Dr. Vollin ist ein brillanter, aber instabiler Chirurg. Er rettet das Leben von Jean Thatcher, einer schönen jungen Sozialitin, die bei einem Autounfall verletzt wurde und sich zunehmend zu ... Alles lesenDr. Vollin ist ein brillanter, aber instabiler Chirurg. Er rettet das Leben von Jean Thatcher, einer schönen jungen Sozialitin, die bei einem Autounfall verletzt wurde und sich zunehmend zu ihr hingezogen fühlt.Dr. Vollin ist ein brillanter, aber instabiler Chirurg. Er rettet das Leben von Jean Thatcher, einer schönen jungen Sozialitin, die bei einem Autounfall verletzt wurde und sich zunehmend zu ihr hingezogen fühlt.
- Edmond Bateman
- (as Karloff)
- Dr. Richard Vollin
- (as Lugosi, Bela Lugosi)
- Autograph Hound
- (Gelöschte Szenen)
- Autograph Hound
- (Gelöschte Szenen)
- Drug Clerk
- (Gelöschte Szenen)
- Autograph Hound
- (Gelöschte Szenen)
- Actor reading 'The Raven'
- (Nicht genannt)
- The Crook
- (Nicht genannt)
- Dancer
- (Nicht genannt)
- Bedside Dr. at Jerry's Right
- (Nicht genannt)
- Chapman - Buyer of Poe Memorabilia
- (Nicht genannt)
Empfohlene Bewertungen
Running at just over one hour, The Raven simmers nicely as the characters form, and then boils to the surface for the furious last quarter. In the build up we have been royally treated to some truly excellent scenes as Vollin steadily grows more deranged. The unmasking of Bateman post surgery is unnerving, and thanks to Karloff's ability at making a criminal sympathetic, heartfelt. This is followed by a mirror sequence that is a horror highlight of the 30s and puts us in no doubt that Vollin is a terrifying creation. The creepy house setting is naturally a horror staple but one can't help wondering what a better director than Lew Landers could have made with the simple but effective premise? It's solid enough from Landers, some nice shadow play etc, but what stops it breaking out into genre classic status is its lack of a creeping menace type atmosphere. Which is a shame as it has a potent score from Clifford Vaughan. Still, The Raven is a fine genre piece showcasing two genuine icons, and in spite of its obvious simplicity and little flaws, ends triumphantly in a blaze of insanity and ironic cruelty. 8/10
He steals every scene he's in with his heavy emphasis on certain words and his inflection that has menace in every syllable. By comparison, Boris Karloff (top-billed) has a cameo role that he plays with his usual skill, managing to get some sympathy for a basically unsympathetic character--a man who served time as a killer. Between the two of them, they create a minor thriller that is the kind of horror film Universal was famous for in the '30s.
Lugosi being a man obsessed by Edgar Allen Poe's torture devices in stories like 'The Pit and the Pendulum', approaches every scene with relish, obviously delighted with his role as a surgeon who declares: "I love torture!" The plot, of course, is outrageously preposterous but just try to turn away as he puts into place his plan for the girl, her father and her fiance--as well as his servant Karloff.
None of it is believable, but it's all great fun in the tradition of Universal thrillers. Perfect for Halloween!!
Wusstest du schon
- WissenswertesAccording to Greg Mank's book "Karloff and Lugosi, Karloff received $10,000 for his work, Lugosi $5000, Irene Ware $625, Lester Matthews $1153.76, and Samuel S. Hinds $1333.35.
- PatzerAfter Dr. Vollin regales his house guests on the subject of Edgar Allan Poe, all rise to retire. Jean Thatcher stops, returns to her former place on the couch, and has to free her gown from the cushion. This action causes her to be the last guest to leave the room, allowing her to have a private moment with Bateman. In their subsequent two-shot, she apologizes to him for having been startled earlier when he'd entered the room where she was fixing her hair.
- Zitate
Edmond Bateman: I'm saying, Doc, maybe because I look ugly... maybe if a man looks ugly, he does ugly things.
Dr. Richard Vollin: You are saying something profound.
- Crazy CreditsThe names of Spencer Charters and Ian Wolfe were accidentally reversed in the credits.
- VerbindungenFeatured in House of Horror: The Raven 1935 (1958)
- SoundtracksMusic
(uncredited)
from Die schwarze Katze (1934)
Original Music and Classical Music Arrangements by Heinz Roemheld
Played as background music
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Raven
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 115.000 $ (geschätzt)
- Laufzeit1 Stunde 1 Minute
- Farbe
- Seitenverhältnis
- 1.37 : 1