Punch Drunks

This very early Three Stooges effort starts off differently than almost all their others in that the three don't know each other. Moe is a fight manager looking for boxer; Curly is a waiter and Larry a violinist. They all meet at this restaurant and when Larry starts playing "Pop Goes The Weasel," Curly goes nuts and punches everyone's lights out. Moe hires the two so he can get back into the fight game.

One day during some roadside training, they meet up with a pretty dame whose car is stuck in the mud. By playing the "Weasel" song, Curly lifts the car and solves the problem. She drives off as he jumps in the back seat!

The next scenes show newspaper headlines as "K.O. Stradivarius" (our hero Curly) beats all opponents and is now scheduled to fight for the championship.

The last bout is something to see: probably the goofiest fight scenes I've ever seen on film, which includes the great silent comics. Larry Howard ("Curly") was an underrated comic genius and shows it here early on in his career. It's the subtle things he does in this fight that had me laughing out loud.

"Punch Drunks" is a very good Three Stooges' comedy, with a typically silly situation leading to a lot of confusion and laughs. Moe is a struggling boxing manager who is eating lunch when he discovers that his waiter, Curly, transforms into a formidable fighter whenever he hears the song "Pop Goes the Weasel". Curly soon gets the chance to fight the champ. The fight sequence, cross-cut with Larry's frantic attempts to provide the needed musical accompaniment, is filled with laughs, and caps off a very funny short film. All three Stooges get the chance to perform at their best in this one.

The amazing thing to me is that Larry finds a man on a Truck with a record player playing Pop Goes The Weasel.The Record never ends and even when Larry crashes the truck through a brick wall the song is still playing at exactly the right spot. And Al Hill was a professional fighter albeit with a career than ended about ten years before this comedy. And Curly was the Butterbean of his generation,on a smaller scale. Look for Maxie Rosenbloom as one of the Fighters that Curly knocks out in the Cafe. And when we watch we love how the little shove that Moe gives Larry ends up with him being about ten feet away,head first in the stream. One of my Favorite Stooge Comedies!

In this early effort, rather than just watching the threesome run around and bash each other, there is genuine plot and character development. Instead of three barely distinguishable buffoons, we have three distinct characters interacting in an actual story line. They have a plausible initial meeting at a restaurant where Curly works as a waiter, Moe is a customer who discovers Curly's hidden boxing talent, and Larry the down-and-out musician who inadvertently plays the tune that sets Curly off. The plot device of having some stimulus turn Curly into an invincible destruction machine is reused in later efforts, most notably the mouse in the later "Moe, Larry, the cheese" routine, but they never really improve upon the use of "Pop Goes the Weasel" here. Larry is always at his best when he is able to play the violin in a way that fits plausibly into the plot, and Moe is actually sympathetic as the tough guy who takes the distraught Curly under his wing and makes him a success. The story is a real story, not just a loose string of slapstick antics; we actually feel tension and anticipation at the end as we watch Curly being beaten up by his opponent and wonder if and how Larry will find another way to play "Pop Goes the Weasel." Grade: A+.

I'm not a stooge fan, but this is funny! Curly is pretty much insane when he does that, the way he dances around like he's chasing his tail. What I like is that Larry, being a violinist before a stooge, plays the violin! (That's how I guessed what his instrument was on a quiz.) A real must-see for stooge fans (and I'm not even one of them!)