Sensation Hunters

Because it was Charles Vidor's first credited feature, and because it was a pre-Code flick, I was hoping to see something astonishing. I didn't, but I found it a fine pre-Code.

Marion Burns is on her first steps in what she imagines to be a career in the performing arts -- all she has been in before is college shows. She has gotten a job as a singer in Juanita Hansen's troupe, on their way to Panama, where she quickly makes friends with her room mate, cynical old hand Arline Judge, and begins a budding romance with upright Preston Foster, whose mine is somewhere around there. She soon discovers that the troupe is not called on just to entertain on stage; they're there to get the customers to buy drinks, and Hansen is an old buzzard. Gradually things go downhill...

Although Burns is the central character, it's Arline Judge who has the standout role: pugnacious, profane, liable to marry anything with tattoos, and waiting for her first husband to show up again, she's a three-ring circus on her own. It's a lively movie and a lot of fun.

A somewhat disjointed story. Hooray for editing. There is no direct sensation in this movie as the sleeve of the DVD intimates. I am always interested in precode films and how they handled sex. This one has none. The story is eh. A great example of precode sex in films is the one with Constance Bennett The Common Law. Now thats a great story. Anyway its interesting to see Walter Brennan in a minor role and to see Preston Foster as our hero. Juanita Hansen as Trixie plays the alcoholic leader of the womens troupe entertaining sailors and various other vagabonds. The story jumps around too much to be given any serious consideration but I was curious you might be too.

A tawdry, mundane unsexy demonstration of why you should avoid poverty row pictures. The randy young men of 1933, to whom this was clearly marketed, would have been so disappointed to find that the only saucy thing about this was the very misleading posters of a semi naked Arline Judge.

Charles Vidor, in his first picture certainly doesn't show any promise that he'll eventually become a talented director. He fails completely to engage you with this tired formulaic story populated with clichéd stereotypes. The peppering with so-called comedy is cringingly un-funny and the inclusion of musical numbers serves simply to sabotage the flow. Those musical sections are actually pretty dire - don't expect Busby Berkley here! OK, Monogram might not have had much of a budget but it looks like like they only had one camera available when filming those lifeless numbers. They're presented almost in the style of a 1929 early talkie; no imaginative cinematography, no close ups of the pretty ladies (I assume they're pretty ladies but they might be blokes in wigs - you can't tell!) and the songs are hardly memorable either.

After her superb performance in Gregory La Cava's excellent AGE OF CONSENT, it's so disappointing to see how appalling Arline Judge's acting is in this. What is meant to be a brassy, ballsy personality comes across as an amateurish and crass cartoon caricature. Of course, it goes without saying that she wasn't in the same class as say Joan Blondell but even so, she was better than this. Also sad is seeing poor old Juanita Hansen, the former beauty of the silent screen attempting a career comeback with an embarrassingly poorly written character. With a few exceptions, what's needed to be a successful 1920s screen goddess is not what's needed to be a successful actress. She had significant personal problems so it seems cruel to be critical about her but it's not a good performance.

Like those unsuspecting sensation hunters lured into the cinemas under false pretences back in 1933, you also might be tempted to watch what you might think is a racy, sexy pre-code movie. Spare yourself the disappointment, the boredom and the futility of this and just be grateful that this first incarnation of Monogram went bust shortly after making this saving the world from any more of this type of garbage.

From a really cinema and score lover I feel like movies like this one that keeps hidden on a pre-code section are destinated for the ones that feels the urge to understand how society was back in the day and how the cinema was made!

I like it.

(There are some Spoilers) Early exploitation movie about a naive country girl trying to find fame and fortune in the world of show business and ending up down and out not in Beverly Hills but in Panama City.

On a cruise in the Pacific young and pretty Dale Jordan, Marion Burns, joins this group of singers and dancers who embarked on her ship, in Port Los Angeles, that are headed for Panama to do a show at Panama City's swinging "Bull Ring Cafe". Striking up a friendship with singer/dancer Jerry Royal, Arline Judge, the two girls together with their fellow singers and dancers are such a sensation that the show that they do goes on for twelve weeks. Dale starts getting tired of doing her act night after night and has two rich American suitors who want her hand in marriage; businessman Tom Baylor, Preston Foster, and playboy jet-setter Jimmy Crosby, Kenneth MacKenna. Making it very difficult for her to choose which one of the two she'll want to marry.

Things on the podium of the "Bull Ring" are also starting to go sour with the head of the singing and dancing troupe Trixie Snell, Juanita Hansen, hitting the bottle every night and causing the girls to miss their steps and notes on the stage due to Trixie's constance drunken badgering and bickering. With Jimmy winning her over Dale is ready to fly, with him in the cockpit, back to New York Ciy to start a new life in the rich and glamorous world that he lives in but something goes very wrong to change Jimmy's plans.

It turns out that Jimmy is already married to Elizabeth and that she won't give him a divorce even though they've been estranged for years. Not knowing what to do Jimmy fill's her up his gas tank and stomach with gasoline and alcohol and takes a ride on his plane to think things over. Losing control due to his being heavily intoxicated Jimmy takes a nose dive and crashes on the runway in a spectacular Kamikaze-like smash-up killing himself.

Dale now alone and needing money to get back to the states goes, together with Jerry, to get her job back with the Trixie girls but in a wild argument with Trixie Jerry punches her out and the two Cabaret singers are now left out in the cold. Left to having to do song and dance acts at the sleazy Burger Bar entertaining drunken sailors and mariners.

Things don't go too well at Burgers Bar with the girls being grabbed and fondled by the drunken clientèle and the manager and owner of the bar, Mr. Burger, is not too helpful allowing all this groping to go on in order to keep his bar full of paying, but drunken, customers.

One of the persons at the Burger Bar Indian Joe, Charles Stevens, is approached one evening by the local police for questioning in a number of knifing. It's then that all hell breaks loose with Jerry ending up in the hospital with a bullet in her chest. Needing money to pay Jerry's hospital bills Dale takes all the money she saved up, $150.00, to get back to the USA and pays for Jerry's hospital stay in Panama City.

The film "Sansation Hunters" does indeed have a happy ending with Tom Baylor coming to Dale's rescue, after receiving a letter from Jerry about her's and Dale's plight,and are soon married. As for Jerry her long lost boyfriend and sailor Olaf Anderssen, Jack Pennick, who one evening years ago in a Shang-Hai bar got so drunk that he missed his boat and was left stranded in the Chinese port city not knowing a word of Chinese. Well Olaf's now back in Panama City to start where he left off with his Jerry but this time not as a sailor! He not only learned to speak Chinese but worked himself up the ladder to become an Admiral in the Chinese Navy!

P.S the actor Charles Stevens playing to part of Indian Joe is not only a real American Indian but the grandson of non-other then the legendary Apache Indian Chieftain-Warrior Geronimo!How About That!