David Copperfield

With a very good cast and a well-conceived adaptation of the novel, this version of "David Copperfield" is enjoyable in its own right, and it does a good job of preserving the most important themes of the original. The quirks and characteristics of most of the characters are captured effectively by the cast. Freddie Bartholomew is engaging in the title role, and the cast members as a whole work together and complement each other well.

It would be hard even to list all of the good performances. Edna May Oliver almost seems to have born to play Dickens's kind of strong-willed but caring female character. W.C. Fields is perhaps somewhat different from the novel's conception of Micawber, but he is quite entertaining, and he gets plenty of good lines. Characters like Uriah Heep, Mr. Dick, the Murdstones, and several others could have come straight from the novel. As the adult Copperfield, Frank Lawton is sometimes rather bland, but he is likable and is at least believable as Bartholomew's grown-up counterpart.

The story, of necessity, is episodic and moves quite quickly, usually including only the highlights of the narrative. But it does a very good job of this, making each sequence work well, and efficiently fitting each one into the story as a whole. George Cukor certainly deserves a good deal of credit for making it work and fit together so well. The settings, which are always important in a Dickens story, are also for the most part pretty good.

The original novel "David Copperfield" is such a fine classic of literature that no two-hour movie could be on quite the same level, but this version is quite enjoyable, and it does a very good job of depicting the atmosphere and most of the important events of the story.

This version of David COPPERFIELD is quite a good one, in that it does trim the 800 plus page novel down to reasonable coherence. There are some characters that one misses, but they are understandably cut due to length considerations. While Steerforth and his betrayal of the Peggoty Family is in the film (including the dual tragedy at it's conclusion), the sub-story of Little Em'ly's friend Martha and the business regarding Steerforth's mother, Rosa Dartle, and Mrs. Mowcher were dumped (Mrs. Mowcher would have been hard to cast). Pity, Mrs. Mowcher's famous speech to David about not confusing her physical attributes with her mental ones is missing. Also Steerforth's butler Littimer appears once, but the film does not get into the ironic coda of his imprisonment. While Uriah Heep's villainy against Mr. Wickfield and his clients is shown, his willingness to dig up dirt against other "enemies" is not shown. In particular his treatment of Dr. Strong (David's second schoolmaster), his young wife, and Jack Dalton is not developed (which is sad as it proves Mr. Dick is not simple minded).

But those are minor points really. The best jobs in the film are the work of the performers under George Cukor's direction: Edna Mae Oliver as the crusty, wise Aunt Betsy; Roland Young as the evil, greasy Uriah Heep (his best villain part); and W.C.Fields as Wilkins McCawber (Dicken's tribute to his lovable but improvident father) is superb - the one time his comic personae met the proper dramatic role; and Lionel Barrymore as Dan Pegotty determined to find his lost, ruined niece. Freddy Bartholemew's performance as young David is wonderful. But I must admit that Frank Lawson is a trifle colorless as the grown up David (although he has a funny moment at a dinner that Dora (Maureen O'Sullivan) tries to prepare). It is a weakness but a small weakness in a nearly perfect film.

I agree with the commentator who offered an opinion that given the length and density of the novel, it should have been filmed in two parts. Alas, the courage to do such a thing would have to wait for 40 years and Francis Ford Coppola in "Godfather I" (1972) and "Godfather II" (1974). Still, what we do have in this film is an extraordinary ensemble of superb actors doing their very best to deal with an abridged screenplay of a much read and highly acclaimed novel.

While watching this film recently, I started to remember where I had seen these folks before, and began to free-associate about some of the celebrated members of this all-star cast. The following personal observations are reflections from that viewing experience:

Violet Kemble-Cooper (Jane Murdstone)---am I the only person who thinks that she is a dead ringer for the American character actor, Mary Nash, who also tended to terrorize children (the nemesis of Shirley Temple in "Heidi" (1937) and "The Little Princess" (1939)?

Basil Rathbone ((Mr. Murdstone)---funny, but I saw Raymond Massey as a more effective villain in this part.

Roland Young ((Uriah Heep)---to the best of my recollection, this is the only downright nasty part this comic actor ever played on the screen.

Hugh Williams (Steerforth)---he gave us an even more repulsive character as Hindley in "Wuthering Heights" (1939).

Jesse Ralph (Nurse Peggotty)---one year later, she played Jack Holt's mother and Jeanette MacDonald's confidant in "San Francisco" (1936).

John Buckler (Ham Peggotty)---did you know that he was the son of actor Hugh Buckler, who delivers the moving final speech in Frank Capra's classic, "Lost Horizon" (1937)?

Edna May Oliver (Aunt Betsey)---it sure looks like this role was a reprise of her Aunt March portrayal in "Little Women" (1933) also directed by George Cukor.

Elizabeth Allan (Mrs. Copperfield)---she was seen to better advantage with less histrionics in "A Tale of Two Cities" as Lucy Manette (1935).

Jean Cadell (Mrs. Micawber)---best remembered as Henry Higgins' housekeeper, Mrs. Pearce, in "Pygmalion" (1938).

Una O'Connor (Mrs. Gummidge) and Elsa Lanchester (Clickett)---these two great actors had very little to do in "David Copperfield"---but a great deal more to do in "The Informer" ((1935) and "Bride of Frankenstein" (1935) respectively! Ms. O'Connor's hysterical Minnie also appears on display in "Bride."

What a treat to watch this group of stellar players! Their likes will never be seen again!

Of all of the films directed by George Cukor, I think this is his finest achievement, helped in no small measure by the perfect casting of all the Dickens characters.

Freddie Bartholomew is flawless as the young David. Edna May Oliver as his stern but loving Aunt Betsy Trotwood gives her usual sharp characterization and nearly steals the first half of the movie. As for Mr. Murdstone, Basil Rathbone is the perfect embodiment of that brutally wicked man. Born to play Mr. Micawber is W. C. Fields, so uncannily right that it almost seems as if Dickens had him in mind when he wrote the character!

Very atmospheric, so much so that it seems almost incredible that an American movie company could have crafted this gem. One would think the British would have beat us to it--but Dickens would have approved of this version, I'm sure.

The only drawback is the length and the scenes involving David's wife, Dora, as played by Maureen O'Sullivan with a saccharine sweetness that becomes cloying at times. (Thank God she didn't play Melanie in 'GWTW'). Some of the acting is a bit florid but to be expected when you consider this was made in 1935. Roland Young is well cast as Uriah Heep.

Highly recommended. Anyone who cherishes the Dickens novel will not be disappointed. The only flaw is that the story has been compressed in order to limit the running time to two hours and ten minutes and it shows. All the essential characters remain but some of them have little dimension because of time constraints.

Generations continue to read Dickens' best works, David Copperfield among them, because he created unforgettable characters through their language. Granted, the characters are often exaggerated or simplified, but they are nonetheless memorable, and often very lovable.

That's what makes so much of this movie so good. MGM lavished on it their best character actors, and the result is often magical. Edna May Oliver as Betsey Trotwood, Jessie Ralph as Peggotty, Basil Rathbone as Murdstone, Herbert Mundin as Barkis (yes, "Barkis is willin'"), Una O'Connor as Mrs. Gummidge, Lionel Barrymore as Dan Peggotty, Violet Kemble Cooper as Jane Murdstone, W. C. Fields as Micawber, the sadly forgotten Lennox Pawle unforgettable as Mr. Dick, the versatile Roland Young remarkable as Uriah Heep. These actors and actresses all create vivid characters, sometimes with very little screen time. They make Dickens come alive before our eyes.

The only weak spot, to me, is the cypher Elisabeth Allen as David's mother. For me, she is a zero in several otherwise very good MGM movies from this period. She conveys no personality. I do not understand why she was given one major role after the next. She is forgettable in all of them. The thought that she was originally contracted to appear opposite Robert Donat in one of my favorite movies, Goodbye Mr. Chips, is chilling. She was replaced by Greer Garson, who was great in that movie and helped make it the masterpiece it is. Elisabeth Allan would have made it a much inferior movie, despite Donat's deservedly Academy Award-winning performance as Chips.

Freddie Bartholomew is fine as the young David, but Cukor directed him to be far too emotional for my tastes. (You can see in the trailer that "tears" were intended here.) He is much better in films like Captains Courageous, made two years later and directed by Victor Fleming.

The only problem with this movie, for me, is that, while the script is good, it sometimes radically abbreviates major moments. (In the edition I read, the novel has 848 pages. Reducing that to a 2-hour movie is a real challenge.) Just as one example: during the storm that is wrecking the ship on which Steerforth is returning to England, Ham, from whom Steerforth seduced Little Emily only to abandon her later, swims out to the ship in order to save the crew. He climbs on board and sees Steerforth, who sees him. There is the potential for a great, elemental confrontation scene there, set against the wild storm, but it is passed over almost immediately to the next scene, where the two men's lifeless bodies are dragged up on shore.

Even the great scene near the end where Micawber denounces Uriah Heep, one of the great moments in the novel, could have been given more time to build, though its still very good. (With this cast, how could it not have been?)

Definitely worth a watch.