IMDb-BEWERTUNG
6,5/10
1817
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.
Wini Shaw
- Inez Cardoza
- (as Winifred Shaw)
J. Carrol Naish
- Robert Cardoza
- (as J. Carroll Naish)
Selmer Jackson
- Joe Davis
- (as Selmar Jackson)
Miki Morita
- Fuji
- (as Mike Morita)
Ernie Alexander
- Elevator Operator
- (Nicht genannt)
Empfohlene Bewertungen
Bette Davis seems miscast as a hard-working dynamic reporter in a rivalry with star reporter, George Brent, who works for a different newspaper. The role is more suited to wise-cracking, fast-talking stars such as Glenda Farrell (who made a similar film, Blondes at Work (1938)), or Joan Blondell (who also made a similar film, Back in Circulation (1937)). Her make-up, too, belied her profession. With perfectly tweezed eyebrows and immaculately applied lipstick, she looked like, as well as sounded like, a Hollywood star rather than a reporter. Still, Bette Davis is always a pleasure to watch even if not perfect. She and Brent are supposedly in love, but she won't marry him until he admits she is just as good a reporter as he is. You would think he wouldn't place any obstacles in her path towards reporting equality, but his vanity won't allow that conclusion, so he does. After a jury comes to a "guilty" verdict in the trial both are covering, and the jurors leave the jury room, Brent sneaks in to examine the ballots so he can get an extra on the street as quickly as possible. But sensing Davis is following him, he replaces the ballots with ones that read "not guilty." With friends like that, who needs enemies? Davis does report the wrong verdict to her editor, leading to the two rival newspapers coming out at the same time with opposite verdicts. Davis gets fired because of this hostile and vicious act, but, of course, it's not the end of the story, and she does get the last laugh in the matter.
10whpratt1
Greatly enjoyed this Betty Davis film which I had never viewed and found Davis at her very best in appearance and in a very light hearted role she portrayed as Ellen Garfield. I believe Davis was around 27 years of age when she appeared in this film and she was very charming and had a good supporting actor, George Brent, (Curt Devlin) who was a star reporter for his newspaper and was in competition with Ellen Garfield to get the big scoop or headline stopper for their respective newspapers. This couple were also love birds who had intentions to get married only under certain terms they agreed upon together, a sort of contest that would lead to some very important big steps in their lives. Veteran actor Roscoe Karns, (Toots O'Grady) was the photographer for Curt Devlin and gave a great supporting comical role through out the entire picture. This is a very enjoyable 1935 Classic film and I believe that Davis and Brent both gave outstanding performances. Enjoy.
Bette Davis and George Brent star in "Front Page Woman," a 1935 film from Warner Brothers.
Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.
Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.
The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.
Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.
Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.
Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.
The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.
Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.
Rival reporters Garfield and Devlin are also a couple who delight in scooping each other often to the detriment of their respective papers. Brent and Davis are charming together and have an easy rapport. Curtiz's workmanlike direction and the rapid fire dialogue still hold up well, helped by the story's hesitation to endorse traditional male/female roles. If this proto-screwball comedy has a flaw it's that Garfield never seems a savvy enough rival for Devlin despite topping him to keep their endless competition going. Reminiscent of `The Front Page' and `His Girl Friday.' Recommended.
Ellen Garfield (Bette Davis) and Curt Devlin (George Brent) are combative reporters at rival newspapers who are in a relationship. She faints during an execution and he tries to cover for her. She gets into trouble after he files the same story to both papers. They continue their back and forth banter while she refuses to marry him. They start following the same story of a Broadway murder mystery.
The first notable aspect is that she's not a good reporter for the first part of the movie. I'm surprised that a woman wouldn't be fired or at least demoted to wedding announcements after fainting. Nevertheless, the dialogue is snappy. The leads especially with Davis are fun. It's light except for the murder. My only complaint is that this movie needs more time with the leads together. They should be investigating as a team but trying to scoop each other in print.
The first notable aspect is that she's not a good reporter for the first part of the movie. I'm surprised that a woman wouldn't be fired or at least demoted to wedding announcements after fainting. Nevertheless, the dialogue is snappy. The leads especially with Davis are fun. It's light except for the murder. My only complaint is that this movie needs more time with the leads together. They should be investigating as a team but trying to scoop each other in print.
Wusstest du schon
- WissenswertesOne of eleven films Bette Davis starred in with George Brent.
- PatzerWhen Robert closes the French doors of the brightly lit and gated elevator at the 48 Kingston building, you could see the silhouette of the gates being shut and also as the elevator begins its ascent. But as the elevator is shown passing each floor, the gates are no longer seen. Additionally, when the elevator stops, the doors open immediately and Robert quickly exists the elevator without any signs of him pulling the elevator gates open nor are the gates even seen.
- Zitate
Ellen Garfield: You make me so mad I could... well, I could spit!
- VerbindungenFeatured in Salut für ...: Salut für Bette Davis (1977)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Front Page Woman
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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By what name was Die Frau auf Seite 1 (1935) officially released in India in English?
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