Randys Tödlicher Ritt

Another Wayne/Canutt/Hayes Lone Star entry, mostly enjoyable with the usual few tedious scenes thrown in. How any 52 minute movie can have tedious stretches is down to the love interest and various characters having to walk from one location to another. Riding is much more exciting after all!

It has a good start, with Wayne entering a saloon only to be greeted with a blood-bath, or was it just a good night previous? Chin-bald Hayes plays 2 characters, one the top baddie and the other a good-guy mute who has to write his words down on scraps of paper - more tedium. The key moment in RRA is after the heroine has said no to him as the good guy he starts to scribble an answer down to try to change her mind. Then he and the scriptwriter realise it won't do any good with only 5 minutes left so he petulantly blurts out "I'm fed up with this" and becomes his True Evil Self to her.

Some nice outdoor photography, nice print, nice scenes of the skinny Duke ambling around Alone before he's suddenly smitten with love. He improved his fight techniques in the coming years!

I've never been a fan of westerns, which is probably why up until last night I'd never seen a film starring John Wayne. Of course it doesn't help that our lives only overlapped by a year, so I didn't have a great deal of opportunity to see any of his films (in the theater at least). I received this film in a VHS films lot that I won from ebay, so I finally popped it in last night and gave it a whirl.

I went in expecting a really low budget, really old western...needless to say, my expectations were pretty low. All in all, I'd have to say the film really isn't that bad. I don't have any other John Wayne films to compare it to, so thus far it's my favorite. I can however, compare it to other westerns, and frankly, it was no "Tombstone", but it was worth my time.

The story is nothing fantastic, but it's has it's moments. The acting was just fine as far as I could tell and overall production value was OK, granted it was made in the 30's, so again, I wasn't expecting much. One scene in particular made me laugh out loud. Whenever the halfway-house is shown from a bird's eye view it is CLEARLY a scale model, it's hilarious how bad it actually looks...but again...30's.

In any case, I have no idea who to recommend this film to, but I will say that it's really short (60 minutes) so it won't take up too much of your time and it's kind of fun to see a film this old to appreciate films of today and how far they've come, not to say that this is bad, but just to further appreciate film-making.

Hope you enjoy it.

P.S. I just realized that this film has the honor of being the 3rd oldest film I've ever seen (as of 7-26-2006).

Above average fare from the Lone Star crew of worthies-- Hayes, Canutt, Dwire, and of course Wayne. Lindsley Parsons did several scripts for Wayne and Lone Star, but this one's arguably his best. Wayne's an undercover agent on the trail of an outlaw gang whose latest robbery ends in a massacre of saloon patrons and staff. The opening is a grabber as the camera surveys the corpse strewn floor, while a player piano bangs away in the background, eyes peer from holes in a painting, and a secret panel opens. The outlaw gang has a neat hideout in a hollow behind a waterfall. Their digs even includes, of all things, its own jail where the leading lady ends up! Some good hard riding, including (alas!) a trip-wire spill that looks dramatic, but I wonder if the horse survived. Canutt comes up with usual spectacular stunt as Wayne takes a fall from a ladder high up a rock face. Can't help but notice that Alberta Vaughn looks much too young to stack up as an adult leading lady, but manages okay in the acting department. The movie's unusual for rare use of a miniature as a special effect. It's pretty well done and money well spent since the ending makes unexpectedly good use of it. All in all, it's good clean fun, as they used to say.

John Wayne rides into a saloon and finds the player piano running and everyone in the place dead. The safe has been broken into as well. As Wayne investigates the scene the sheriff and posse arrive and promptly arrest Wayne vowing to get his gang as well. Breaking out of the jail with the help of the saloon owner because she knows he didn't do it Wayne is off to find out who did.

Though held by many as a classic, I'm not too sure of its status. Its certainly got some good moments and at least one classic moment in it, but its not really a classic sort of film. The opening of the film where John Wayne walks into the saloon and finds everyone dead is one of the creepiest sequences I've ever seen in any sort of film. There is something unsettling about the whole affair that really gets under your skin. Its the type of thing that makes you sit up and pay attention, I just wish the rest of the film was on on par with that one scene.

Unfortunately this 53 minute film also has a great deal of filler. There are frequent stretches were people just ride between locations. This doesn't include the chases which seem to spring up every five minutes or so. Its deadly and it kills the pace of the film which would be a taut 30 or 35 minute with out them.

Worth a look for that one scene if nothing else.

John Wayne enters a saloon to find a player piano tinkling the ivories to a room full of dead people and is promptly arrested! The real culprit is Hayes, who masquerades as kindly Matt the mute (!) and had the men killed as part of a land grab scheme.

There isn't as much action in Randy Rides Alone as there is in some of the other John Wayne/ Lone Star productions, though there are a few good stunts courtesy of Yakima Canutt, the one where he leaps forward off a rolling horse being a particular standout.

What really makes this good is the irresistible chance to see one of the few performances in which the clean shaven George Hayes plays a black-hatted heavy.

Waynes quip, "That's the end of Matt the mute.", is priceless!