Es geschah in einer Nacht

Many things don't mix or go together, quite often they repel but when things do gel, when they seamlessly merge and mingle like two dancers combined as one, the end result can often be quite memorable, magical and spectacular. As here, with Claudette Colbert and Clark Gable, where the story is pretty immaterial but the interactions between the pair makes this, to this day, as engaging, charming and funny a conjuring as any you might previously have come across and, quite probably, any you might venture to find in the future.

Consider this, "It Happened One Night" was made in 1933 which gives it the distinction 70+ years later of being the oldest film still widely viewed by mainstream audiences. And most of the runner-ups for oldest film are 1930's screwball comedies inspired by the success of this seminal film which made a clean sweep of the 1934 Academy Awards. The genre has held up over the years because these are small human stories with themes that are still relevant.

The main reason "It Happened One Night" worked then and still works today is the accidental pairing of Colbert and Gable, who provide an amazing chemistry under Frank Capra's direction. Columbia Pictures was a small player in the early days of talking pictures and studio head Harry Cohn had difficulty rounding up two major stars to play the leads in this modest budget production. Colbert was not interested in doing another Capra film after a negative experience working for him six years earlier in her silent picture debut. Cohn told Capra: "That French broad likes money" and Capra finally got her on board with an offer of $50,000 (double her usual price) and a guarantee that production would only last 28 days. Gable was under contract to MGM but had been making trouble for them so as punishment Louis B. Mayer personally loaned him to Columbia for this film.

The film had a lot else going for it; a motivated Capra, a great script that would play well with small town America, and a good ensemble of supporting talent. The story concerns a spoiled young heiress (Colbert) trying to escape the control of her father (nicely played by Walter Connelly). Dodging her father's private detective she takes a Miami to New York bus where she meets a recently fired reporter (Gable) who agrees to help her in exchange for an exclusive story. Cozy quarters and many adventures lead them to change their initial opinions of each other (brainless brat and obnoxious bully) as an undisclosed affection develops. On the eve of their arrival in New York they try to sort out their feelings for each other.

While the script is not really successful in convincingly illustrating the process of their falling in love (one minute they are just friends and the next they are in love), Capra is able to sell it with a simple connection process between these two characters which is at work throughout the film. As another reviewer has written: "Far from lovey-dovey, the dialogue is witty, sharp and occasionally heartless. We may know the outcome, but the road to get there is paved with arguments, anger and misunderstandings. It's also clever, funny and a bit risqué (for 1934)" . During their three days and nights together Colbert convincingly gives us a character who matures from a spoiled rich girl to a responsible adult, motivated by a desire to improve her companion's opinion of her. Gable shows real star presence, playing a confident, charming, and resourceful gentleman. By the end their sudden love is credible because they have demonstrated that they are both exactly what the other is looking for in a partner.

After the Oscar ceremony Capra threw a party where he downed a magnum of champagne and passed out on his front lawn clutching his Best Director Oscar.

Then again, what do I know? I'm only a child.

Capra's 'It Happened One Night' is a fascinatingly shot romantic comedy. It has the 30's feel but at the same time I am surprised that such skill was used in the making of this movie during the 1930s. The camera-work is brilliant as it brings out both the spatial feel and the crowdiness. the long shots are effective and I liked how the scenes change in a sideways 'flip' mode. There's always something about the driving scenes of old classics that amuse me. Clearly the background was shot separately and then projected on to a screen during the shooting of the film while in the foreground the actors are just seated in a car pretending to drive. While the background scene changes, the viewer keeps tuned to the wonderful dialogue between the actors. Needless to add, the film's got fantastic dialogue.

Capra also brilliantly gives us a glimpse of the 30's American society, especially focusing on gender and class status. The difference between the upper class rich people and the common ordinary man is shown by their use of language and their non-verbal behaviour. Yet, in a way the film is also ahead of its time. Ellie isn't just some clichéd damsel of the 30s. She is strong-minded, stubborn and smart (albeit slightly naive). She is one who fights for what she wants rather than giving in easily. Perhaps this is also one quality of hers that attracts Peter but at the same time their funny quarrels also indicate that there is a an equality in gender status (which was something women were struggling with in those days).

The characters are very well etched. Peter and Ellie were a lot of fun but I also liked how Alexander Andrews (played excellently by Walter Connolly) was written as the rich father who's got all the money but all he wants for his daughter is her happiness. Clark Gable and Claudette Colbert are great together as they match wits and display warm chemistry.

'It Happened One Night' has become an instant favourite, one that I definitely plan to revisit.

This is a pleasant, funny classic that shows it age only slightly, and that has a lot of scenes you can look forward to each time that you see it. Gable and Colbert each get roles that are nicely suited to them, and are well-remembered for their performances. The supporting cast also rounds out the picture with some good character acting.

The cross-country trip on the bus and via other assorted methods is fun to watch, with several nice vignettes that complement the main story line. (The atmosphere on the long bus trip is done especially well.) The plot is of course not meant to be taken too seriously in itself, but it comes in very handy for setting up good characters and comedy.

It all comes across as effortlessly entertaining romantic comedy, with some classic scenes and characters you learn to care for in spite of their mistakes.

IT HAPPENED ONE NIGHT (Columbia, 1934), directed by Frank Capra, based on a short story "Night Bus" by Samuel Hopkins Adams, ranks one of the best known and popular romantic comedies from the 1930s, thanks to the star chemistry of Clark Gable (on loan from Metro-Goldwyn-Mayer) and Claudette Colbert (on loan from Paramount), with fine direction by Frank Capra, witty screenplay by Robert Risken, and for being the very first motion picture to win all five major Academy Awards, including Best Actor (Gable); Best Actress (Colbert); Best Director (Capra); Best Screenplay and Best Picture. This might have been an "upset" in 1934, considering other top-rated films and performances of the year, but who would have imagined IT HAPPENED ONE NIGHT to still be as entertaining today as it was back in 1934?

This now well-known plot that's been remade twice by Columbia as EVE KNEW HER APPLES (1945) with Ann Miller and William Wright; and YOU CAN'T RUN AWAY FROM IT (1956) with June Allyson and Jack Lemmon, opens in a yacht in Miami where Ellen "Ellie" Andrews (Claudette Colbert), spoiled daughter of a millionaire Wall Street banker, Alexander Andrews (Walter Connolly), who disapproves of her recent marriage to aviator King Westley (Jameson Thomas), making arrangements on having it annulled. Following a heated argument with her father, Ellie runs from her state room, jumps overboard and swims to shore. Eluding her father's hired detectives, Ellie, acquiring new clothes, purchases a night bus ticket bound for New York City where she plans to meet Westley. While on board, Ellen encounters Peter Warne (Clark Gable), a hot-headed reporter recently fired by his editor, Joe Gordon (Charles C. Wilson). With both disliking each other immensely, Warne, having discovered the "spoiled brat's" identity, becomes her constant traveling companion in order to get an exclusive story and his job back. Hours before reaching New York and taking a rest stop in an auto camp, misunderstandings occur as Ellen awakens to find both Peter and the car gone.

A simple story playing like an overlong "B" movie, IT HAPPENED ONE NIGHT is a memorable bus trip of so many classic scenes that have been imitated by others but never duplicated. Highlights include the "Walls of Jericho" where Peter and Ellen share a room in auto camps where a blanket is tossed over a rope that separates the couple as they sleep for the night; Peter demonstrating to Ellen on how a man undresses, particularly one in which he removes his shirt to no undershirt underneath; Peter's correct method of dunking a dough-nut into a cup of coffee; and the classic hitchhiking scene where Peter fails to attract cars while Ellen comes up with a method all her own.

Although IT HAPPENED ONE NIGHT is essentially a Claudette Colbert movie from start to finish (there's no secondary female character, quite rare for its time). Due to the strength of Gable's performance, this has been hailed to be his best comedic role. Gable's character is hot-headed and forceful, living by a moral code. Although he shares a cabin with a married woman, that's all he does. He even tells Colbert's Ellie when she asks if she'll ever see him again, he replies, "I make it a policy not to run around with married women." And when he's hungry, he takes a carrot from a farm rather than going through the method of panhandling. This is Gable, a role model. Director Frank Capra, whose subject matter is usually on people, captures the many extras, especially those on the bus and auto camps, to make them appear as important as leading players. Roscoe Karns is equally memorable, "believe you me!" as the gabby bus passenger, Oscar Shapeley from Orange, New Jersey; Ward Bond as the tough talking bus driver; the meek Arthur Hoyt and the nosy/ domineering Blanche Frederici as the auto camp owners; Georgie Breakston the poor boy traveling on the bus with his mother (Claire McDowell); along with other passengers gathered together and singing "The Man on the Flying Trapeze," to a player of a snoring fat and bald man who rests his head on Colbert's shoulder. During it's entire 106 minutes, there's seldom any underscoring. As for the costumes, with the exception of the final 15 minutes, both Gable and Colbert use the same clothing through most of their trip.

While Gable and Colbert had challenging roles in their careers, plus their reunion in MGM's large-scale BOOM TOWN (1940), it's amazing how this likable little comedy was the only one to honor them Academy Awards. There's a scene where I feel Gable earned his statuette, the one where he tells Ellen the type of girl he would like to someday marry, saying that those kind of women don't exist anymore. Gable says this with frankness and sincerity. Colbert on the other hand earned hers from that same scene as she she listens and looks on lovingly at Gable with tears flowing down her cheek, coming to realize it happened one night.

IT HAPPENED ONE NIGHT not only became a perennial favorite on late night television during the 1960s and 70s, but on cable TV as well, ranging from the Disney Channel (1980s), American Movie Classics (prior to 2001) to Turner Classic Movies, and availability on video cassette and finally DVD. While IT HAPPENED ONE NIGHT has aged in appearance, it's still timely screen entertainment. There'll never be another film like this again. (***1/2)