Füge eine Handlung in deiner Sprache hinzuA brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.
Don Brodie
- Reporter
- (Nicht genannt)
Claire Du Brey
- Mrs. North
- (Nicht genannt)
George Guhl
- Mr. Willis
- (Nicht genannt)
Robert Homans
- Cop
- (Nicht genannt)
Olaf Hytten
- Page
- (Nicht genannt)
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This movie would have been mediocre at best had it not been for Otto Kruger's performance. His acting in this movie is so natural, so unlike most precode acting where the acting is over dramatic. I honestly kept wTching just for him, he totally drew me in.
One of the shining examples of the mastery of screenwriting from the Golden Age of Hollywood, by F. Hugh Herbert (not to be confused with comic actor Hugh Herbert from the same era). Viennese-born Herbert (Sitting Pretty, The Moon is Blue, etc.) was also the President of the Screen Writer's Guild.
In this film we experience the commanding embrace of a well-conceived story brought to resplendent life by the notable actor Otto Kruger and a fine cast. Kruger, a major Broadway star of the 1920s later became a reliable and extraordinary screen character actor.
Today gems like this can be encountered only fleetingly on Turner Classic Movies. Worthy of study, they are not to be found on Home Video, another oversight of movie moguls who often sit on top of forgotten gold mines while churning out garbage that sustains illiteracy and decimates popular values. This is just one of hundreds for which we owe Ted Turner a debt of gratitude.
In this film we experience the commanding embrace of a well-conceived story brought to resplendent life by the notable actor Otto Kruger and a fine cast. Kruger, a major Broadway star of the 1920s later became a reliable and extraordinary screen character actor.
Today gems like this can be encountered only fleetingly on Turner Classic Movies. Worthy of study, they are not to be found on Home Video, another oversight of movie moguls who often sit on top of forgotten gold mines while churning out garbage that sustains illiteracy and decimates popular values. This is just one of hundreds for which we owe Ted Turner a debt of gratitude.
Kent Barringer (Otto Kruger) is a self-assured cynical womanizing successful defense lawyer. He gets another guilty man off. He uses every trick to win his cases. He keeps a picture of an old flame to remind him that love is an illusion. He gets a case defending a supposed innocent murderer. He is shocked to find the victim to be his pictured ex.
This is a pre-Code drama. I really like the premise and the start. I would like a more dashing and younger lead. Otherwise, Otto Kruger is pretty good. I don't buy the doppelganger defense. Everybody has a doppelganger. Kent didn't actually prove anything. As for the big case, I thought he would do more investigating after the loss. The second half is not as compelling.
This is a pre-Code drama. I really like the premise and the start. I would like a more dashing and younger lead. Otherwise, Otto Kruger is pretty good. I don't buy the doppelganger defense. Everybody has a doppelganger. Kent didn't actually prove anything. As for the big case, I thought he would do more investigating after the loss. The second half is not as compelling.
This is part love story and part courtroom drama. Otto Kruger plays, Kent Barringer, a supremely confident trial lawyer who just can't lose, but is ultimately selfish and soulless. A woman begs him to work Pro Bono on the case of her father who is accused of murder, but after promising to do so, Kruger ignores her. When he finally gets around to reviewing the facts of the case, he realizes he is connected with it in a very personal way, and this realization ultimately leads him to a new approach on life.
The film is entertaining but a bit too melodramatic and fantasy-bound for my tastes. Kruger is proficient in his role and great fun to watch. I look forward to seeing more of his work since is the first film I've ever seen him in. The supporting cast does good work yet there aren't any standouts.
Fun Fact: This is the earliest on-screen appearance of a pinball machine.
The film is entertaining but a bit too melodramatic and fantasy-bound for my tastes. Kruger is proficient in his role and great fun to watch. I look forward to seeing more of his work since is the first film I've ever seen him in. The supporting cast does good work yet there aren't any standouts.
Fun Fact: This is the earliest on-screen appearance of a pinball machine.
Otto Kruger stars as a gifted criminal defense lawyer, Kent Barringer, in this well directed and fast paced crime drama. Barringer is a troubled, cynical man, who's wife left him ten years before for another man. He must now face his past when he is shocked to discover that his ex-wife was the victim of the man that he's defending for murder. This is a well plotted little budget film with an excellent cast, with MGM's usual first-rate production values. Staring along with Kruger, are old pro's like Una Merkel, Roscoe Karns and surprisingly Isabel Jewell, usually typecast as a gum chewing bimbo -- here getting to play a good girl with brains.
Wusstest du schon
- WissenswertesThe opening scene features Otto Kruger playing a Pinball Machine. This is the earliest known on-screen appearance of a Pinball Machine in a major production. At the time, flippers had not yet been invented and pinball machines were often used for gambling. There was a lot of public debate at the time as to whether pinball was a game of skill or chance, and it was banned in many parts of the country. The movie played on that debate with Kruger making a bet with his lady-friend, and when complimented for his luck, replies "Not luck - skill."
- PatzerAlle Einträge enthalten Spoiler
- Zitate
Kent Barringer: In a case like yours, an ounce of showmanship is worth a ton of evidence.
- VerbindungenReferenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- SoundtracksWe Must Have One More Rum-Tum-Tum
(uncredited)
Composer unknown
Sung a cappella by Roscoe Karns and Irene Franklin
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- 1 Std. 15 Min.(75 min)
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- 1.37 : 1
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