Das Gold von Texas

Looks like our friends at Lone Star put this one together on the fly. It's like they've got two plots going at the same time, and then decide to drop the one with bank robber Al (Eddie Parker) in favor of the other with Jake (Hayes) and his daughter (Sheldon). Nonetheless, there are some entertaining touches. The street fight with Wayne and Parker is especially energetic, two young guys in tip-top shape and well matched. I guess producers decided we Front Row kids had seen enough hard riding, so instead there's that nifty 3-way chase pitting horse against flivver against rail-car. The latter two are faster, but then the horse can go anywhere and we know who's got the horse. And is that Hayes actually duking it out with the bad guy. We only see the back of his head, at a time when the one-and-only Hayes was already pushing 50. Then there's that headlong slide down the sluice chute that looks like an Old West version of an E-ride at Disneyland. And what kid wouldn't have given his proverbial i- teeth to have been along on that one.

One reason I still like these Lone Star oaters is because of the young Wayne. Note how loose and relaxed he is; he's having fun out there in LA's outskirts with all his buddies in the crew and cast. He's just perfect for these matinée specials. But pity poor Barbara Sheldon as Betty. Director Bradbury has his hands full with the guys and the script, so here she is floundering around, doing her best, but looking like a confused puppy. Sadly, it appears she quit the business following this movie's wrap-up. No, this is not top-rank Lone Star, but then it's not every entry where we get to see knobby-knee Hayes in drag and his underwear. So there are compensations.

In passing—note how the assayer in his office quotes Hayes a price of $16 an ounce for gold. That was the price in 1933, and the trouble is it stayed at that price for the next 40 or so years because of gov't fiat. At the same time, the costs of mining gold were rising yearly. So the industry went into eclipse and that's why the metal that had so much to do with opening the West fell off the public's radar screen for so many years following WWII. Ironic.

John Wayne made 16 Westerns for Lone Star productions between 1933 and 1936. Many of them starred some of the same actors, (Wayne, Geo.(Gabby)Hayes, Yakima Canutt, Earl Dwyer etc.). The Lucky Texan is one of the best I've seen and I've seen nearly all of them. Sure the production techniques are primitive ( lots of jump cuts and zips, poor audio and editing) but these are marks of Bradbury's earlier films and only make these early films more interesting for me. Gabby Hayes is a laugh riot in drag in the courtroom scene and Canutt's "injun Joe" escape (through the open window of the courthouse) had me rolling. I loved this film. I'm glad I bought it.

"Lucky Texan" is one of a series of Lone Star westerns made by Wayne between 1933-35. This one is a cut above the average. The plot involves Wayne and his partner (George Hayes) finding gold and the efforts of baddies Lloyd Whitlock and Yakima Canutt to cheat them out of it.

This film contains a couple of oddities for a series western. Firstly, while pursuing one of the bad guys on horseback, Wayne actually misses tackling him off of his horse and lands at the bottom of a ravine. But fear not. A large downward sloping sluce just happens to be nearby and the Duke grabs a tree branch, mounts it and slides down the sluce in time to leap up a tree and jump the fleeing villain. Secondly, the final chase sequence is also interesting in that the baddies are escaping in an old railway utility car and are pursued by Hayes in a vintage auto which criss crosses the tracks Keystone Cops style with the villains, and of course by Wayne on horseback.

It is also noteworthy that Hayes, who played many different characters in this series, plays Jake Benson very close to his eventual "Gabby" character, which he had not fully developed at this time. The series also benefited from the stunt work of Yakima Canutt who can be clearly seen doubling for Wayne and others in this entry.

This film opens with young man Jerry Mason reuniting with Jake Benson, a friend of his late father, who he hasn't seen since he was a child. Jake tells how he is no longer ranching due to rustlers but is thinking of opening a blacksmiths. Soon they are working at it together. When they re-shoe a horse they find a stone in its hoof that contains gold; from what the rider said they establish which creek it was in. They find plenty of gold there and take it to local assay office... not realising the man running it was responsible for stealing his cattle and now plans to take Benson's ranch and gold strike... first he needs to find where the gold is. Around the same time Benson's granddaughter returns to live with him.

Despite a somewhat weak opening and pantomime villain this film turned out really well. The plot is basic but provides an excuse for some good stunts. As well as the expected fisticuffs and horse chases there are some fairly original stunts; the most obvious being as Jerry rides down a fast flowing sluice to catch a bad guy and a final chase that features Jerry on a horse and Jake in a car chasing the villains who are aboard a small, powered railway workers vehicle. Most of these feature regular stuntman Yakima Cannut who as was often the case also plays a henchman. John Wayne is solid as Jerry but it is George 'Gabby' Hayes who steals the show as Jake; especially in an hilarious courtroom scene where he turns up in drag! Barbara Sheldon okay as Betty Benson but isn't really used enough to justify her second billing. Overall I'd say this is well worth watching if you are a fan of early westerns.

Gabby Hayes irascible sidekick performance and Yakima Canutt's excellent stunt work make this one quite watchable. Gabby is delightful, especially when he puts on a dress to testify at his own trial. The horse transfer stunt that doesn't work is really special. Yakima (doubling for Wayne) jumps on a fleeing horse from his own galloping horse, he misses and ends up rolling down a hill. One gasps and hopes he wasn't hurt.

With likable characters and a plot that keeps moving, this one is quite professional and on a par with a good Lone Ranger episode two decades later.