodrama can be great.

Found 'Special Agent' to be a well done film on the whole. It may not fit my definition of a "special" film and may not be in the extraordinary category. Not everything works, the story could have been better or at least consistently executed. A vast majority of elements do work though, and generally wonderfully. A lot of good things here in 'Special Agent', namely the lighting and the acting, and it is just good fun. As long as not too much is expected, many should enjoy it.

Will start with what doesn't quite work, and actually it isn't a lot and is more mixed feelings than anything disastrously done. While always compelling and well paced, the story can be far-fetched and at times a touch over-complicated. The final third is not always easy to swallow.

Davis does very well in her role and admired that she tried to break away from her relative type-casting at the time, but can see where another commentator is coming from in their feelings of her sophisticated image not always fitting with the film's atmosphere.

The cast do a great job, with George Brent a charming male lead and Robert Strange and J. Carroll Naish imposing enough but the best performance comes from Ricardo Cortez on absolutely chilling form. 'Special Agent' is always confidently directed, while the story is generally fun and atmospheric without being overwrought and it is never dull.

It is a very well made film, with the visual standout being the lighting which is genuinely eerie. It has been said that the lighting makes Cortez scarier than he already is and personally cannot disagree. The dialogue is taut and sophisticated with the odd amusing part too, never feeling over-melodramatic or talky. Nicely scored too.

Overall, good fun. 7/10