The Perfect Gentleman

This little comedy was made at the MGM English studio. It featured a British cast, with the exception of the American character actor, Frank Morgan. Remember him? He played the wizard, in the "Wizard Of Oz." What makes this film fun to watch is Morgan's comic skill, and energy. Also, a plus, is the quality of his fellow British actors. This quality, is what raises a rather sub-par script, into a very watchable film.

Frank Morgan plays a pretty typical sort of role--a bombastic ne'er-do-well. Most people love him (especially the ladies) but not everyone---creditors are always at his heels. But he's so full of bluster, promises and charm that people naturally like when they meet. But he's also a burden to his sister and son--who are often left to clean up the messes that he's made. They are exasperated and ready to call it quits.

Oddly, after a long string of failures, when he meets a stage actress (Cicely Courtneidge), the somehow manage to make a success. And, for the first time, Morgan's life is starting to go right and he's starting to make good for all his lies and half-truths. But, in a misunderstanding, he and Courtneidge split up. What's to become of Morgan? While I will quickly admit that the plot in this film is VERY slight, it is nevertheless quite enjoyable. It's a turn off your brain and enjoy sort of movie--with some nice comedy, mostly enjoyable music and lots of upper-class folks going into a dither (which is always fun to watch). For old movie buffs, this is a nice and predictable sort of treat. Others might be a bit less forgiving.

Bubbling Frank Morgan and a wonderful cast of British talent make this screwball comedy & comedy of errors shine with charming giggles and amusing bemusement.

The father of the Vicar, Morgan, portrays a self-stuffed shirt that finds his luck from a night out in the music halls.

Dame Cicely Courtneidge, Herbert Mundin, Heather Angel (You Can't Take It With You) and Una O'Connor play the perfect foil for Morgan's delightful buffoonery.

This is the type of comedy that couldn't be made today even if they tried. The underlying comedy of manners reflect a bygone era that may never come again - filled with its social mores and contradictions.

Here was a time when decent men did not consort with "brazen women" from the entertainment field. I wonder how much things have changed today? Nevertheless, this is a time when family honor and unsullied reputations were prized - and - mountains were moved to maintain them above all else - even love.

The final musical extravaganza performed by Courtneidge and a battalion of soldiers and drummers is stirring, even though short by Busby Berkeley standards.

I recommend this highly.