A Very Honorable Guy

"A Very Honorable Guy" is a very dark comedy--and very little in it is all that funny. Still, despite this, it was enjoyable mostly because it was such a strange film and a welcome change of pace for Joe E. Brown.

When the film begins, 'Feet' Samuels (Brown) is having a long run of very bad luck. He owes everyone and his life is on the skids. So, because he was so honest, instead of not paying off his bets he comes up with a bizarre solution--to offer his body to any scientist who wants it IF they give him $1000 so he can settle his affairs. In a weird twist, however, suddenly the guy has amazingly good luck- --so much that his life should be terrific. But, he STILL has a contract with Dr. Snitzer--and the local gambling boss has guaranteed that the contract WILL be honored!

As I mentioned, this is very dark. But the film was enjoyable and I liked its strangeness. Worth seeing and a bit better than usual for Brown.

Gambler Joe E. Brown is having a terrible run of bad luck. He's broke, he owes Alan Dinehart $500, and his girl, Alice White, has thrown him over for rich doctor Robert Barrat. Being a very honorable guy, he decides to sell his body to science, but the only taker is Barrat, who gives him a grand with the body collectable in four weeks, underwritten by Dinehart, who is touched by Brown's honesty. Then something terrible happens. His luck turns, and he has a lot of money and Miss White. He offers Barrat his money back and a handsome profit, but Barrat tells Dinehart Brown wants to welsh.

It's the second movie adapted from Damon Runyon. Runyon was born out of wedlock, and by the 1910s he was one of the premiere sportswriters, and writers about Broadway, with Walter Winchell and Ed Sullivan his leg men. With the institution of the Production Code, his comic hoods speaking ridiculous English became an acceptable way of portraying gangsters without making them outright villains. He died in 1946 at the age of 66.

Most Joe E. Brown movies don't make you think, they just make you laugh. Typically, there's not much to think about. So you eat your popcorn and you laugh. But this one has food for thought. So while you're eating your popcorn, and laughing, you can think about what you're seeing. And what you're seeing is quite shocking. Because this movie is about suicide. At least partly, anyway. It's also about luck. I can talk about luck because I've had lots of luck, most of it bad. In fact, most of it was so bad that if I told you about it it would probably make you cry. And that is not my intention.

Joe E. Brown brings some subtlety to his acting in this movie and that's unusual for Joe E. Brown. Normally, his acting hits you over the head. And if you don't get knocked unconscious then you laugh. So this one is quite interesting from that standpoint.

Remember I said this movie is about luck? It sure is. It's about a guy going from bad luck to good luck. That's the best way to go, from bad luck to good luck. You don't want to go from good luck to bad luck. That's a mean and sad road to follow. So always go the other direction if you can.

To sum up. I would rate this movie #2 on my list of Joe E. Brown movies. I enjoyed it quite a bit. And, who knows, it might even bring me some good luck. By the way, #1 on my Joe E. Brown list is "Bright Lights".

Feet Samuels (Joe E. Brown) has a run of bad luck and stuck with a gambling debt to the Brain. He sees himself as a very honorable guy and never breaks a promise. He gets tricked and put in jail. The Brain pays his bail and he's further in debt. He decides to sell his body to mad scientist Dr. Snitzer who likes the shape of his head. He lives his life for one last month before leaving his body to science.

It's a ridiculous premise. Joe E. Brown is trying to make it breezy fun. It's not actually funny. The tone is light or more light than the material should allow. I am intrigued mostly wondering how this is getting resolved. It needs to end with a funny gag but it's not. Maybe that's why there is the final chicken gag. Honestly, I don't get the joke but it's the same light ridiculous non-sense that permeates this movie.

"If at first you don't succeed, suck eggs."

Joe E. Brown isn't the most magnetic guy in the world, but he has a certain flair in this film, like when he tosses his hat over his shoulder and it lands perfectly onto a hat rack. He plays a man nicknamed "Feet" who possesses a load of scruples but no money, and in a rather contrived way comes to owe a gangster ("The Brain") $500, payable in a month or else. Gotta love those names, right? He comes up with the brilliant idea of selling his body to science for $1000, then living it up until he has to kill himself to fulfill his end of the bargain. Naturally he starts getting incredibly lucky, winning all his bets (even accidental ones), winning the lottery, etc., the exact opposite of the cold streak he was on earlier. In the excitement of suddenly being obscenely wealthy, he somehow forgets (!) his promise.

This is an interesting variation on the theme of a rags to riches tale which was common during the Depression. Filmgoers could empathize with "rags" and dream of sudden "riches," when all their troubles would be gone. The film has amusing little things from 1930's, like that punchboard grid that cost a nickel to stick a pin through in the hopes of winning a $10 box of chocolate, and dialogue like one gangster exhorting another to drive faster by saying ("Travel boy, travel - we gotta lose 'em!"). Unfortunately, it's also loaded with plot holes and ridiculous character motivations. Maybe it's intention as a light comedy was to not take itself seriously, but it comes across as too silly, especially in its second half.

To be honest, I actually came for Alice White, who plays Hortense, Feet's girlfriend. I wish she had gotten more scenes, but she lights up the ones she's in. The film was released in May of 1934 and is thus pre-Code (enforcement began July 1), but you wouldn't know it. There's an allusion to breakfast after a night Hortense and another man spent together, as well as her and some other showgirls kicking their legs, but it's all pretty tame stuff. Overall, it's not a horrible way to spend 62 minutes, but just ends up being mediocre on all fronts.