Hop-a-Long Cassidy

"Hop-a-Long Cassidy" is the first appearance of this western hero. In all, William Boyd made 66 of these films and they tended to be among the better B-series films of the era.

When the story begins, there's some tension between two ranchers...to the point that you know sooner or later violence is going to break out and someone's going to get killed. Into this mess arrives Hopalong who has been summoned by one of the ranchers to help deal with this situation. What no one realizes is that one of the foremen is deliberately stoking fires on both sides...and while the ranches are fighting each other, the foreman and his henchmen are rustling their cattle! Fortunately, Hoppy is NOT a guy to jump headfirst into the problem and his slow, cautious approach is bound to bring answers.

This film is quite different from films from the likes of Gene Autry and Roy Rogers. This is no singing cowboy picture and it also is a good bit more violent than most of them as well...with a hanging, plenty of shootings and more! It all makes for a very exciting and more realistic sort of B-western. And, like a B, it runs at about one hour and is relatively low-budgeted...though it does sport an amazingly good cast for such an effort.

I thought this —the first Hoppy movie— was excellent and entertaining. It could have had more action and a better mystery-detective-like plot, but so what? It was rich in character exposition, plus the fine acting, scenery, etc. James Ellison was the best young Hoppy sidekick in my opinion. I also enjoyed the acting and dialog from Uncle Ben (Gabby Hayes), Buck Peters and Red Connors characters. I was touched by the qualities expressed by the whole Bar 20 family: honor, loyalty, friendship, love, respect, competence, etc. Best,of course, is William Boyd's acting/persona. There is no need to repeat plot here as it is done in other user reviews. Key memorable scenes were (1) Hoppy's first introduction to Johnny Nelson, who had only heard heroic tales about Hoppy and had resented them; and (2) Uncle Ben's almost mystical communication with Hoppy to relay clues about the rustlers.

William Boyd made his screen debut as Hopalong Cassidy in Hop-ALong Cassidy. He was really William known as Bill Cassidy when he does arrive, but he gets wounded in a gunfight and limped a bit for the duration of the film. The guys in the bunkhouse called him Hopalong after he gave himself that nickname. Throughout the rest of the 66 films and TV shows we rarely heard his Christian name.

The plot is a standard western one, an outlaw gang stirs up a feud between the Bar 20 and a neighboring outfit owned by Robert Warwick. But it takes Bill Boyd to come up with the solution, aided and abetted by James Ellison whom he acquires as a sidekick.

Gabby Hayes is in this as Uncle Ben and he's the usual Gabby Hayes. He proved so popular that Paramount just resurrected him for the next few years before he left the series. Here as the chief villain guns him down it shows the Saturday matinée kids just how dastardly he is. Rather stupidly he leaves him to bleed out rather than finish him off. I guess Paramount did not want to shock the kids whose dimes to see the film and the subsequent series planned.

So Hopalong Cassidy becomes an American institution. Curiously enough Bill Boyd did a few non-Hoppy films after this before settling down into this character permanently.

It was a good beginning for an American institution.

It was interesting for me to see this first of the Hopalong Cassidy movies last night. I saw a distinctly different Hopalong than those later movies I have seen. This one had a hard look in his eye that was most menacing and at one point, he was about to draw his gun on his own man, which made for a completely different Hopalong than the one which emerged in time. He actually resembled men of the REAL OLD WEST instead of the watered-down, lip-stick sissy version most of Western characters in the movies had--such as Gene Autry.

I remember last year I got to see the very first episode of Bonanza--the TV Western series. I noticed the same thing there how the Cartwrights were hard, rough and even deadly (the way men were in the REAL WEST) and, having watched the series over several years, I noticed they too mellowed with time.

Otherwise, I certainly enjoyed this first issue of Hopalong Cassidy. He was certainly my HERO as a small boy of 5-6 back in 1953-1954 when I first started watching him on TV. And it was good to view this one.

I won't bother with the plot. Others have already done that. But the point I made is one that clearly stood out to me about this very first movie in the series.

William Boyd, a hugely popular actor during the silent film era, saw his career wilting in the early 1930s after a mix-up by a newspaper sent his reputation spiraling downwards. When he auditioned for Paramount Pictures' low-budgeted Western, August 1935 "Hop-Along Cassidy," the studio offered him the role as one of the ranch supervisors-but not the lead. Boyd knew his on-screen magnetic personality was perfect for the series' hero, and lobbied hard for the role as Bill Hop-Along Cassidy. The actor eventually beat out his competition, and the life-changing role became one of Hollywood's more feel-good stories in cinema.

Western movies had been relegated to 'Poverty Row" status ever since the spectacular failure of Raoul Walsh's 1930 "The Big Trail." The Grade B "program westerns" were quickly churned out with their low quality camerawork and acting, and played in largely rural theaters. Paramount Pictures wanted to elevate the genre by producing a series with upgraded storylines, higher production values and more polished acting. The studio eventually realized Boyd's past film experience was an asset to achieve its goals. At first the part was offered to James Gleason (not the comedian), but the actor had just signed a deal with RKO and was handcuffed. Once Boyd got the role, the series became a long-lasting fan favorite right from its premier, lasting well beyond going to the new medium of television in 1948. Hopalong Cassidy's programing is credited for making Westerns the most popular genre in the early days of TV.

Boyd first appeared in film in 1918, and was a favorite of director Cecil B. DeMille in his role as Simon in 1927's "The King of Kings." His lead in 1926's silent "The Volga Boatman," DeMille's personal favorite, solidified Boyd's reputation when cinema transitioned to talkies. But RKO cut him loose when its executives read a newspaper account alongside Boyd's picture that he was arrested on gambling and illegal alcohol charges. The editors mixed him up with another actor named William 'Stage" Boyd, who was the real culprit. Yet, when the paper published a correction, "The damage was already done," Boyd lamented. No studio wanted to touch him until 'Stage' Boyd died in 1935, coincidently the same year William earned the Cassidy role.

Boyd's portrayal of Hopalong didn't resemble the title character in Clarence Mulford's 1904 stories. The author's Western hero was rude, rough in speech, and constantly had a chip on his shoulder. The literary character sustained a bullet embedded in his leg during a gunfight, causing him to hop while he walked, earning the nickname 'Hopalong.' Boyd's 'Hopalong' on the screen was civil, friendly, and well-spoken. He consistently appeared on the scene whenever crooks were making honest people's lives miserable. Cassidy was accompanied by a younger man, Johnny, first played by James Ellison, who was always getting into trouble but had a yen for women in distress, along with a grizzled old man first played by actor George 'Gabby' Hayes.

Boyd played in 66 Hopalong Cassidy one-hour movies. When Hollywood studios phased out low-budget films by the time television became popular in 1948, they stopped producing Hopalong features (Boyd financed the final 12 episodes himself.). The actor, though, saw a market for those 66 Hopalong films, and mortgage everything he had, $350,000, to buy the entire catalogue from the studio. The unemployed actor Boyd approached NBC to see if the network was interested in playing some of his old Westerns. Looking for programming to fill its new medium, NBC agreed to air them for a nominal fee. A new generation of viewers grew to love the action-packed films which were shown on Sunday nights. These weekly Sunday evening one-hour Westerns became known as 'Hoppy Nights,' and Boyd emerged as one of TV's first stars, earning not only a fortune for his ownership of the series but he also received lucrative licensing contracts to market Hopalong merchandise.

In the inaugural debut of Hop-along (the only film with a hyphen in his name), Bill Cassidy works for the Bar 20 Ranch, which sees its cattle stolen one-by-one. At a nearby ranch, H2, its foreman, Jack Anthony (Kenneth Thomson), is a cattle rustler leading his gang to steal. He's blaming the Bar 20 Ranch employees for the loss of their cattle, and the two ranches soon become embroiled by Anthony's maneuvers. Writes film reviewer Laura Grieve, "All in all, it's a strong film which set a firm foundation for the many Hopalong Cassidy films and TV episodes to follow."

The character Hopalong Cassidy was nominated by the American Film Institute as one of movie's Heroes of All-Time.