Füge eine Handlung in deiner Sprache hinzuIn the 1700s Clive, clerk of the East India Company, transfers and become a soldier. His leadership and gift for manipulation strengthen England's hold over India but his wealth is often thr... Alles lesenIn the 1700s Clive, clerk of the East India Company, transfers and become a soldier. His leadership and gift for manipulation strengthen England's hold over India but his wealth is often threatened by the enemies he makes along the way.In the 1700s Clive, clerk of the East India Company, transfers and become a soldier. His leadership and gift for manipulation strengthen England's hold over India but his wealth is often threatened by the enemies he makes along the way.
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Notice on the garden table his wife has left her laptop pc open during much of the scene. Hahaha....
Colman seems well cast as the seemingly impetuous Clive, who disregards the rules and societal proprieties in the service of his country and personal glory. But his part seems poorly written at times, more childish than daring, and his performance suffers for it. As does Young, who I normally like, especially in her 30's films, but who here seems phony and a bit overdone. Director Boleslawski seems to manage well with drawing room scenes of debate and heavy dialogue, but fails miserably at the war scenes, of which there are few, a glaring absence given the material.
Oftentimes, instead of dramatizing plot developments in a compelling way, the filmmakers opted for written title cards explaining the outcomes of decisions, which inevitably leads to anti-climactic disappointment. Still, the production values are good, and there are some well-done scenes.
Ronald Colman is always fun to watch. Loretta Young is beautiful, even if her American accent gets in the way of her performance occasionally. Cesar Romero, Colin Clive & Sir C. Aubrey Smith all have small rolls.
The historical Clive died an opium addict and a suicide at the age of only 49. CLIVE OF INDIA shows us a little of his brilliance and tragedy.
Something very much like that happens to Robert Clive as played by Ronald Colman here. Convinced he has a destiny like Lawrence did, Clive leaves the British East India company clerk job and joins the army where like Ulysses S. Grant he has a talent for war.
War is what he makes and by the end of his career the French who also had imperial ambitions were chased out of India and it was British for almost 200 years. Clive wanted India to be a crown colony, but it was run by the British East India Company who not under any law and away from the monarchy's writ were quite a corrupt outfit. The Indians never got over it.
Colman brings out the fanaticism in Clive. Usually the self assured polished English gentlemen, Colman adds on that with Clive being the self assured man of destiny, but also terribly worried that destiny will pass him by. After the story of this film is concluded, Clive died by his own hand in 1774 pretty much forgotten by the British public who worshipped him at one time.
This film has not been available for years. I'm glad I finally got to see it.
"Clive of India", clearly, is a very sterile and dry film. Despite starring the wonderful Ronald Colman (one of my favorites), the picture comes off as episodic and amazingly dull. This is a shame, as the real life Sir Clive was an amazing man and as an American I am glad he fought in India and not North America--otherwise, we might still be a British colony! He was talented and yet also very screwed up (his suicide comes to mind) and how all this managed to be so dull is beyond me. I think it's because so much energy is spent on the sets and making it all look good that little attention was given to the script--the characters just seemed wooden and lifeless.
Overall, you can watch it if you like, but I suggest you'd get more out of Wikipedia on this one!
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- WissenswertesCo-star Colin Clive was in fact a real-life descendent of Clive of India.
- PatzerThe story begins in 1748, and Robert Clive (Ronald Colman) falls in love with Margaret Maskelyne, when he sees a locket with her photograph, carried by her brother. But such a photograph would not have been possible until at least 100 years later, when the first photographs, known as daguerreotypes, were first introduced.
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Margaret Maskelyne: You can't go! I've given my life for India! It's taken one of my children! He's dead... dead, and for what?
Robert Clive: Meg - you musntn't excite yourself. Remember your state.
Margaret Maskelyne: What does that matter? What are children to you? You talk of love and one breath of the word 'India' and away it goes!
Robert Clive: Meg, I must keep faith!
- VerbindungenFeatured in Biography: Cesar Romero: In a Class by Himself (2000)
- SoundtracksDrink to Me Only with Thine Eyes
(uncredited)
Music by R. Melish (1780 ?)
Played often in the score as a love theme
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Details
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1