Füge eine Handlung in deiner Sprache hinzuJim Carter moves in on the McWade's carnival concession which shows scenes from Dante's "Inferno". He makes it a going concern, marrying Betty along the way. An inspector calls the amusement... Alles lesenJim Carter moves in on the McWade's carnival concession which shows scenes from Dante's "Inferno". He makes it a going concern, marrying Betty along the way. An inspector calls the amusement pier unsafe but Carter bribes him. The pier collapses, leading to the inspector's suicide... Alles lesenJim Carter moves in on the McWade's carnival concession which shows scenes from Dante's "Inferno". He makes it a going concern, marrying Betty along the way. An inspector calls the amusement pier unsafe but Carter bribes him. The pier collapses, leading to the inspector's suicide, injury to Pop McWade, trial for Carter, and Betty's leaving him. Carter starts over with... Alles lesen
- Auszeichnungen
- 1 Nominierung insgesamt
- Alexander Carter
- (as Scott Beckett)
- Dancer
- (as Rita Cansino)
- Girl in Stoke-Hold
- (Nicht genannt)
- Man in Stoke-Hold
- (Nicht genannt)
- Mr. Williams
- (Nicht genannt)
- Girl in Stoke-Hold
- (Nicht genannt)
- Concessionaire's Wife
- (Nicht genannt)
- Photographer
- (Nicht genannt)
- Passenger in Boiler Room
- (Nicht genannt)
- Amusement Park Patron
- (Nicht genannt)
Empfohlene Bewertungen
This is a stand alone film that is unique, off beat, wild and profound. A visual display of a catastrophe of material and man. It is a stunning piece of work that was rarely shown on television and ignored as a bastard child of the bijou. The middle inclusion of a horrific Hell with suffering half-naked souls and with haunting, chilling musical accompaniment is partly responsible.
There are three set pieces in this remarkable movie that are unforgettable and the story of greed and decadence is timeless. This is a one of a kind, disturbing adventure put together with excellent special effects, costumes, and sets. An underrated, overlooked antique piece of propagandized art that remains relevant. "things don't change, the behavior of men remains the same throughout history", says the old man. Amen.
The movie's basically a morality tale, showing one man's (Tracy) ruthless climb from bottom to top and learning his lesson after all. I really like the way Carter ingratiates himself socially into the upper class; just having big bucks is not enough. So he uses is well-honed entrepreneurial skills to grease the wheels. And, thanks reviewer Albertsanders for detailing how the story's basis lies in actual fact, surprising as that may seem.
My only complaint is the miracle ending. It sure doesn't comport with the events aboard ship. My guess is that it was a gesture to the newly formed Production Code. Or maybe it was just pandering to what the studio thinks audiences want. Either way, it undercuts a good story and maybe the best special effects of the time.
*** (out of 4)
Impressive drama about a con man (Spencer Tracy) who gets a job at a carnival when an elderly man (Henry B. Walthall) hires him as a barker. The two men create the "Dante's Inferno" show, which Walthall uses to warn people but Tracy sees it as a way to get rich. Soon he will stop at nothing for the all mighty dollar but this will soon backfire when his wife (Claire Trevor) has to betray her own morals for him. There are a few faults in the film but overall this is a pretty strong little gem that contains three great sequences that make it a must see. The first one is the carnival attraction that has some rather amazing sets and terrific visuals. Another brilliant scene is the ending with a large ship catching fire. The third masterful touch is a famous sequence of Hell where we get to see thousands of people burning for eternity. All three of these scenes contain some thrilling entertainment and especially the sequence in Hell. I was really surprised to see how graphic some of these scenes where considering the Hayes Office was coming down on this type of thing. I also could have sworn there were a couple nude shots during this sequence but it was somewhat hard to tell. Another reason to watch this film are for the performances with Tracy delivering once again. The most impressive thing is that Tracy is so good at playing cold that you can't help but fall for everything he does in the film. He gets to show off a nicer side as well and he perfectly blends the two depending on the scene in question. Trevor is also in fine form as his wife and she gets some pretty good moments early on as her good ways must be thrown out the window in order to save her husband. Walthall turns in one of the best performances I've seen from him in the sound era and he actually steals the film from everyone. He's tour of Dante's Inferno is very good as is another sequence where he first meets Tracy's character. Rita Hayworth shows up at the end as a dancer so keep your eyes open for her. The film's major fault is that it gets too preachy at times and I think it goes a tad bit over the top in regards to some of the deeds that Tracy does. I think the film could have done without Hayworth's dance sequence as well as it really feels out of place with the rest of the film. And if you're keeping track with how many A-list Hollywood stars who appeared in blackface at some point in their career then you can add Tracy.
Wusstest du schon
- WissenswertesSpencer Tracy's erratic behavior on this film helped seal his fate with 20th Century-Fox. During filming Tracy disappeared from the set for weeks while on a drunken binge. He reportedly also showed up to the set one day surly and hung over and fell asleep in the "Manhattan apartment" set. The studio locked the stage while he was still asleep; Tracy woke up in a rage and started destroying sets, reportedly causing thousands of dollars worth of damage for which the studio billed him.
- PatzerAlle Einträge enthalten Spoiler
- VerbindungenEdited into Myra Breckinridge - Mann oder Frau? (1970)
- SoundtracksThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn
Played on a hurdy-gurdy for the wedding photograph
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Dante's Inferno
- Drehorte
- Ocean Park Pier, Santa Monica, Kalifornien, USA(exterior views showing rides including Loop-O-Plane and Chute-the-Chutes)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 748.900 $ (geschätzt)
- Laufzeit1 Stunde 29 Minuten
- Seitenverhältnis
- 1.37 : 1