Here Comes Cookie

I gotta admit up front that I am not a huge Burns & Allen fan. To me, their type of humor goes a long way and I can take them only in small doses. In light of this, it is a bit surprising that I'd watch a DVD with three of their films. My overall verdict isn't that different from what I expected and "Here Comes Cookie" is probably my favorite film of the bunch.

The film starts with a plot that makes no sense at all--and this set up is the weakest element of the movie because it is so contrived. A rich man, Mr. Allen, is frustrated at his one grown daughters. She wants to marry a man who obviously is a sleazy fortune-hunter--a man who wants to get a hold of the father's millions. So, to make this daughter less attractive to the sleazy Lothario, he transfers all his money to his other daughter, Gracie. Now considering that Gracie's IQ is 12 and she has the common sense of the Octo-mom, the idea of letting Gracie run the finances is pretty tough to believe. However, I must admit that some of the insane things she did were kind of funny...to a point. Instead of exercising common sense (???), Gracie turns her home into a boarding house for bizarre stage acts and wants to put on a show. Most of the acts are pretty lame, but I did enjoy watching the guy with the drumsticks--especially at the end of the film.

Overall, the film has some fun moments but also a few that fall pretty flat. Plus, combined with a dumb plot device, the film is probably not one to convert the average viewer into a fan of the comedy team. But, it's also harmless fun and worth a look if you like this sort of thing.

Burns and Allen who usually were in support of other stars got to carry this one by themselves. It is a laugh riot from start to finish. Trying to keep his normal daughter, Betty Furness from marrying a gigolo, George Barbier turns over his fortune to his other dimwitted daughter, Gracie Allen. What follows is one madcap situation after another as Gracie turns their home into a hotel for unemployed actors and then decided to produce her own show.

As good as Gracie is, mention must be made of George Barbier. A fine character actor who played fathers, his blustering reactions to Gracie's schemes are worth seeing the movie in and of themselves.

Here Gracie Allen excels. Her mind is delightfully mixed up and what she comes out with is completely wacky. She is an absolute scream and poor old George Burns is on the receiving end as per usual trying to make whatever sense he can out of it all.

Gracie is one of George Barbier's daughters. The other is Phyllis (Betty Furness) and she is engaged to a Hispanic - Ramon (Rafael Storm) - who is only interested really in getting his hands on Daddy's loot. (He is a millionaire). George (Burns) is Barbier's secretary. Barbier is at his usual blustery best and as a way of defeating Ramon's purpose - gives over his fortune to Gracie for 60 days so he can go to some remote place for a rest. Meanwhile Gracie has become interested in things theatrical and has turned the mansion into a flop house for out of work thespians. And, from there she is going to put on a show!

This is one of those madcap comedies where any sense of realism has to be chucked out of the window. All one has to sit back and enjoy, having many a laugh along the way.

Also in the cast is Andrew Tombes as "Botts" the butler, Jack Powell - a drummer who bangs his drumsticks on anything, not necessarily drums and a whole host of other variety acts.

The plot is thin but the casting is stuffed with major faces from the heydey of Vaudeville. For most of these performers, uncredited as they were, this is the only recording of parts of their act. Enjoy the silliness and pretend you're at Minsky's.

The plot is thin, the premise even thinner. However, Grace Allen is her usual ebullient self, somehow even in her "dimwittedness" suggesting that some shrewd insights lie beneath the surface, and that everyone else is only a fall guy. The scenes with father and sister are sometimes extremely amusing, but the primary distinctive feature of the film is that it gives the viewer the opportunity to see many of the old vaudeville acts in their pristine form, as Gracie the heiress opens her home to the out of work performers. Probably these were performers who appeared in vaudeville with Burns and Allen themselves.