Das Schiff des Satans

Dante's Inferno (1935)

*** (out of 4)

Impressive drama about a con man (Spencer Tracy) who gets a job at a carnival when an elderly man (Henry B. Walthall) hires him as a barker. The two men create the "Dante's Inferno" show, which Walthall uses to warn people but Tracy sees it as a way to get rich. Soon he will stop at nothing for the all mighty dollar but this will soon backfire when his wife (Claire Trevor) has to betray her own morals for him. There are a few faults in the film but overall this is a pretty strong little gem that contains three great sequences that make it a must see. The first one is the carnival attraction that has some rather amazing sets and terrific visuals. Another brilliant scene is the ending with a large ship catching fire. The third masterful touch is a famous sequence of Hell where we get to see thousands of people burning for eternity. All three of these scenes contain some thrilling entertainment and especially the sequence in Hell. I was really surprised to see how graphic some of these scenes where considering the Hayes Office was coming down on this type of thing. I also could have sworn there were a couple nude shots during this sequence but it was somewhat hard to tell. Another reason to watch this film are for the performances with Tracy delivering once again. The most impressive thing is that Tracy is so good at playing cold that you can't help but fall for everything he does in the film. He gets to show off a nicer side as well and he perfectly blends the two depending on the scene in question. Trevor is also in fine form as his wife and she gets some pretty good moments early on as her good ways must be thrown out the window in order to save her husband. Walthall turns in one of the best performances I've seen from him in the sound era and he actually steals the film from everyone. He's tour of Dante's Inferno is very good as is another sequence where he first meets Tracy's character. Rita Hayworth shows up at the end as a dancer so keep your eyes open for her. The film's major fault is that it gets too preachy at times and I think it goes a tad bit over the top in regards to some of the deeds that Tracy does. I think the film could have done without Hayworth's dance sequence as well as it really feels out of place with the rest of the film. And if you're keeping track with how many A-list Hollywood stars who appeared in blackface at some point in their career then you can add Tracy.

For an early 1935 film,Dante's inferno is great.Spencer Tracy plays a con man who goes into the carnival business by reconstructing an attraction called Dante's inferno.its a morality tale with some great special effects for 1935,claire Trevor plays his love interest.look for Rita hayworth (billed Rita cansino)as a dancer in one of her early roles.its a good movie that still holds up today.Spencer Tracy was one of the great actors of the thirties thru the sixties.filmed in black and white.also in the movie is scotty Beckett who was one of the little rascals(aka:our gang)kids.a very good film and Rita hayworth does some awesome torrid dancing.I'm giving Dante's inferno 8 out of 10.

There is no denying that Dante Alighieri is not only a major literary figure of Italy's Renaissance, but one of the world's greatest poets. Actually he left many poems in his works, especially regarding the forbidden love of his life Beatrice, but the poem most associated with him is a 33 canto poem entitled INFERNO. Most people don't realize it is actually the first third of a larger book of poetry called THE DIVINE COMEDY. Dante wrote three sections of this book, in which he, a traveller, is escorted by the ghost of the Latin poet Virgil through the nine levels of Hell, then into purgatory, and finally into paradise. The conclusion of the poem is when Dante is able to see the grandeur and beauty of God's love, which is the ultimate position at the top of the universe's order. Although Purgatory and Paradise have moments of exceptional power in them, they are less exciting than the human tragedies that make up the cantos of The INFERNO. What story about redemption or love can compete with the hideous doom of Count Ugolino of Pisa and his children, condemned to starve to death by a political enemy (Ugolino had betrayed the enemy, once a friend of his). The punishment is very gruesome - Ugolino is forever hungry for his crimes, and is gnawing at the brain of his political foe forever as a result.

Nothing quite that gaudy here - The central figure (Tracy) begins as a stoker, but slowely rises in the world, frequently not realizing that his greed and drive have alienated friends and relatives. The source of his wealth is the carnival and gambling empire he has put together. In the course of building it he meets Henry Walthall, who wants to build a midway building that shows Dante's Inferno - Walthall believes it will be beneficial to the public as it will show the public the dangerous ice they are on if they continue to sin. Of course this is the screenwriter's take on Dante's Divine Comedy, and the Inferno in particular - actually Dante is far too clever a poet to have such a trivial motive in the actual work for writing it that way.

That Tracy is saved in the end is due to heeding the wisdom of his friend (later his father-in-law)and due to a sea tragedy - Tracy's latest addition to his empire is a gambling ship, which catches fire off the coast of the U.S., and requires Tracy's leadership qualities to save the passengers and crew. A suitable fiery conclusion to the film - and also an historic footnote: the boat is made to resemble the ill-fated Morro Castle, which burned in a fire in 1934 (the year before this film) off the coast of New Jersey, killing 130 passengers and crew. As such, this is the sole movie I know of that refers to that disaster, except for a line of dialogue in the contemporary satiric comedy BOY MEETS GIRL.

Spencer Tracy ruthlessly works his way up from carnival barker to owner to mogul, not caring who he hurts along the way. Excellent drama with some really nice set pieces and memorable scenes. Tracy, as always, is solid. Claire Trevor is good. Fine actor Henry B. Walthall steals every scene he's in. Scotty Beckett is adorable as Tracy's son. A young Rita Hayworth has a dancing scene but no lines. Excellent direction from Harry Lachman. Great sets and effects. Among the highlights are a shocking suicide, the much-praised "hell" sequence, and a thrilling shipboard fire climax. It's an evocative film that certainly stands as one of Spencer Tracy's best and most underrated films from the 1930s.

Guess I'll be on my best behavior from now on. If those fiery visions of Hell can intimidate an old heathen like me, think what they'd do at a Pat Robertson film festival. Still and all, those shapely babes doing a nude swan dive into liquid fire (beware sinners!) almost makes me believe misbehavior might be worth it. On the other hand, the many grotesques are enough to scare Beelzebub himself. I don't know how much the studio ponied up for the big scenes, but they're really well done with a cast of thousands amid roaring infernos.

The movie's basically a morality tale, showing one man's (Tracy) ruthless climb from bottom to top and learning his lesson after all. I really like the way Carter ingratiates himself socially into the upper class; just having big bucks is not enough. So he uses is well-honed entrepreneurial skills to grease the wheels. And, thanks reviewer Albertsanders for detailing how the story's basis lies in actual fact, surprising as that may seem.

My only complaint is the miracle ending. It sure doesn't comport with the events aboard ship. My guess is that it was a gesture to the newly formed Production Code. Or maybe it was just pandering to what the studio thinks audiences want. Either way, it undercuts a good story and maybe the best special effects of the time.