Verlorene Liebe

Laurel and Hardy are door to door greeting card salesmen. They happen across a wife who believes her husband no longer loves her. The duo come up with the suggestion that one of them pretend to make love to her when the husband is due home – if he acts jealous then she will know he loves her. However when the man comes home to find Hardy kissing his wife he, the best shot in the land, challenges Hardy to a duel that is harder to get out of than Hardy expects.

An enjoyable short that allows Laurel and Hardy to do good physical work as well as their verbal banter. The card sales pitches they do are simply `wacky' and display a nice touch of the absurd (the 4-in-1 card that covers all seasons!). I was a bit taken a back by hearing Laurel offer to `make love' to the woman – but it is a different time and meant kiss etc. The build up to the duel is more verbal humour than physical and is funnier for it.

Laurel's confused story telling is good value and Hardy's reactions are pure gold. The support cast are all pretty good – whether it be the comedy drunk, the upset wife or the vengeful husband, they all play their part and enable Laurel and Hardy to bounce off them with ease.

Overall this is a very enjoyable short that allows the duo to play down the pratfalls and play up the verbal and performance comedy.

Stan and Ollie have another one of those innocuous jobs. They are door to door greeting card salesmen. When they come to the door of Mae Busch, she is bemoaning the fact that her husband doesn't seem to love her. To test this, it is suggested that Oliver pretend to "make love" (not quite the same meaning as now) to her and test the husband. Of course, he is Charles Middleton, who played the evil space lord, Ming, in the Flash Gordon serials. He is an artist and the best shot in France, and he decides to fight a duel with our rotund friend. Now the boys must find a way out of this because this guy really means business. Unfortunately, they decide to get drunk and through a series of unfortunate events, end up back at the artist's home, in his bed. This is a little weaker than many of these episodes, but it's still better than what most anyone else was doing at the time.

THE FIXER UPPERS

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Stan 'n' Ollie are hired to 'seduce' a desperate housewife (Mae Busch) who wants to inspire a jealous reaction from her uncaring husband (Charles Middleton). However, the plan backfires when Middleton determines to take deadly revenge against these 'home-wreckers'...

Lively stuff from L&H's glory days, a reworking of their silent short SLIPPING WIVES (1927), played to the hilt by a note-perfect cast, and constructed with just the right amount of tact and discretion by director Charles Rogers. A formidable presence in so many films of the era, Middleton - later to star as 'Emperor Ming' in the "Flash Gordon" serials - plays the villain with deadly seriousness (complete with silent movie mannerisms and exaggerated indignation), which renders proceedings all the more amusing, while L&H blunder their way into trouble at every turn. Watch out for the memorable diner sequence, which includes Stan's famous response to a ringing telephone.

THE FIXER UPPERS was one of Laurel and Hardy's final short films, and its a classic. One thing to note, there were more clever lines and situations at work here, as opposed to the usual crashes and explosions. The boys manage to mess things up either way, now working as greeting card salesmen who happen upon weepy customer Mae Busch --who wants to use Ollie to make her stubborn husband jealous!

This was a good switch for Stan and Ollie, and with Charles Middleton playing the "deadly serious" husband, who happens to know how to use a gun! Middleton was always a fun bad guy for Laurel and Hardy, usually playing a bitter, revengeful chap, ready to strangle them. In one goofy bit, Hardy phones him and lets the insults fly, followed by Stan, prompting Middleton to hang up and declare he'll kill them both, the sooner the better!

By the way, Mae Busch never looked lovelier, and exceptionally well dressed, as opposed to her usual exasperated housewife roles opposite Hardy. Not to forget she was a leading dramatic actress in silent films. Arthur Houseman is again cast as a loony drunk (with an ice pack on his noggin), one of the boys customers, probably the best actor ever to play such a role.

The bedroom scene with the cops carrying Stan and Ollie (who drank too much also) into Mae's room ---before her husband arrives --is outrageous. This short was originally computerized colored for vhs with a few other L & H films.

Note that some of Laurel and Hardy's short films are on European dvds that will not play on U. S. made dvd and blu ray players. Be sure to check where the box set was produced.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Didn't find 'The Fixer Uppers' one of the duo's best, one of their lesser ones actually from this period from personal opinion. In a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still good and has much of what makes Laurel and Hardy's work as appealing as it is.

'The Fixer Uppers' story is threadbare and more problematic is how daftly credibility-straining and heavy in coincidence it is.

Also found it a bit of a slow-starter with a draggy first third where there is a little too much talk for my liking.

However, 'The Fixer Uppers' is nonetheless very funny, especially the boys' reactions (notably Hardy's). It is rarely dull, going at a snappy pace, and there is energy in the slapstick and sly wit, silly and typical of the duo but in an endearing and entertaining way. The second half is much better, livelier in pace and chockfull of beautifully timed gags and wit.

Both Laurel and Hardy are on top form, especially Laurel. They are equally funny with impeccable comic timing physically and verbally, this is not a case of one being funnier and having more screen time than the other (in their early efforts Laurel tended to be funnier and better used). Their chemistry is legendary for a reason and it is obvious here. The supporting cast are up to their level, as scene stealing as Arthur Houseman is as a drunk and amusing Mae Busch is it is fearsome Charles Middleton who comes off the best. 'The Fixer Uppers' visually looks good and the direction is never too busy or static.

In summary, good but not great. 7/10 Bethany Cox