Shipmates Forever

An enjoyable if slightly sappy movie with a fairly standard plot line.

Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.

Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.

Interesting goof, possibly intentional?

The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.

Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:

1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.

'Shipmates Forever' shares the same flaws and strengths of 'Flirtation Walk' with the same lead actors and director, but due to having better pacing and choreography 'Flirtation Walk' is the better film if only just.

Like 'Flirtation Walk', the weak link is the story, which is wafer-thin and goes well overboard on the simplicity. One says that musical-comedies shouldn't be seen for the story, but as 'Shipmates Forever' is heavier on story rather than on the musical material and production numbers it is harder to ignore it. Again, like 'Flirtation Walk', Frank Borzage tends to make heavy weather of it, meaning that the pace does drag outside of the songs and the energy is not as light-on-its-feet as it should have been. The patriotic tone is sometimes laid on too thick too.

The songs are very pleasant, with the highlights between "Don't Give Up the Ship" and particularly "I'd Rather Listen to Your Eyes", but there are more timeless and more memorable songs. The film is very scant on production numbers and what little there is is literally crying out for the involvement of Busby Berkeley who would have directed them with much more energy and imagination.

However, 'Shipmates Forever' while not lavish still looks handsome and colourful as well as skilfully photographed. The script is smart and amusing, if a little too frothy in places.

Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. The rest of the performances are also good, with a fine supporting turn from John Arledge and a nicely quirky one from Ross Alexander.

On the whole, a lesser Keeler-Powell film but still very much watchable. 6/10 Bethany Cox

Surprisingly good pre-war film about a former radio crooner (that's a singer to you Millennials). Dick Powell finds himself trying to deal with military life at the Naval Academy at Annapolis. This was an enjoyable Hollywood look at their take on life of a cadet moving through Annapolis. He has a poor attitude, but does well with his studies. But, has few friends and little support amongst his fellow cadets. He's seen as having a silver spoon. It was refreshing to finally see a film get when NOT to salute correct in a film. It's one of the things that Hollywood just can't seem to get right. They like to have actors throwing salutes around willy nilly. When actually there are rules. They don't give an accurate account of how tough four years at the United States Military academies can be. But there are some good characters and it's well acted. And you find yourself caring for the characters.

There's a lot to like in SHIPMATES FOREVER, but it's really a treat for DICK POWELL's fans with him singing a batch of songs (only a couple are really catchy), with generous close-ups of pert and pretty RUBY KEELER as the gal who can't make up her mind about the sailor she loves.

Keeler is only given a couple of tapping moments, which is fine with me. I have to agree with the book "Warner Bros. Presents" which describes her as "conspicuously untalented" but managing to be "endearing" nevertheless.

It's the formula story about a young man whose father is a Navy veteran (LEWIS STONE) and thinks his son should follow in his footsteps. The son happens to be a popular radio crooner who only half-heartedly joins the service just to prove that he can pass the officer's exam. The predictable plot follows a standard course with the boy winning the love of the girl by the time we reach the final reel.

Powell gets to demonstrate that he had a flair for carrying a tune although his voice is nothing remarkable. He's pleasant to watch and handles the acting chores with professional ease.

I can't say the same for ROSS Alexander who mugs through his role as comedy relief, but JOHN ARLEDGE does a fine job as an ill-fated sailor friend who attempts to put out a boiler room fire.

Touches of drama are better than the humorous interludes, so it's an uneven film, to say the least, directed by Frank Borzage who usually does much more sentimental romances than patriotic musicals like this one.

In New York, popular crooner and radio star Dick Powell (as Richard "Dick" Melville) meets tap-dancer Ruby Keeler (as June Blackburn) at a Navy celebration. As you would expect, they are mutually attracted. Helping the relationship considerably is the fact that both Mr. Powell and Ms. Keeler have soured on their US Navy connections. Powell wants to continue his singing career and resists Navy admiral father Lewis Stone (as Richard Melville), who wants his boy to continue a long family tradition. Having lost both a father and brother to Navy service, Keeler agrees Powell should keep his distance...

In order to prove he can make the grade, Powell predictably applies to the Navel Academy at Annapolis. Though he intended otherwise, Powell eventually joins the Navy as a midshipman. Keeler makes a few appearances, coming to terms with her family tragedies through Powell's experience...

Director Frank Borzage and the Warner Bros. team are equipped with plenty of location and stock footage, but too much of it is padding; this film's appeal would be greater with some trimming. Helping the formulaic Delmer Daves story is a colorfully introduced trio of "Shipmates Forever" - Ross Alexander (as Lafayette "Sparks" Brown) from Arkansas, Eddie Acuff (as Lincoln "Cowboy") from Texas and John Arledge (as Johnny "Coxswain" Lawrence) from Arizona. Robert Light (as Ted Sterling) is also on board. Best supporting actor is Mr. Arledge, who gets the best-written role and sails away with the film.

****** Shipmates Forever (10/12/35) Frank Borzage ~ Dick Powell, Ruby Keeler, John Arledge, Ross Alexander