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Schrei der Gehetzten

Originaltitel: Viva Villa!
  • 1934
  • 16
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,3/10
1686
IHRE BEWERTUNG
Wallace Beery in Schrei der Gehetzten (1934)
BiographieDramaWestlich

Füge eine Handlung in deiner Sprache hinzuAfter enacting revenge on the overseer who murdered his father, Pancho Villa becomes a bandit, earning the respect of the poor by brutally attacking the wealthy.After enacting revenge on the overseer who murdered his father, Pancho Villa becomes a bandit, earning the respect of the poor by brutally attacking the wealthy.After enacting revenge on the overseer who murdered his father, Pancho Villa becomes a bandit, earning the respect of the poor by brutally attacking the wealthy.

  • Regie
    • Jack Conway
    • Howard Hawks
    • William A. Wellman
  • Drehbuch
    • Ben Hecht
    • Edgecumb Pinchon
    • O.B. Stade
  • Hauptbesetzung
    • Wallace Beery
    • Fay Wray
    • Leo Carrillo
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    1686
    IHRE BEWERTUNG
    • Regie
      • Jack Conway
      • Howard Hawks
      • William A. Wellman
    • Drehbuch
      • Ben Hecht
      • Edgecumb Pinchon
      • O.B. Stade
    • Hauptbesetzung
      • Wallace Beery
      • Fay Wray
      • Leo Carrillo
    • 32Benutzerrezensionen
    • 23Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 6 Gewinne & 4 Nominierungen insgesamt

    Fotos16

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    Topbesetzung58

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    Wallace Beery
    Wallace Beery
    • Pancho Villa
    Fay Wray
    Fay Wray
    • Teresa
    Leo Carrillo
    Leo Carrillo
    • Rodolfo Fierro (as Sierra)
    Donald Cook
    Donald Cook
    • Don Felipe de Castillo
    Stuart Erwin
    Stuart Erwin
    • Jonny Sykes
    Henry B. Walthall
    Henry B. Walthall
    • Francisco Madero
    Joseph Schildkraut
    Joseph Schildkraut
    • Gen. Pascal
    Katherine DeMille
    Katherine DeMille
    • Rosita Morales
    • (as Katherine de Mille)
    George E. Stone
    George E. Stone
    • Emilio Chavito
    Phillip Cooper
    • Pancho Villa - as a Boy
    David Durand
    David Durand
    • Bugle Boy
    Frank Puglia
    Frank Puglia
    • Pancho Villa's Father
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Wallace Calloway
    Adrian Rosley
    • Alphonso Mendoza
    Henry Armetta
    Henry Armetta
    • Alfredo Mendosa
    Pedro Regas
    Pedro Regas
    • Tomás
    George Regas
    George Regas
    • Don Rodrigo
    Arturo Aguilar
    • Telegraph Operator #1
    • (Nicht genannt)
    • Regie
      • Jack Conway
      • Howard Hawks
      • William A. Wellman
    • Drehbuch
      • Ben Hecht
      • Edgecumb Pinchon
      • O.B. Stade
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    6,31.6K
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    Empfohlene Bewertungen

    gerrythree

    Plenty of Action, Especially Behind the Camera

    Viva Villa was a hard luck movie. Filmed in part on location in Mexico City, during production, a plane carrying movie footage to Culver City crashed, requiring reshoots of the lost material. Wallace Beery, always an obnoxious star, demanded extra salary before he would appear again in the lost scenes. Lee Tracy, who originally played the part of the newspaper reporter, while on location was accused of getting drunk and urinating from his balcony room onto revelers celebrating the Mexican Independence Day. Tracy's action caused a national scandal. MGM managed to smuggle him out of the country. Then Louis B. Mayer fired Tracy from MGM and also got him blacklisted. Tracy's replacement, Stuart Erwin, was terrible as the reporter. Due to the delays, Viva Villa did not get released until after July 1, 1934, the date the Motion Picture Production Code took effect. MGM had to make changes to meet new code requirements, such as a scene where Fay Wray's character is whipped. Jack Conway took over for Howard Hawks as director to finish the production, which may explain the change in the movie pacing. The movie starts off fast, with a great scene of Villa and his riders taking over a town and Villa issuing swift justice as the new judge in town. Viva Villa never maintains that pace. But,one big plus, Leo Carillo as Villa's homicidal sidekick is great.
    8skybar20-1

    Deleted scenes exist

    In various venues, I've read some film writers' claims that the whipping of Fay Wray's character, while she laughs, was deleted due to the newly enforced production code at the time of this film's release. This claim is not accurate. The current TCM copy doesn't show this scene, however, the full whipping scene was regularly shown, in the 1960s, on either NYC station WNEW 5 or WCBS 2 whenever "Viva Villa" was aired. Another now-deleted scene showed Leo Carillo's character lining up captured federal soldiers, three at a time, front to back, and executing them with one bullet in order to save ammunition. I remember thinking how violent this film was for its time.
    8raskimono

    It ain't really true then again it ain't really a lie.

    The life of Mexican rebel and maverick Pancho Villa is brought to the screen is in this highly fictional but yet log-line or plot points accurate story. This is clear to anyone because the opening has one of those disclaimers that states that though the story is true, the movie has fictionalized certain scenes and scenarios but is in essence a true portrait. Whatever! That said, despite unexpected tonal shifts (Howard Hawks was the original director before Jack Conway was brought in and re-shot a lot of his footage. It makes me wonder how the new Exorcist movie that Renny Harlin is reshooting will play) the film is a touching portrait of a man of the people who could never lead a nation. It does not patronize the dastardly or generally inhumane tactics of Villa. As far as Villa was concerned, it is war and one must vanquish the enemies completely. Take no prisoners was his approach. It has the typical, rotten scoundrel and bandit to careful redemption of the soul arc but is handled atypical which is a plus. Beery, one of the biggest stars Hollywood ever produced is solid in the role and should have gotten an Oscar nomination. Directing is solid except for sudden comic ouvres among the chaos stopping the movie from achieving rich resonance but overall enabling it to still work. Sets are huge, action sequences are passable and scenarios and dialogue are either very good or cliched in certain respects. But I think the ending of the movie has one of the best written scenes and final lines I've ever heard. I won't spoil it but it lets you know that what you've seen and read about is essentially a myth and legend and that's what people choose to remember and live on. Kinda like the ending of the movie Big Fish.
    7AlsExGal

    Rather entertaining - it's a shame practically none of it is true

    About the only thing that IS true is that Pancho Villa fought on the side of Madero in the Mexican revolution. But you've got Wallace Beery doing what Beery did best - playing an amoral character as endearingly as is possible.

    The film shows Villa's history back to childhood, when apparently his father was whipped to death for daring to speak up for his rights to the local land baron. In fact, nobody today knows exactly who Villa's father was. He is shown robbing his way through Mexico until he meets Francisco Madera and becomes quite enamored of the little fellow, played by Henry B. Walthall. There was a General Pascual Orozco - probably the treacherous person Joseph Schildkraut was supposed to be playing - but his fate was not what was shown in the film.

    So the big picture is that this is a completely fictional biography of Pancho Villa who changes from bandit to revolutionary officer to exile and ultimately to - president of Mexico???

    The film tries to deflect blame from all of the things he does by claiming that Villa could not tell right from wrong and was thus confused when people tried to hold him to account. He creates a persistent and ultimately fatal enemy in Don Filipe when he causes the death of his sister, played by Fay Wray. I've seen several versions of what happens to Wray at Villa's hands, and all but one version is vague, probably because this film was released almost simultaneously with the inception of the production code. As for what actually happened to Villa after Madero - the truth would probably been more interesting although not as romantic as the film, and the truth would definitely have been harder to film for it would have involved the invasion of the US, a counter American incursion into Mexico, Woodrow Wilson, General Pershing, airstrikes, German espionage, and a stolen skull.

    An interesting aside - Lee Tracy initially was playing the role of the field journalist rather than Stuart Erwin. Tracy had left Warner Brothers the year before for MGM. But his career with MGM was over when, while on location in Mexico, a drunken Tracy relieved himself on his balcony and unknowingly on the heads of several Mexican federales standing below.
    kenandraf

    Good Western

    Good western movie with good all around production and performances.Very gritty and not too watered down in it's violent sequences.The only flaw here is the fictionalised version of the main characters story which is not what most people want from a profound historical icon as Pacho Villa.Surely he must have had a great true to life story to be told thru Hollywood without resorting to this over mythologised version.Also,the great actress Fay Wray was so underused here as well.Her makeup here was also terribly done,making her look like some kind of evil Vampiress.Only for fans of Mexican Westerns and big fans of the lead actors.....

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    Handlung

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    • Wissenswertes
      The "Running W" was a device used on horses at that time which made them fall before the camera at a specific point of an action scene, often killing or injuring the animal so badly that it had to be put down. It involved a harness on the horse secured to "piano" wire which was attached to a stationary object.As the horse reached the end of the length of wire,running full tilt, it would be "tripped". The practice was finally halted after complaints from the A.S.P.C.A. The "Running W" wires can be seen clearly attached to the horses which were "shot down" in the final battle scene of this film.
    • Patzer
      President Madero is shown as being overthrown in a coup by Gen. Pascal, who then shoots him. In reality, there was no such general named Pascal; Madero was assassinated on the orders of Gen. Victoriano Huerta, who did overthrow him but who did not personally shoot him.
    • Zitate

      Jonny Sykes: [typing] Now is the time for all good men to come to the aid of Jonny Sykes.

    • Alternative Versionen
      In the original version of this film, during the scene in which Wallace Beery tries to rape Fay Wray and she shoots him in the arm, Beery horsewhips her after she begins laughing hysterically at him. The whipping is shown only by their shadows on the wall. After the Production Code went into effect, this scene was edited, and it is the edited version that was officially available for years. In 2015, the scene was restored, and was reinstated in the Warner Archive Collection DVD.
    • Verbindungen
      Featured in David O. Selznick: 'Your New Producer' (1935)
    • Soundtracks
      La Cucaracha
      (uncredited)

      Written by Pica Pica

      Traditional

      New lyrics by Ned Washington

      Sung by chorus at intervals throughout film

      Played as background music often

    Top-Auswahl

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    FAQ18

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. Oktober 1936 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Viva Villa!
    • Drehorte
      • El Paso, Texas, USA
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Budget
      • 1.017.400 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 55 Min.(115 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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