Feuerwasser und frische Blüten

For fans of Lone Star-Wayne only. It's a pretty slender installment from our friends at Paul Malvern's production company. Wayne's an undercover G-man on the trail of counterfeiter Yakima Canutt. On the way he hooks up with medicine man Doc Carter (Hodgins) and his sloe- eyed daughter (Burns). We see a lot of the medicine show and some of it is a hoot—The Texas Two whose down-home ditties are memorably corny. But reviewer Chance is right: Hodgins takes up too much screen time for a brief 50-minute feature. Too bad producer Malvern didn't pop for a location shoot at scenic Lone Pine. That would have compensated for a lot. Instead, the boys have to ride around the scrubby un-scenic outskirts of LA. He did however pop for a well-staffed chase scene at the end. Then too, there is the usual hidden hideout that fascinated Front-Row kids like myself, along with a dramatic plunge off a cliff. But the sum-total is rather plodding and not up to the usual high-action standard. (In passing— sorry to say I counted 3 "trip-wire" induced falls, which make for a dramatic tumble of horse and rider, but is unfortunately often fatal to the horse. Happily, these stunts were eventually banned. On a more upbeat note-- for a really entertaining look at how these Saturday afternoon specials were made, catch Hearts of the West {1975}.)

This is not by any means a work of art, as Big John sorts out the counterfeiters who sneak across the border. However, it is remarkably entertaining, especially given it cost about three bucks to make. The background of a medicine show adds a little by way of originality, and I suspect this is a relatively realistic picture of a not-long-vanished West, that most of the audience will have experienced and remembered. John Wayne is on good form, with a particularly enormous ten gallon hat catching the attention. Mary Astor-lookalike Marion Burns is the love interest, and the difficult father-in-law-to-be is a nice performance from Earle Hodgins, who manages even to ruin their wedding. Yakima Canutt's acting is seen to good effect, as a hard-bitten villain, and Reed Howes is a good heavy. The stunts are as usual incredible, and presumably not every horse survived the picture. High Noon it is not, but there are worse ways of spending 50 minutes of your time.

While I admit that having the same music for all of John Wayne's Wild West movies from 1933-1935 is somewhat tiresome, the movies themselves are really great. On critic complains that the heroine in Paradise Canyon wears modern dress, and the medicine show drives a model T type truck with a homemade trailer attached, I think this indicates that the movie is set in the twenties and not the 1890's. Also the villain is Yakima Canutt who is never boring, at least to me. Modern movies could take a lot of pointers from these old ones. I love the humor, romance, fantastic horseback riding and stunts, and the gorgeous scenery, even if it is black and white. I highly recommend all of these early movies featuring John Wayne. And don't miss "The Big Trail" from 1929 either!!!!! WOWEE!!!

Like a slew of John Wayne B-movies recently aired on the Encore Channel, this one features a god-awful new musical track that practically ruins the film. The music is too loud, the wrong type of music, is played on modern electronic machines and is the exact same musical accompaniment you'll find on at least a dozen other Wayne films! Yes, the exact same sound track is used again and again! Also like a slew of other Wayne films (as well as Gene Autry films now that I think of it), the film is set out West and while MOST of it looks like it was set about 1880-1890, there are tons of anachronisms! The leading lady wears modern dress and they drive about the west in a truck!! Oddly, in this and other films, when it comes to chasing the bad guys, they don't chase them in a car or truck but on horseback! It's all very bizarre but not terribly uncommon in cheap B-westerns where they often just didn't care about these details.

Wayne is looking for a traveling medicine show, as he's a good guy investigating some counterfeiting ring. Instead of confronting the crooks at the show, he joins them and does trick shooting to attract customers. At the same time, he naturally falls for the boss' pretty daughter. Eventually, it turns out that a baddie named 'Curly Joe' is behind the phony money scam. No, this is NOT the same Curly Joe who was the really lame third Stooge in the late 1950s and 1960s.

This film is not among one of the best films of the era for John Wayne. While none of the films had very high expectations, they were moderately entertaining and fun. This one, however, was a bit duller than usual--mostly due to no interesting sidekick and an amazingly dull villain. The stunts are decent but there just isn't much to this one to make it anything other than a mediocre B-movie.

Yakima Canutt and his gang of counterfeiters try to run his former partner Dr. Carter and his medicine show out of town before the "doctor" recognizes him and quite possibly blows the whistle on Canutt's involvement in a recent string of bogus bills. Luckily for Carter, undercover lawman John Wayne is the show's new trick shooter.

The last film Wayne made for Lone Star/ Monogram Pictures, this is more light-hearted and less action packed than other entries. It's still good fun with a few decent action scenes and stunts.

The best thing about it is the wonderful scene featuring the medicine show in all it's glory, including the sales pitch, music, and a trick shooting demonstration.