IMDb-BEWERTUNG
6,6/10
2137
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright comp... Alles lesenAn unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.An unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.
- Regie
- Drehbuch
- Hauptbesetzung
Ralf Harolde
- Hendrickson
- (as Ralfe Harolde)
Mary Treen
- Nurse
- (Gelöschte Szenen)
Monica Bannister
- Tea Assistant
- (Nicht genannt)
George Beranger
- Steamship Ticket Clerk
- (Nicht genannt)
Tom Costello
- Grant
- (Nicht genannt)
Empfohlene Bewertungen
This pre-code film starring James Cagney has him playing Jimmy Corrigan who is a private detective specializing in finding heirs to large fortunes. He's in competition with Alan Dinehart who calls himself a "geneologist" and has just about the same set of ethics Cagney has. The only difference is Cagney lacks the polish of Dinehart and is less a hypocrite.
Now no one ever confused James Cagney with Ronald Colman on the screen and I daresay they probably were never up for the same parts, but Cagney dumbs it down to Leo Gorcey levels in order to contrast himself with Dinehart. It's effective though.
What makes this film special is that the leading lady is Bette Davis who was a year away from finally getting Jack Warner to give her a role with substance in Of Human Bondage. Speaking of class, you can see that Ms. Davis has it in abundance and that she wasn't going to be held down with supportive leading lady roles. Later on Cagney and Davis were given The Bride Came COD when both were big box office names.
Cagney is quite the operator here and I won't tell you exactly what he does, he does bend our legal system over backwards though. And if he's not exactly reformed, he does learn the difference between class and manners.
Now no one ever confused James Cagney with Ronald Colman on the screen and I daresay they probably were never up for the same parts, but Cagney dumbs it down to Leo Gorcey levels in order to contrast himself with Dinehart. It's effective though.
What makes this film special is that the leading lady is Bette Davis who was a year away from finally getting Jack Warner to give her a role with substance in Of Human Bondage. Speaking of class, you can see that Ms. Davis has it in abundance and that she wasn't going to be held down with supportive leading lady roles. Later on Cagney and Davis were given The Bride Came COD when both were big box office names.
Cagney is quite the operator here and I won't tell you exactly what he does, he does bend our legal system over backwards though. And if he's not exactly reformed, he does learn the difference between class and manners.
I loved this amazing movie. I can't believe the amount of plot and dialogue weaved into 67 minutes by Cagney and Curtiz.
Cagney just does not shut up, thankfully. He is brilliant. The idea that he was a shady geneologist who goes semi-straight and that Bette Davis was his foil was interesting. Lots of lauggh out loud scenes in this movie.
Cagney just does not shut up, thankfully. He is brilliant. The idea that he was a shady geneologist who goes semi-straight and that Bette Davis was his foil was interesting. Lots of lauggh out loud scenes in this movie.
Con man Jimmy Corrigan (James Cagney) runs an agency that finds heirs of those who died without a will and he's not above providing phony heirs in order to collect his fee. His girlfriend (Bette Davis) didn't approve of his underhanded techniques so she left him to go work for his supposedly honest and respectable competitor. In order to win her back, Jimmy tries to prove he can go straight and become a respectable gentleman.
Cagney and Davis are both enjoyable in this snappy comedy, each getting plenty of good lines. Cagney, with his bow-tie, crew cut, and nasal accent, is different than most other pictures I've seen him in from this period. Another fine example of what an underrated actor he was, even doing these WB programmers. They're backed up by a fine supporting cast including Allen Jenkins, Arthur Hohl, and Alan Dinehart. A fun one for fans of Jimmy and Bette.
Cagney and Davis are both enjoyable in this snappy comedy, each getting plenty of good lines. Cagney, with his bow-tie, crew cut, and nasal accent, is different than most other pictures I've seen him in from this period. Another fine example of what an underrated actor he was, even doing these WB programmers. They're backed up by a fine supporting cast including Allen Jenkins, Arthur Hohl, and Alan Dinehart. A fun one for fans of Jimmy and Bette.
A delightful example of 1930's comedy, with James Cagney on fire as a tough and uncultured geneologist-scam artist who matches wits with an assortment of shady types in pursuit of a dead rich woman's fortune.
The dialogue is snappy and frequently laugh-out loud, the supporting cast led by Bette Davis is fine, and James Cagney is particularly hilarious in his portrayal.
One of the subplots involves Cagney's attempts to learn a little class with which to impress his love/nemesis Davis, and there is a sustained scene of hijinks concerning this that will have you laughing and commending Cagney's acting at the same time. All I can say is that I will never look at tea the same way again!
Finally, this movie is worth seeing just because it was directed by the great Michael Curtiz. This was the first time Curtiz was entrusted with a really major film project, and he makes the most of it. Of course, Curtiz would later direct Cagney in arguably his greatest role, that of Rocky in Angels With Dirty Faces (1938). Curtiz also directed such classics as Casablanca (1942), Captain Blood (1935), The Adventures of Robin Hood (1938), The Sea Wolf (1941), The Sea Hawk (1940), Yankee Doodle Dandy (1942 - which won James Cagney an Oscar) and many many other great films.
Between Curtiz, Cagney, Davis, and the rest, there is a lot to like about this movie. It's not Heavy Drama, but if you like the kinds of witty and lighthearted comedies that flourished in Hollywood during the 1930's, you will enjoy this example.
The dialogue is snappy and frequently laugh-out loud, the supporting cast led by Bette Davis is fine, and James Cagney is particularly hilarious in his portrayal.
One of the subplots involves Cagney's attempts to learn a little class with which to impress his love/nemesis Davis, and there is a sustained scene of hijinks concerning this that will have you laughing and commending Cagney's acting at the same time. All I can say is that I will never look at tea the same way again!
Finally, this movie is worth seeing just because it was directed by the great Michael Curtiz. This was the first time Curtiz was entrusted with a really major film project, and he makes the most of it. Of course, Curtiz would later direct Cagney in arguably his greatest role, that of Rocky in Angels With Dirty Faces (1938). Curtiz also directed such classics as Casablanca (1942), Captain Blood (1935), The Adventures of Robin Hood (1938), The Sea Wolf (1941), The Sea Hawk (1940), Yankee Doodle Dandy (1942 - which won James Cagney an Oscar) and many many other great films.
Between Curtiz, Cagney, Davis, and the rest, there is a lot to like about this movie. It's not Heavy Drama, but if you like the kinds of witty and lighthearted comedies that flourished in Hollywood during the 1930's, you will enjoy this example.
Have always had a thing for seeing films that have great casts or actors/actresses etc. that do a lot for me. That is yet another case of too many to count and list with 'Jimmy the Gent'. Love Bette Davis (i.e. 'All About Eve'), even when she featured in films that were not worthy of her, and James Cagney was great in 'White Heat' and 'Yankee Doodle Dandy'. Michael Curtiz directed two of my favourite films 'Casablanca' and 'The Adventures of Robin Hood'.
'Jimmy the Gent' is certainly worth the watch and definitely recommended, it is entertaining, well made and played with professionalism by people that clearly knew what they were doing and cared. Davis and Cagney did both do better though, in terms of both films and performances, and the same goes for Curtiz and his direction, particularly the above cited films on all counts. So to me it is not one of those must-see films. A longer length would have helped and if it tried to do a little bit less.
While not lavish, not that it needed to be, 'Jimmy the Gent' is well photographed with the right amount of gritty yet never cheap atmosphere. The music may not stay embedded in the brain a long time after, but it is a good match for the story's tone and at least appeals to the ears. It is breezily directed by Curtiz, while the script crackles amusingly and at its best hilariously.
The story has some fun twists and turns, is taut enough and is never dull. Cagney is in a role that plays to his strengths and gives a performance full of energy and that is entertainingly larger than life. Davis' character is not as interesting but she is charming and sassy, making the most of her role. The supporting cast are fine too, Allen Jenkins contrasting endearingly with Cagney.
On the other hand, there are times where the pace was a little hectic and the story over-stuffed. A longer length again would have helped.
Just over an hour felt far too short and with little time to go into more depth. Something that was missing here, giving the film a little emotional blandness.
Concluding, fun film if not great. 7/10
'Jimmy the Gent' is certainly worth the watch and definitely recommended, it is entertaining, well made and played with professionalism by people that clearly knew what they were doing and cared. Davis and Cagney did both do better though, in terms of both films and performances, and the same goes for Curtiz and his direction, particularly the above cited films on all counts. So to me it is not one of those must-see films. A longer length would have helped and if it tried to do a little bit less.
While not lavish, not that it needed to be, 'Jimmy the Gent' is well photographed with the right amount of gritty yet never cheap atmosphere. The music may not stay embedded in the brain a long time after, but it is a good match for the story's tone and at least appeals to the ears. It is breezily directed by Curtiz, while the script crackles amusingly and at its best hilariously.
The story has some fun twists and turns, is taut enough and is never dull. Cagney is in a role that plays to his strengths and gives a performance full of energy and that is entertainingly larger than life. Davis' character is not as interesting but she is charming and sassy, making the most of her role. The supporting cast are fine too, Allen Jenkins contrasting endearingly with Cagney.
On the other hand, there are times where the pace was a little hectic and the story over-stuffed. A longer length again would have helped.
Just over an hour felt far too short and with little time to go into more depth. Something that was missing here, giving the film a little emotional blandness.
Concluding, fun film if not great. 7/10
Wusstest du schon
- WissenswertesBecause he disliked the script for this movie so much, James Cagney had the sides of his head shaved for the film, without the knowledge of either director Michael Curtiz or producer Hal Wallis; Bette Davis did not appreciate it either, and refused to have publicity pictures taken with Cagney.
- PatzerWallingham's certified check is clearly dated 21 October 1933, but his steamship ticket, which he purchases afterwards, is dated 2 September 1933.
- Zitate
'Jimmy' Corrigan: Baby, what would you do for five hundred bucks?
Mabel: I'd do my best.
- VerbindungenFeatured in Alles über Bette Davis (1994)
- SoundtracksMy Old Kentucky Home, Good Night
(1853) (uncredited)
Written by Stephen Foster
Sung a cappella by Hobart Cavanaugh and Eddie Shubert
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 7 Min.(67 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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