The Headline Woman

In the 1930's, there were several mystery/suspense movies centered around brazen but morally correct newsmen. That a wisecracking reporter was so often a cinematic hero is reflective of the manifold changes undergone by the American media during the 20th century. History aside, "The Headline Woman" is one of the best of its kind.

The first part of the movie concerns a group of reporters who help promote a bumbling police officer to lieutenant detective to act as a leak after the commissioner attempts to ban police reports. The title character doesn't actually appear till midway through the film - during the nightclub sequence which serves as the highlight.

William Nigh's direction is more than competent, and the cast is great. Ford Sterling's reputation as Chief of the Keystone Kops makes his role especially ironic. 9/10.

'The Headline Woman' could have been so much of a movie.

It actually consists of two different stories -practically-, one after the other.

The fast-paced first half is exceptional indeed, little short of the original 'The Front Page'. It consists of a bunch of witty and cynical journalists in the pressroom of the police headquarters of a big town, as they try to sway an officer for bringing them information daily.

There is a gang war between racketeers of gambling, so there is armed action, killings, and even high society parties.

In the second half, though, 'The Headline Woman' swaps half of its characters, leaving us with the ordeals of the stunningly beautiful titular lady, Myrna Van Buren (Heather Angel), being protected by one of the journalists, Bob Grayson (Roger Pryor).

'The Headline Woman' disappoints, because the studio ('Republic Pictures') unfortunately didn't invest in totally rounding it up.

It's evident, that they were enthusiastic though, and it resulted in a B+ (or A-) movie.

Roger Pryor is a reporter whose editor has a grudge against Police Commissioner Conway Tearle. A couple of slighting headlines gets the entire press banned from the police beat, but Pryor gets an in by building up dumb cop Ford Sterling. While all the reporters are at a gambling house waiting for the police raid, there's a murder, and Heather Angel is caught holding the gun. Pryor sneaks her out for an exclusive, but it turns out she's his paper's publisher's daughter, which means he's go to keep her name out of the news, hide her, and crack the case fast.

It;s a Mascot movie from just before the merger that created Republic, so I was surprised at how strong it is. Pryor is actually good as the fast-talking reporter, Miss Angel is a decent substitute for Maureen O'Sullivan, and Sterling is an always welcome presence doing his Dutch act in his next-to-last feature. The newsroom looks like director William Nigh was trying to replicate THE FRONT PAGE, and there are good bits from Franklin Pangborn and Ward Bond. There's little in the way of mystery in it, but there is lots of good humor.

Occasionally your poverty row studios could come up with a decent film. Mascot Pictures spent a sum on the cast because there are some A list players in the ensemble.

Of course you might think you're watching a variation of The Front Page. A lot of the action takes place in a common press room where there's a camaraderie among the reporters of the different papers.

There's a big gangland killing and the beat cop played by Ford Sterling actually helps the murderer get away. Roger Pryor one of the reporters gets an idea after Sterling is properly chastised by the brass. He also gets an idea to turn this klutz into a hero to get inside information.

Heather Angel is in the title role. She is the woman of mystery sought for the original killing. She'ss also something else that complicates things for Pryor.

Ward Bond and Franklin Pangborn are among the reporter clan. Bond does it the easy way in his job, he lets the others follow leads and hen reaps stores off their work. Pangborn is not your usual fluttery fussbudget.

Best though is Ford Sterling who was a former Keystone Cop. he's really hilarious as the dumb as a bag of rocks policeman who gets made a hero after Pryor's tutelage.

This film is pretty good for a poverty row product.

There were the dozens of low-budget films featuring wise-cracking, crime-fighting reporters during the 1930s, but this one stands out from the rest on several counts. Notice that i did not say it is better, just that it stands out as different. Among its unique aspects there are three notable points: first, the ostensible hero, played by Roger Pryor, only appears partway through the storyline and is neither very heroic nor very cute, although he does have a certain weaselly charm; second, Ford Sterling, a former Keystone Kop, does a great turn as a police officer with a thick "Chermen" accent; and third, Franklin Pangborn does NOT play his usual funny, flustered, and officious role as a hotel clerk type -- instead, he is one of the pack of wise-cracking newspaper reporters -- and we get to see him laugh and cavort and generally act as if Ben Hecht or Preston Sturgis had written his part, instead of whoever did write it. In short, if you thought you knew the character actor Franklin Pangborn inside, outside, and upside down, you owe it to yourself to see the flick i call "Another Side of Franklin W. Pangborn."